In its ongoing series of reissues under the Double Time Jazz Collection moniker, Eagle Eye Media has put together two tribute shows on one DVD that demonstrate how a conception that is reverent yet forward-thinking can work wonderfully in one instance, and somewhat less-so in another. Tribute to John Coltrane: Live Under the Sky is an almost relentless, take-no-prisoners homage to Coltrane that works because it tries to take his music to a new place that is nevertheless respectful of its roots. Tribute to Bill Evans: Live at the Brewhouse is less successful because, while the musicianship is uniformly excellent, the lineage to Evans is less direct.
Depending on the nature of the person involved, success either dictates more and more compulsive activity, or else it permits relaxation. With Cannonball Adderley, the latter certainly appears to be the case; and this album can, among other things, serve as a testimonial to the truth of this impression. Adderley is undeniably a successful, widely-acclaimed artist, and it may seem to some that his success came quickly. But it is more in the nature of what one night-club comic once referred to bitterly as "my overnight success after fifteen years." To recap briefly, Cannonball came up to New York in the mid-'5Os with a thorough background as a player…
Ward One: Along the Way is the debut solo album from Black Sabbath drummer Bill Ward. Originally released January 10, 1990, and features a wide array of guest musicians, including then-former Black Sabbath band member Ozzy Osbourne.
Legendary jazz pianist Bill Evans is most often thought of as a "trio" player, as most of his albums have been piano/bass/drums, with the occasional solo or duo album. But he did record a select few albums with orchestras, and that's what makes SYMBIOSIS a special and unique entry in Evans' hugh catalog. Recorded in 1974, it was released in 1994 on CD for the first time. Further, this albums contains no standards or Evans originals–the title piece is a multi-part suite composed, arranged and conducted by Claus Ogerman (who also collaborated with Stan Getz and Frank Sinatra, among many others).
The brainchild of producer Gerry Teekens, United Soul Experience extricates trombonist Wycliffe Gordon from the Lincoln Center Jazz Orchestra orbit and teams him with some of the most interesting young talent in the Criss Cross stable. Tradition-minded but not predictable, the music alludes to several jazz and funk styles without settling into any one of them. Gordon, tenor saxophonist Seamus Blake, and pianist David Kikoski play like accomplished young veterans who continue to search for something more. Bassist Larry Grenadier and drummer Bill Stewart generate a circuitous kind of swing, stating a pulse and deconstructing it in the same instance. The leader’s five compositions evince memorable melodies and impose just the right amount of organization to the band’s loose-jointed execution.
Cardboard sleeve (mini LP) reissue from Bill Evans featuring the high-fidelity SHM-CD format (compatible with standard CD players) and the latest 24bit/96kHz digital remastering. Part of a 5-album Bill Evans SHM-CD cardboard sleeve reissue series featuring albums "I Will Say Goodbye," "Alone (Again)," "Intuition," "Re: Person I Knew," and "Jazzhouse." The Village Vanguard and Bill Evans have been linked in jazz history since the pianist's first trio recorded Sunday at the Village Vanguard and Waltz for Debby at the club in 1961. Evans returned often, and was later asked by owner Max Gordon to select the house piano. These eight tracks were recorded during the 1974 visit that also produced Since We Met, and offer an accurate sampling of his club sets of the time–a mix of old favorites and newer material, including five Evans originals and a budding interpretation of a Herbie Hancock tune.