Brahms Piano Concertos Nos.1

Brahms: Piano Concertos Nos. 1 & 2 - Garrick Ohlsson (2013)  

Posted by peotuvave at April 13, 2014
Brahms: Piano Concertos Nos. 1 & 2 - Garrick Ohlsson (2013)

Brahms: Piano Concertos Nos. 1 & 2 - Garrick Ohlsson (2013)
EAC Rip | Flac (Tracks + cue + log) | 1 CD | Full Scans | 368 MB
Genre: Classical | Label: Abc Classics | Catalog Number: 4810409

There's nothing revelatory in this live recording of Brahms' two piano concertos by an American pianist, Japanese conductor, and Australian orchestra. That is, except for the music itself. Pianist Garrick Ohlsson, with an octave-and-a-half reach equal to Brahms' own, has the power for the titanic Beethovenian gestures of the Piano Concerto No. 1 in D minor, Op. 15, and for its foot-stomper of a finale, which is as good a place as any for the neophyte classical listener to start. Ohlsson is equally adept in catching the spacious and subtle dimensions of the second concerto, which one Viennese critic termed a symphony with piano obbligato.

Brahms Piano Concertos Nos. 1 & 2  

Posted by platico at Aug. 29, 2009
Brahms Piano Concertos Nos. 1 & 2

Brahms · Piano Concertos Nos.1 & 2 · Vladimir Ashkenazy · Concertgebouw Orchestra · Vienna Philharmonic Orchestra · Bernard Haitink
APE+CUE 384 MB | Booklet | MP3 HQ 165 MB | Scans | EASY CD-DA 12 | No Log | 1983/1984

Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)  Music

Posted by tirexiss at Dec. 3, 2016
Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)

Krystian Zimerman - Chopin: Piano Concertos Nos. 1 & 2 (1999)
EAC | FLAC (image+.cue, log) | Covers Included | 81:52 | 362 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 459684

Chopin's two piano concertos have long been admired more as pianistic vehicles than as integrated works for piano and orchestra. But in his revelatory new recording, Krystian Zimerman suggests otherwise: The opening orchestral tuttis have so much more light, shade, orchestral color, and detail, you wonder if they've been rewritten. Every gesture, every instrumental solo is so specifically characterized that by the time the piano makes a dramatic entrance, the pieces have become operas without words.
Romain Descharmes, Malmö Symphony Orchestra & Marc Soustrot - Saint-Saëns: Piano Concertos Nos. 1 & 2 (2017)

Romain Descharmes, Malmö Symphony Orchestra & Marc Soustrot - Saint-Saëns: Piano Concertos Nos. 1 & 2 (2017)
Classical, Piano | MP3 CBR 320 kbps | 00:58:16 | 134 MB
Label: Naxos

The sheer attractiveness of Saint-Saëns's music has ensured its immortality in the canon of French romantic composers. Spanning almost four decades, his five piano concertos vary widely in character but offer some of his most exciting if unorthodox creations, and represent an important evolutionary phase in the French piano concerto. The Piano Concerto No. 1 in D major, widely considered the first by a major French composer, is a youthful and exuberant piece, and the virtuosic Piano Concerto No. 2 in G minor is one of Saint-Saëns's most popular and frequently performed works in any genre.
Hermann Goetz - Piano Concertos Nos. 1 & 2 - Davide Cabassi, Magdeburg Philharmonic Orchestra (2016) {Naxos 8.573327}

Hermann Goetz - Piano Concertos Nos. 1 & 2 - Davide Cabassi, Magdeburg Philharmonic Orchestra (2016) {Naxos 8.573327}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 320 Mb | MP3 @320 -> 164 Mb | Artwork | 5% repair rar
© 2016 Naxos | 8.573327
Classical / Concerto / Orchestral / Romantic

Hermann Goetz's lifespan was no longer than Mozart's, and though much admired by contemporaries, as a tragic genius his music became almost forgotten, and the domain of but a few connoisseurs such as Gustav Mahler. Goetz's style remained closer to schumann and Mendelssohn, preferring lyricism and clarity to the more radical approaches of Liszt and Wagner. The virtuoso First Piano Concerto was a student work, its lovely central adagio sharing a use of colorful wind parts with the freshly optimistic Second Piano Concerto composed six years later.
Lars Vogt & Royal Northern Sinfonia - Beethoven: Piano Concertos Nos. 1 & 5 (2017)

Lars Vogt & Royal Northern Sinfonia - Beethoven: Piano Concertos Nos. 1 & 5
XLD Rip | FLAC (tracks)+cue, log, d. booklet| 73:34 min | 260 MB
Label: Ondine | Tracks: 06 | Rls.date: 2017
Classical, Romantic

Lars Vogt continues his Ondine recordings with a new cycle of Beethovens Piano Concertos. Conducting the Royal Nothern Sinfonia from the keyboard Lars Vogt shows the brilliance and the beauty of these two majestic works of the classic piano concerto literature. Beethoven made an early reputation for himself as a keyboard player. Piano Concertos Nos. 1 & 5 feature two opposite sides in Beethovens career: the 1st concerto is a masterpiece by a young composer in his 20s who is already looking into new dimensions of musical expression.
Lars Vogt & Royal Northern Sinfonia - Beethoven: Piano Concertos Nos. 1 & 5 (2017)

Lars Vogt & Royal Northern Sinfonia - Beethoven: Piano Concertos Nos. 1 & 5
Classical | MP3 CBR 320 kbps | 73:34 min | 170 MB
Label: Ondine | Tracks: 06 | Rls.date: 2017

Lars Vogt continues his Ondine recordings with a new cycle of Beethovens Piano Concertos. Conducting the Royal Northern Sinfonia from the keyboard, Lars Vogt shows the brilliance and the beauty of these two majestic works of the classic piano concerto literature.
Boris Giltburg, Rhys Owens, RLPO, Vasily Petrenko - Shostakovich: Piano Concertos Nos. 1 & 2; String Quartet No. 8 (2017)

Dmitri Shostakovich: Piano Concertos Nos. 1 & 2; String Quartet No. 8 (2017)
Royal Liverpool Philharmonic Orchestra; Vasily Petrenko, conductor
Boris Giltburg, piano; Rhys Owens, Trumpet

EAC | FLAC | Image (Cue&Log) ~ 236 Mb | Mp3 (CBR320) ~ 171 Mb | Artwork included
Genre: Classical | Label: Naxos | # 8.573666 | Time: 01:09:45

Shostakovich’s two Piano Concertos span a period of almost thirty years. The youthful First Piano Concerto is a masterful example of eclecticism, its inscrutable humour and seriousness allied to virtuoso writing enhanced by the rôle for solo trumpet. Written as a birthday present for his son Maxim, the Second Piano Concerto is light-spirited with a hauntingly beautiful slow movement. With the permission of the composer’s family, Boris Giltburg has arranged the exceptionally dark, deeply personal and powerful String Quartet No. 8, thereby establishing a major Shostakovich solo piano composition.
Yevgeny Sudbin - Beethoven: Piano Concertos Nos. 1 & 2 (2017) [Official Digital Download 24/96]

Yevgeny Sudbin - Beethoven: Piano Concertos Nos. 1 & 2 (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 63:16 minutes | 996 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

On two previous discs, Yevgeny Sudbin and Osmo Vänskä have released Beethoven’s three last piano concertos to critical acclaim. Distinctions include Editor’s Choice in Gramophone and top marks from the Italian magazine Musica and the German website Klassik-Heute.de, and performances have been described as ‘electrifying’ (classicfm.com), ‘absolutely stunning’ (Fanfare) and ‘a Beethoven experience you will not want to miss’ (ClassicsToday.com). For the final disc in their cycle, Sudbin and Vänskä have travelled to Helsinki to team up with Tapiola Sinfonietta, one of the top Nordic ensembles, and well suited for these earlier and more classical of Beethoven’s concertos.
Evgeny Kissin, Berlin Philharmonic Orchestra, Claudio Abbado - Prokofiev: Piano Concertos Nos. 1 & 3 (1994)

Evgeny Kissin, Berlin Philharmonic Orchestra, Claudio Abbado - Prokofiev: Piano Concertos Nos. 1 & 3 (1994)
EAC | FLAC (image+.cue, log) | Covers Included | 00:42:27 | 177 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 439898

The young Kissin was able to work wonders in Prokofiev–above all the Sixth Sonata (Kissin in Tokyo - Yevgeny Kissin). Regrettably, the mature Kissin recently delivered highly disappointing live performances of the Second and Third Concertos (Prokofiev: Piano Concertos Nos. 2 & 3), indeed, regardless of the predictable rave in the British press. This 1994 recording of the First and Third Concertos is unquestionably very good, especially the youthful First, although competition is very strong–from Graffman/Szell (Prokofiev: Piano Concertos Nos. 1 & 3) and Argerich/Dutoit (Prokofiev: Piano Concertos Nos. 1 & 3 / Bartok: Piano Concerto No. 3) in this coupling, and from the complete sets by Berman/Gutierrez/Järvi, Toradze/Gergiev and Krainev/Kitaenko.