With an outstanding solo quartet and a great chorus and orchestra, Davis leads a sterling performance that challenges the supremacy of his 1966 Philips recording of Messiah. Davis leads a dramatic performance; the famous "Hallelujah" chorus appropriately grand, the final "Amen" bristling with brazen energy, both sung with extraordinary tonal coloring and precise articulation by the chorus, which also shines in a lithe "He shall purify" and a vividly virtuoso "For unto us a child is born." Soprano Susan Gritton's solos are a delight, whether in the measured "Behold, a virgin shall conceive" or her exuberant "Rejoice greatly." The vocal purity of her "I know my redeemer liveth" makes this track a highlight. Alto Sara Mingardo's darker tones are especially moving in her arias and dramatic in "He was despised."
Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve with the latest 24bit/96kHz mastering. Michael "Dodo" Marmarosa, born Pittsburgh, December 12, 1925, died September 17, 2002, jazz piano player, a link between swing and bebop, recorded with (among others) Lester Young, Charlie Parker, Lucky Thompson, Barney Kessel, Charlie Barnet and Slim Gaillard; retired from music, early sixties; died 76. That's what you surely will read in many books about him. Of course, Dodo disappeared from music when he was only 36; but he'll forever remain as one essential link between the swing era and bebop. Maybe he was one of the founders of bebop. Just a great musician.