Bononcini Messa, Stabat Mater Rinaldo Alessandrini

Concerto Italiano, Rinaldo Alessandrini - Antonio Maria Bononcini: Messa; Stabat Mater (2012)

Antonio Maria Bononcini - Messa; Stabat Mater (2012)
Concerto Italiano, conducted by Rinaldo Alessandrini

EAC | FLAC | Image (Cue&Log) ~ 391 Mb (incl 5%) | Mp3 (CBR320) ~ 195 Mb (incl 5%) | Scans included
Genre: Classical, Choral | Label: Naive | # OP 30537 | Time: 01:19:56

This disc is a tour de force, a world premiere recording of stunning music splendidly performed. The unjustly obscure Antonio Maria Bononcini was appointed late in life to be maestro di cappella in Modena, a post which allowed him to pour his store of invention into two grand sacred works, a Mass and a Stabat Mater. Conductor Rinaldo Alessandrini engages deeply with the composer’s imagination, opening up his dense counterpoint and delicately binding together his vocal and obbligato lines. The musical rhetoric of the Concerto Italiano is spellbinding, particularly when band and singers heighten gestures to surge powerfully towards a passage’s final cadence. However heated their delivery becomes – and the Stabat Mater does sizzle – the artists never rush. This is particularly crucial for bringing out Bononcini’s modulations and textures, which, because they shift rapidly, need space to breathe.
Rinaldo Alessandrini, Fabio Biondi - Pergolesi, A.Scarlatti; Leo: Stabat Mater, Salve Regina, Messa di S. Emidio (2010)

Rinaldo Alessandrini, Fabio Biondi - Pergolesi: Stabat Mater, Salve Regina, Messa di S. Emidio; A.Scarlatti: Stabat Mater, Messa per il Santissimo Natale; Leo: Salve Regina (2010)
Classical | EAC | APE, CUE, LOG | Scans | 826,95 MB
Rinaldo Alessandrini; Fabio Biondi | Released: 2010 | Label: Naïve

The legendary Italian composer Giovanni Battista Pergolesi was born 300 years ago, in 1710. To mark the anniversary, Naïve re-issues three renowned recordings to feature his choral music, in a specially-priced box set, headed by the Gramophone award-winning version of his Stabat Mater by Rinaldo Alessandrini and Concerto Italiano, considered one of the best ever recorded…
Also featured in the bargain “3 for the price of 1” set are other short pieces by Pergolesi, plus more by Alessandro Scarlatti and Leonardo Leo.
George Guest, St John's College Choir, Roger Norrington, Schutz Choir - Pergolesi, Scarlatti, Bononcini: Stabat Mater (1995)

George Guest, St John's College Choir, Roger Norrington, Schütz Choir - Pergolesi, Scarlatti, Bononcini: Stabat Mater (1995)
EAC | FLAC | Image (Cue & Log) ~ 645 Mb | Total time: 141:57 | Scans included
Classical | Label: DECCA | # 443 868-2 | Recorded: 1966, 74, 78, 80

This anthology of devotional music from 18th-century Venice and Naples offers an interesting and varied programme. Best known is Pergolesi’s Stabat mater, but the settings by Domenico Scarlatti and Bononcini stand well in comparison. The motets by Lotti, Caldara and Alessandro Scarlatti are real discoveries; Norrington’s performances of the latter are particularly fine. Guest’s Pergolesi suffers from a focus of sound which makes the interpretation seem somewhat generalised. However, all these performances give pleasure, while the music is melodically fresh and rhythmically vital.
-Terry Barfoot
Rinaldo Alessandrini & Concerto Italiano - Bach: Variations on Variations (Arr. for Baroque Ensemble) (2017) [24/88]

Rinaldo Alessandrini & Concerto Italiano - Bach: Variations on Variations (Arr. for Baroque Ensemble) (2017)
FLAC (tracks) 24-bit/88.2 kHz | Time - 61:13 minutes | 1.20 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

In this programme entitled Variations on Variations, Rinaldo Alessandrini, one of the today’s references on Baroque music, has chosen to adapt the Goldberg Variations and the Aria variata alla maniera italiana - initially composed for the keyboard - for small string ensemble, from duo to quartet.
Jean-Christophe Spinosi, Ensemble Matheus - Vivaldi: Nisi Dominus, Stabat Mater (2007)

Jean-Christophe Spinosi, Ensemble Matheus - Vivaldi: Nisi Dominus, Stabat Mater (2007)
EAC | FLAC | Image (Cue & Log) ~ 199 Mb | Total time: 41:57 | Scans included
Classical | Label: Naïve | # OP 30453 | Recorded: 2007

Antonio Vivaldi's probably early Nisi Dominus, RV 608, and Stabat Mater, RV 621, both for solo voice and ensemble, have received several top-notch recordings, so the listener can pick on the basis of voice type and stylistic preference. Countertenor David Daniels has essayed the pair with Fabio Biondi and his Europa Galante ensemble, and you can hear the preternaturally rich contralto Sara Mingardo in a reading with the fiery Italian Baroque specialist Rinaldo Alessandrini. Here you get a countertenor, Philippe Jaroussky, in the Nisi Dominus and a female contralto, Canadian Marie-Nicole Lemieux, in the Stabat Mater. The pairing robs the whole of unity at one level, but makes musical sense; the Nisi Dominus is a more athletic work that benefits from the power of the male voice, while the Stabat Mater, especially in Vivaldi's truncated and highly dramatic setting, may require the audience to identify with a female singer. In the event, Jaroussky is nothing short of sublime in slow sections like the "Cum dederit" (track 4), a masterpiece of quiet tension whose effects are amplified by the extreme, almost respiratory sensitivity of the Ensemble Matheus under director Jean-Christophe Spinosi. Hardly less effective is Lemieux, with an extremely emotional reading in which she seems to mean every word. A bonus on this disc not present on the others is a little Crucifixus from the Credo in G major, RV 592, featuring both singers and well placed in the middle of the program. Superb examples of Baroque vocal art all around, with sound that captures the subtlety and the full dynamic range of the music, which at times gets very hushed indeed.
(James Manheim)
Robert King, The King's Consort - Luigi Boccherini, Emanuele d'Astorga: Stabat Mater (1999)

Robert King, The King's Consort - Luigi Boccherini, Emanuele d'Astorga: Stabat Mater (1999)
EAC | FLAC | Image (Cue & Log) ~ 274 Mb | Total time: 73:20 | Scans included
Classical | Label: Hyperion | # SACDA67108 | Recorded: 1999

Boccherini wrote very little vocal music; however he left two settings of the Stabat mater. It was first set in 1781 for solo soprano and strings and then in 1800 for two sopranos and tenor, obviously influenced by the hugely-popular Pergolesi Stabat mater of 1736. There are many similarities in the notation and harmony—even the same key of F minor is used. The writing is of extraordinary individuality and seems to come straight from the heart. This unjustly neglected piece is surely one of the most remarkable sacred compostions of the era.
Emanuele d'Astorga was one of the most colourful figures in early eighteenth-century music and his life has often been the subject of legend rather than fact (brief details of which can be discovered in Robert King's illuminating booklet notes). During his life, Astorga was best known for his well-written and tuneful chamber cantatas (of which more than 150 survive) and his opera Dafni (only Act 1 now survives). But by far his most enduring work has proved to be this setting of the Stabat mater, his only surviving sacred composition. Throughout it we hear Astorga's gift for writing warm melodies, typical of the Neapolitan style of the time, and how he captures the melancholy of this most desolate of sacred texts.
Jacek Kaspszyk, Warsaw Philharmonic Orchestra - Karol Szymanowski: Litania, Stabat Mater, Symphony No.3 (2017)

Jacek Kaspszyk, Warsaw Philharmonic Orchestra - Karol Szymanowski: Litania, Stabat Mater, Symphony No.3 (2017)
EAC | FLAC (image+.cue, log) | Covers Included | 61:07 | 289 MB
Genre: Classical, Vocal | Label: Warner Classics | Catalog: 90295864507

The new album by the Warsaw Philharmonic features music by eminent Polish composer Karol Szymanowski. His Litany to the Virgin Mary, Stabat Mater and Song of the Night were written between 1914 and 1933, which is considered to have been the most fruitful period in his creative life.
Czech Philharmonic; Prague Philharmonic Choir; Jiri Belohlavek - Antonin Dvorak: Stabat Mater, Op.58 (2017) 2CDs

Antonín Dvořák: Stabat Mater, Op.58 (2017) 2CDs
Eri Nakamura, soprano; Elisabeth Kulman, mezzo; Michael Spyres, tenor; Jongmin Park, bass
Czech Philharmonic; Prague Philharmonic Choir; Jiří Bělohlávek, conductor

EAC | FLAC | Image (Cue&Log) ~ 328 Mb | Artwork included
Classical, Choral | Label: Decca | # 483 1510 DH | 01:23:02

Antonín Dvorák's Stabat Mater, Op. 58, truly merits the adjective "tragic"; it was written after the deaths of two of the composer's children in succession, and his grief rolled out in great, Verdian waves. There are several strong recordings on the market, including an earlier one by conductor Jiří Bělohlávek himself, but for the combination of deep feeling, technical mastery from musicians and singers who have spent their lives getting to know the score, and soloists who not only sound beautiful but are seamlessly integrated into the flow, this Decca release may be the king of them all. To what extent was the strength of the performance motivated by Bělohlávek's likely fatal illness (he died days after the album entered the top levels of classical charts in the spring of 2017)? It's hard to say, although he also delivered top-notch performances of Dvorák's Requiem in his last days. The members of the Prague Philharmonic Choir sing their hearts out in the gigantic, shattering opening chorus, which has rarely if ever had such a mixture of the impassioned and the perfectly controlled. Sample the chorus "Virgo virginium praeclara" to hear the magically suspended quality Bělohlávek brings out of the singers in lightly accompanied passages.
Cecilia Bartoli - Steffani: Stabat Mater (2013) [Official Digital Download 24/96]

Cecilia Bartoli, Coro della Radiotelevisione Svizzera, I Barocchisti & Diego Fasolis - Steffani: Stabat Mater (2013)
FLAC (tracks) 24-bit/96 kHz | Time - 72:25 minutes | 1.41 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Cecilia Bartoli’s exploration of the music of Steffani continues on from her best-selling recording 'Mission' with an album of the celebrated Stabat Mater alongside Steffani’s greatest sacred works for chorus, orchestra and soloists, constituting the most comprehensive collection of Steffani’s sacred choral music. Bartoli leads an array of internationally celebrated singers including countertenor Franco Fagioli, the bass Salvo Vitale and the two young German tenors Daniel Behle and Julian Prégardien.
Choir of Clare College, Cambridge and Graham Ross - Stabat Mater dolorosa: Music for Passiontide (2014) [24/96]

Choir of Clare College, Cambridge and Graham Ross - Stabat Mater dolorosa: Music for Passiontide (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 77:56 minutes | 1.26 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

The second album from the choir of Clare College, Cambridge in their series based on the major festivals in the Anglican calendar and, like „Veni Emmanuel“, produced by John Rutter.