An internationally known pianist and conductor, Daniel Barenboim has toured with the Chicago Symphony and was the music director of the Orchestre de Paris for more than 14 years. His repertoire includes Beethoven, Mozart and Anton Bruckner symphonies.
The Symphony No. 7, nicknamed "The Song of the Night," is widely regarded as the most enigmatic of Mahler's cycle and the most difficult to coherently interpret as a symphonic structure, even by this composer's extraordinary standards. The movements are undeniably Mahlerian in their abrupt mood swings and ironic twists, and each offers a wealth of fantastic ideas and brilliant orchestration – arguably the most innovative sounds in all of Mahler's works.
Boulez's approach here allows the intelligence and artistry of three admirable soloists and the Vienna Philharmonic to emerge with compelling force.
Music Week (London)
Pierre Boulez has been an exclusive artist with Deutsche Grammophon for over 20 years; his recording legacy with the label is immense. DG celebrate his 90th birthday with a 44-CD box set of his complete DG 20th century music recordings – an aspect of his work that lies at the heart of his achievement. ”The aim of music is not to express feelings but to express music. It is not a vessel into which the composer distills his soul drop by drop, but a labyrinth with no beginning and no end, full of new paths to discover, where mystery remains eternal.” – Pierre Boulez
Between 1994 and 2011, Pierre Boulez recorded the symphonies and songs of Gustav Mahler for Deutsche Grammophon, and for many listeners these recordings are high points in his catalog, while others regard them as idiosyncratic recordings for specialists. The basis of both views stems from Boulez's meticulous conducting and exacting performance standards, which produce music of extreme lucidity and precision, yet which can also seem overly cerebral and dispassionate. Boulez's approach to Mahler may seem clinical, and this is a reasonable assessment of the way he treats details, textures, timbres, dynamics, and rhythms as indicated in the score, clearly and cleanly, without adding personal touches or interpreting the music through Mahler's biography or his own mythology.