4 Blues Guitar Masters is a compilation of great blues music performed by Lucky Peterson, Magic Slim, Joe Louis Walker and Bill Perry.
Do you love the blues? Do you want to master it by learning the techniques used by the greats? Then Alfred's Real Blues Guitar is exactly what you're looking for. This book starts you off with the basics and takes a comprehensive approach to rhythm, lead, and solo playing. You'll be guided through the styles of blues guitar masters like Eric Clapton, Albert King, B.B. King, Freddy King, Stevie Ray Vaughan, T-Bone Walker and Johnny Winter. Kenny Chipkin performs every example in the book and provides his unique perspective on the history and influence of the great blues guitarists.
Memphis has long been a landing place for musicians from the surrounding rural areas in Tennessee, Arkansas and Mississippi, and in the 1920s and 1930s, it was a wide open town with plenty of opportunities for musicians to perform their music and make a living. As a result of Memphis’ hub status, it developed a strong blues scene in the 1920s and 1930s, with a host of outstanding singers and players. Many of these musicians had successful careers as recording artists, but a surprisingly large number of similarly gifted musicians went unrecorded or only got the opportunity to record a few titles. This DVD lesson offers instruction in the music of many of the finest guitarists to record out of Memphis in the 1920s and 1930s.
The state of Texas has had a major presence in the Blues, from the earliest days of the recording era right on up to the present day. So many tremendous Blues musicians have hailed from Texas, i.e. Blind Lemon Jefferson, Lightnin’ Hopkins, T-Bone Walker, Freddy King. This DVD focuses on the Country Blues guitarists who first defined the Texas Blues sound and who put Texas on the map as a prime location in Blues Country.
The city of St. Louis played host, in the 1920s and 1930s, to one of the most distinctive and vital blues scenes ever documented on record. Like Memphis and Atlanta, St. Louis served as a sort of magnet, attracting musicians from the surrounding hinterlands and providing performance opportunities that were not available out in the country. Many of the St. Louis musicians were transplanted Mississippians, like Charley Jordan, while others, like Clifford Gibson and Teddy Darby, originally hailed from Kentucky. The various early influences that the music of these players displayed ended up coalescing into something that might be called the “St. Louis sound”.