This massive compilation features standout tracks from across the three decades Rage has been on air. Songs that have resonated with fans and artists covering all genres, ages, genders and nationalities; it’s the definitive Rage collection! The rainy nights staying in, the drunken stumbles home, the house party-starter, the soundtrack to morning muesli – Rage means something different to everyone. The late-night television mainstay has entertained generations of Australians, providing a musical education and a window into a world of colour and artistry that is sometimes poetic, sometimes plastic, often raunchy but always fascinating.
As one of ECM’s most passionate and prolific contributors, Jan Garbarek has left us with a varicolored, sometimes watery, archive. For All Those Born With Wings, the Norwegian saxophonist went solo, painting an evocative album of relic-laden vistas. The result is a six-part session filled with a variety of instruments and tastes. The hammered dulcimer is a welcome sound to the Garbarek palette, and is used tastefully in the 1st Part, where Garbarek’s saxophone refracts into a flock of large-winged birds. An army of chants floods the 2nd Part, as martial drums resound like the introductory sequence of a classic martial arts film.
In January 1973, David Liebman, the saxophonist who played on the first sessions of On The Corner let himself be persuaded to play with the group. It really wasn’t his kind of music, but he thought that “it was where things were happening,” and as was his habit, he joined the fray. And it was prodigious, even if Miles had reduced his band in an attempt to radicalize the Afro-funk directions of On The Corner. No more keyboards, except for a few touches by Miles himself and no more Indian instruments.