Continuing the twisted pop explorations of Here Come the Warm Jets, Eno's sophomore album, Taking Tiger Mountain (By Strategy), is more subdued and cerebral, and a bit darker when he does cut loose, but it's no less thrilling once the music reveals itself. It's a loose concept album – often inscrutable, but still playful – about espionage, the Chinese Communist revolution, and dream associations, with the more stream-of-consciousness lyrics beginning to resemble the sorts of random connections made in dream states.
At the same time Brian Eno was working on Here Come the Warm Jets, he was flexing his experimental muscle with this album of tape delay manipulation recorded with Robert Fripp. In a system later to be dubbed Frippertronics, Eno and Fripp set up two reel-to-reel tape decks that would allow audio elements to be added to a continuing tape loop, building up a dense layer of sound that slowly decayed as it turned around and around the deck's playback head. Fripp later soloed on top of this. No Pussyfooting represents the duo's initial experiments with this system, a side each.
Enjoy this nostalgic look back at the Teddy Boy subculture in post-war Britain with Madness frontman Suggs. Hear how young adults in the 1950s rebelled against the establishment.
Drums Between the Bells is a collaboration by producer Brian Eno and poet Rick Holland. It was recorded just after Eno finished work on 2010's Small Craft on a Milk Sea, his debut for Warp, and it followed on the release schedule less than a year later. In that sense, the timing was good for such a risky project. Music and poetry are often difficult companions, and combining them is best left to experts; fortunately, Eno is just such an expert. Although Holland is an obscure poet, he first came to Eno’s notice back in the late ‘90s (through a university project), and his poetry is very good. Although his words and thoughts are impressionistic, his themes are easier to peg: urban living, science, and the intersection of philosophy and biology. The music is almost entirely Eno’s own, with only a few tracks featuring guest credits – much less so than his previous album. While scattered moments here prove that percussion is still not his strong suit, the production is inviting, innovative, and a larger contributor to the general excellence of the record than the poetry.
The London Souls album ‘Here Come The Girls’ captures the seismic, raw rock & roll and prowess that’s landed them on stages with The Roots and Trombone Shorty, combined with sophisticated studio flourishes yielding psychedelia-kissed power pop a la ‘Revolver’ and Big Star. Guitarist/singer Tash Neal and drummer/singer Chris St. Hilaire recorded every instrument on the album and it was produced by Eric Krasno of Soulive/Lettuce. This is the debut release on Krasno’s Feel Music label, to be released in conjunction with its partner label Round Hill…
The boys get drafted into the Marines. On their first day in basic training, their commanding officer discovers that Sach's dad is an old war buddy of his, so he makes Sach a sergeant and places him in charge of the boys. While on the drill field, they discover the body of a dead Marine, and find a playing card on him that they trace to a local gambling house, where they suspect that the Marine was murdered.