When Sony/Columbia began its ambitious Legacy reissue project, those who followed their jazz titles knew it was only a question of time before the massive Billie Holiday catalog under their ownership would see the light in its entirety. The question was how? Years before there was a host of box sets devoted to her material, but the sound on those left something to be desired. Would they remaster the material in two- or three-disc sets with additional notes? Would it be one disc at a time? Would the material be issued as budget or midline material or at full price? The last item could be ruled out based on the label's aggressive and very thorough packages of single discs by Charles Mingus, Miles Davis, Duke Ellington, and others.
"Lady in Satin", Billie Holiday's penultimate studio album, is both revered and reviled by her fans. Recorded in February 1958, a mere 17 months before her death at the age of 44, it was said to be her personal favorite. These historical recordings show that her voice was ravaged by hard times, alcohol and drugs. Yet, heartache always informed her art, and she delivers here with unequated poignancy twelve songs that she'd never recorded before. We celebrate Billie's Holiday 100th birthday with this new and ultimate edition of "Lady In Satin", In addition to all of the original album tracks, all newly remixed and mastered in 24-Bit, the first CD is enhanced by the presence of three bonus tracks, including for the very first time a true stereophonic version of "The End Of A Love Affair"
Lady in Satin is an album by jazz singer Billie Holiday released in 1958 on Columbia Records, catalogue CL 1157 in mono and CS 8048 in stereo. It is the penultimate album completed by the singer and last released in her lifetime (her final album, Billie Holiday, being recorded in March 1959 and released just after her death). The original album was produced by Irving Townsend, and engineered by Fred Plaut.
Following up his 2000 tribute to guitarist Django Reinhardt, Chasin' the Gypsy, saxophonist James Carter pays homage to iconic jazz singer Billie Holiday on Gardenias for Lady Day. Perhaps never before has the jazz iconoclast balanced so perfectly his "big top" avant-garde leanings with his more pinstriped traditionalist aesthetic. This is a beautiful album that revels as much in classic melody as it does in Carter's most torrid saxophone "skronk."