The Spencer Davis Group perform live at the Bridgewater Hall, Manchester in 2002. Includes 'Keep On Running', 'I'm a Man', and 'Gimme Some Lovin'.
Chris Rea is not alone in the company of musicians who found fame later in life – think Jarvis Cocker, Leonard Cohen – and indeed it is interesting to note that he didn’t achieve UK Top Ten single status until the release of The Road To Hell (pt2), a record that was actually his eighteenth chart entry. Artist and painter, blues aficionado and self-confessed motoring nut, filmmaker and Italian-influenced classical music composer, eclectic and maverick are two terms that hardly come close to describing a man who has sold more than 30 million albums worldwide for just being himself. Road Songs For Lovers is beautifully nuanced and a record that regularly tugs at the heartstrings and is arguably Rea’s best album to date. The album, Road Songs For Lovers, continues Rea’s obsession with travel and motion…
Live at Ludlow Garage 1970 features 91 minutes of the Allman Brothers Band in concert at a Cincinnati venue that they loved, nearly a year before their legendary Fillmore shows. The acoustics are good, though a little shaky – the tape was made at seven-and-a-half IPS, the bare minimum professional standard, which leaves more hiss than one might like and a bit less clarity than a fully professional live album might show. On the other hand, the group's sound imparts its own punch and clarity, and it was done in stereo, and if not for the existence of the Fillmore tapes, and the fact that the albums they yielded sold a kajillion copies, this show might well have been released in the 1970s. It isn't as intense as the Fillmore shows, but it does capture the group as a little-known working band with but a single album out and building a reputation – and with Dickey Betts yet to emerge as either a singer or composer and their sound still being worked out ("Statesboro Blues" gets a startlingly subdued performance, anticipating the acoustic version of "In Memory of Elizabeth Reed" from the '90s recording An Evening with the Allman Brothers Band: 2nd Set).
The Allman Brothers Band's fifth live release in 25 years, cut during 1994 in Raleigh, NC, and at the Garden State Arts Center in New Jersey, is a high-water mark in their Epic Records catalog. If anything, they're even better here than they were on the earlier Evening with the Allman Brothers Band, the old material getting fresh new approaches – the band was on for both nights, and presented sets, including an acoustic version of "In Memory of Elizabeth Reed" and "Jessica" (which won a Grammy Award), that soared and flowed, especially Dickey Betts and Warren Haynes' guitars. What's more, the clarity of the recording and the volume at which it was recorded make this a most rewarding 70 minutes of live music on a purely technical level – you can practically hear the action on the guitars during the acoustic set. It won't replace Live at Fillmore East or the live portions of Eat a Peach, but it deserves a place on the shelf not very far from them.
Blending rock, blues, country, and jazz, the godfathers of Southern rock in all its wild, woolly glory. Collection includes: 'The Allman Brothers Band' (1969); 'Idlewild South' (1970); 'At Fillmore East' (1971); 'Eat A Peach' (1972); 'Brothers And Sisters' (1973).