Amnesty International commemorates its 50th anniversary with the release of an album featuring the cream of the world’s music talent covering Bob Dylan songs, with contributions from a huge variety of artists including Adele, Patti Smith, Pete Townshend, Ke$ha, The Gaslight Anthem, Sting, Jackson Browne, Elvis Costello, Sinéad O’Connor, Kris Kristofferson, Bad Religion, Marianne Faithfull, My Chemical Romance, Bryan Ferry, Pete Seeger and many more. Entitled Chimes of Freedom: Songs of Bob Dylan the album features 73 tracks on four CDs.
“It’s very complicated to play with electricity,” Bob Dylan said in the summer of 1965. “You’re dealing with other people… Most people who don’t like rock & roll can’t relate to other people.” But on Side One of this pioneering album, Dylan amplifies his cryptic, confrontational songwriting with guitar lightning and galloping drums.
Today I move to the 'Far West', heh, heh. Nothing less than the teacher-poet and the most influential country-rock singer of the last century: Bob Dylan.
No Direction Home: Bob Dylan is a documentary film by Martin Scorsese that traces the life of Bob Dylan, and his impact on 20th-century American popular music and culture. The film focuses on the period between Dylan's arrival in New York in January 1961 and his "retirement" from touring following his motorcycle accident in July 1966…
With Another Side of Bob Dylan, Dylan had begun pushing past folk, and with Bringing It All Back Home, he exploded the boundaries, producing an album of boundless imagination and skill. And it's not just that he went electric, either, rocking hard on "Subterranean Homesick Blues," "Maggie's Farm," and "Outlaw Blues"; it's that he's exploding with imagination throughout the record…
John Wesley Harding suggested country with its textures and structures, but Nashville Skyline was a full-fledged country album, complete with steel guitars and brief, direct songs.
Preserving newly written Bob Dylan songs for copyright is the reason why the Band's Garth Hudson rolled tape at Big Pink but The Basement Tapes were something much more than songwriting demos. Greil Marcus dubbed it a celebration of the "Old, Weird America" in his 1997 book Invisible Republic, connecting these songs to Harry Smith's Anthology of American Folk Music, adding an extra layer of myth to tapes that were shrouded in mystery from the moment bootlegs started to circulate. The Basement Tapes Complete strengthens portions of that legend while simultaneously puncturing it. Certainly, the six-disc box – its first five discs assembled according to Hudson's numbering system, with the sixth disc collecting sessions discovered later – feels substantially different from the LP released in 1975, where the overall picture was distorted by Robbie Robertson adding sometimes significant overdubs and including Band recordings that weren't cut during those seven months in 1967.