Brahms Symphony No 3

Herbert Von Karajan, VPO - Dvorak: Symphony No.8; Brahms: Symphony No.3 (1962/65) [Japan 2011] PS3 ISO + Hi-Res FLAC

Herbert Von Karajan, Vienna Philharmonic Orchestra - Dvorák: Symphony No.8; Brahms: Symphony No.3 (1962/65)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 69:57 minutes | Basic covers | 2,04 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Basic Covers incl. | 1,4 GB
Japanese Remastered Reissue '2011 / Esoteric Company, Japan # ESSD-90036

Karajan's Decca recording project marked a new era. Elegant performances inscribed with the long and close relationship between Karajan and the Vienna Philharmonic.
Brahms: Symphony No.3, Symphony No.2 - The Cleveland Orchestra (2014) [HDTVRip]

Brahms: Symphony No.3, Symphony No.2 - The Cleveland Orchestra (2014)
HDTV | MP4 | 1920x1080 (16:9), 25.00 fps, AVC, 11.6 Мбит, 0.222 bits/pixel | 48.0 KHz, AAC-LC, 2 ch, stereo, 384 Kbps
Classical | Length: 01:13:00 | 6.1 GB
Brahms: Symphony No. 3 & Dvořák: Symphony No. 8 - Wiener Philharmoniker; Herbert von Karajan

Johannes Brahms: Symphony No. 3 in F major op. 90 & Antonin Dvořák: Symphony No. 8 in G major op. 88
Classical | 1 CD | EAC Rip | 365 MB (3% recovery) | FLAC+LOG+M3U+Cue | Complete scans | FP & RS links
Publisher: Decca | Recorded: 1965 | Published: 2011
LSO / Bernard Haitink - Brahms: Serenade No.2, Symphony No.3 (2004) [SACD ISO+HiRes FLAC]

London Symphony Orchestra / Bernard Haitink - Brahms: Serenade No.2, Symphony No.3 (2004)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 4.0 >1-bit/2.8224 MHz | Front Cover | 3.21GB + 5% Recovery
FLAC Image+CUE 2.0 24bit/88.2 kHz | Front Cover | 1.1GB + 5% Recovery

The 1st & final movements of Brahms’s 3rd Symphony contain some of the most dramatic music he was to compose, yet both end serenely & enclose 2 beautiful inner movements. The equally exquisite Serenade No 2, unusually scored for wind instruments, violas, cellos & double basses, was 1 of his own personal favourites & both receive superb performances under Bernard Haitink in the 3rd part of his internationally acclaimed LSO Live Brahms cycle.
Brahms, Johannes: Symphony No. 3; "Haydn" variations - Staatskapelle Dresden; Claudio Abbado

Johannes Brahms: Symphony No. 3 in F major, op. 90; Variation on a Theme by Joseph Haydn op. 56a –
Staatskapelle Dresden; Claudio Abbado

Classical | 1 CD | EAC Rip | 250 MB (3% recovery) | FLAC+LOG+M3U+Cue | Complete scans | FP & RS links
Publisher: Deutsche Grammophon | Recorded: 1973-74 | Published: not indicated
Los Angeles Philharmonic, Gustavo Dudamel - Brahms: Symphony No.4 (2014) [Official Digital Download 24/96]

Los Angeles Philharmonic, Gustavo Dudamel - Brahms: Symphony No.4 (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 44:24 minutes | 752 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Although his catalog lists just four symphonies, Brahms wrote several other works that come close to that genre: his First Piano Concerto was indeed planned as a symphony, and the Second (which is in four movements) has been called a symphony with piano obbligato. Although the Second and Third Symphonies were introduced in Vienna, Brahms decided to give his Fourth Symphony an outof- town tryout.
Michael Sanderling - Beethoven: Symphony No. 3 & Shostakovich Symphony No. 10 (2017)

Michael Sanderling - Beethoven: Symphony No. 3 & Shostakovich Symphony No. 10
Classical | WEB FLAC (tracks) & d. booklet | 104:44min | 367 MB
Label: Sony Classical | Tracks: 08 | Rls.date: 2017

The Dresdner Philharmonie is the orchestra of Dresden, the State Capital of Saxony. Since 2011, Michael Sanderling has been its Principal Conductor, following Kurt Masur, Marek Janowski, Rafael Frühbeck de Burgos and others in this position.
Budapest Festival Orch, Iván Fischer - Brahms: Symphony No. 2 (2014) [Official Digital Download 24/192]

Budapest Festival Orch, Iván Fischer - Brahms: Symphony No. 2 (2014)
FLAC (tracks) 24-bit/192 kHz | Time - 68:20 minutes | 2.02 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Ivan Fischer’s follow up to his rapturously received recording of Brahms’ Symphony No.1 in 2009 – “monumental in every sense of the word…Outstanding.” as Andrew Clements in The Guardian put it.
Budapest Festival Orch, Ivan Fischer - Brahms: Symphony No. 1 (2009) [Official Digital Download 24/192]

Budapest Festival Orch, Ivan Fischer - Brahms: Symphony No. 1 (2009)
FLAC (tracks) 24-bit/192 kHz | Time - 67:20 minutes | 2.75 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Brahms never made a secret of the inspiration he drew from the Beethoven symphonies, but before he published his first symphony - inspired by Beethoven's fifth and ninth - he had struggled for no less than fourteen years with it. In the meantime he wrote many more pieces and his Variations on a theme by Haydn are considered to be a preliminary exercise before venturing on to the first symphony. The opening piece of this recording, the Hungarian Dance No. 14, goes back to Brahms as a young cafe pianist, when he and his father earned a bit on the side in bars in the red-light district of Hamburg and where he first heard Hungarian gipsy music. It was this experience that gave birth to Brahms' lifelong attachment to and admiration for this rich folk music style.
Royal Stockholm PO, Sakari Oramo - Carl Nielsen: Symphony No.1 in G minor; Symphony No.3 'Sinfonia espansiva' (2014)

Carl Nielsen - Symphony No.1 in G minor; Symphony No.3 'Sinfonia espansiva' (2014)
Royal Stockholm Philharmonic Orchestra; Sakari Oramo, conductor

EAC | FLAC | Image (Cue&Log) ~ 327 Mb (incl 5%) | Mp3 (CBR320) ~ 179 Mb (incl 5%) | Scans included
Genre: Classical | Label: BIS | # BIS-2048 SACD | Time: 01:12:28

The second installment in Sakari Oramo's superb hybrid SACD cycle of the symphonies of Carl Nielsen on BIS presents the Symphony No. 1 in G minor and the Symphony No. 3, "Sinfonia espansiva," two ruggedly independent works that reflect the composer's late Romantic style yet point to the modernism to come. While the Symphony No. 1 was influenced by Brahms and offers a rich harmonic language, propulsive rhythms, and a fairly homogenous orchestral palette, the Symphony No. 3 is striking for its reliance on unfolding counterpoint and long-breathed lines, and most notable for the use of wordless parts for soprano and baritone voices in the pastoral slow movement. These performances by Oramo and the Royal Stockholm Philharmonic Orchestra are exceptional for their stunning power and spacious feeling, though the crisp details and focused sound quality will be the biggest draw for audiophiles.