Brass Construction continued to avoid the scrap heap, turning out another better-than-expected album. There were two more good singles in "Walkin' the Line" and "We Can Work It Out," and the production, arrangements, instrumental support, and vocals were all more inspired than they had been in the past.
Brass Construction leader Randy Muller took the group in a wider direction on their sophomore effort, Brass Construction 2 issued in December 1976. Their second LP was still funky, horn-punctuated disco; it just wasn't non-stop funky disco as their gold self-titled debut. Adding more Latin/Afro Cuban rhythms,they had a Top 10 R&B hit with the first single "Ha Cha Cha." It also introduced the irving Spice strings, who give the urgent radio-aired "Screwed" a swirling, almost tipsy feel.
Saxophonist/master musician, singer, songwriter and producer first began making an impact as a soloist with the 1975 release of his album, By the start of the ‘80s, the -born member of the musically prolific family was topping the U.S. jazz album charts and building a solid audience among R&B fans on both sides of the . A U.S. Top 10 jazz and Top 30 R&B best-seller, focused on ’s vocals as much as it did his prowess as an instrumentalist: the album contained the Top 40 R&B hit, (a favourite among UK rare groove lovers), the synth-driven title track and a hip cover of ’s .
Originally released in 1983, this album was recorded in between the 2 Toto albums "IV" and "Isolation", and includes most of the Toto band members, plus almost all the best studioperformers of L.A. at the time (Tom Kelly, Billy Steinberg a.m.o). The songs are well written and powerfully recorded. The 2 best known songs are the title track "Taking A Cold Look" and "Alone". The last one was also released some years later by the band Heart, but I personally like this original version better. If you like the mid-80's AOR/Westcoast sound, this album is a MUST, and the sooner you buy it, the better - for you!
Out on September 23, for the first time ever on CD, the Bertè's album originally released in 1983 on CGD label. Completely remasterd and with original artworks.
This lesser-known set, released by several Japanese labels including a 1991 CD issue by Denon, features flugelhornist Art Farmer with pianist Masahiko Satoh (doubling on electric piano), bassist Ron Carter, drummer Jack DeJohnette and a 14-piece string section arranged and conducted by Satoh. Despite its initial release in Japan, the music was actually recorded in New York City. Farmer is in excellent form on the seven modern jazz originals, most of which are given fresh treatments. The arrangements are fine, and Farmer is up to the task of carrying the main load on such songs as "Nica's Dream," "Blue In Green," "Maiden Voyage" and "Naima." Worth searching for.
And now for something completely different… Expanded reissue of this 1983 soundtrack to the final Monty Python film featuring an additional 12 bonus tracks including the demo for the theme song, radio adverts and deleted naughty bits. 29 tracks total including 'Every Sperm Is Sacred', 'The Galaxy Song', 'Christmas In Heaven' and film audio soundbytes galore.
Released at the same time as Dayton/Cutie Pie, this two-for-one release from the U.K.-based Expansion label combines the third and fourth albums from Dayton: Hot Fun (Liberty, 1982) and Feel the Music (Capitol, 1983). Perhaps due in part to switching between labels that weren't among the best outlets for R&B, the group never gained much commercial traction, but they recorded a considerable amount of excellent sophisticated funk. Much of it can be heard here, including the standouts "We Can't Miss," "Meet the Man," "Out Tonight," and "The Sound of Music" - the last of which stands up to anything driven by Leon Sylvers III (Shalamar, the Whispers, Dynasty) or Jacques Fred Petrus (Change, High Fashion, the B.B. & Q. Band).
The fourth album cut for the label wasn't much different from the previous three. It was a patchwork quilt: a little fusion, a little quasi-jazz, some urban contemporary material, and even a standard or two. She sang them all with ease and grace, although things were so smooth that they were almost comatose at times. would later go on to score much bigger hits working with , who at least injected enough hooks and tricks into his urban contemporary stuff to grab someone's attention.
is the debut album by , funk band . Originally released as in 1976 but was re-released by several months later as due to the success of the single