The brainchild of producer Gerry Teekens, United Soul Experience extricates trombonist Wycliffe Gordon from the Lincoln Center Jazz Orchestra orbit and teams him with some of the most interesting young talent in the Criss Cross stable. Tradition-minded but not predictable, the music alludes to several jazz and funk styles without settling into any one of them. Gordon, tenor saxophonist Seamus Blake, and pianist David Kikoski play like accomplished young veterans who continue to search for something more. Bassist Larry Grenadier and drummer Bill Stewart generate a circuitous kind of swing, stating a pulse and deconstructing it in the same instance. The leader’s five compositions evince memorable melodies and impose just the right amount of organization to the band’s loose-jointed execution.
Cardboard sleeve (mini LP) reissue from Bill Evans featuring the high-fidelity SHM-CD format (compatible with standard CD players) and the latest 24bit/96kHz digital remastering. Part of a 5-album Bill Evans SHM-CD cardboard sleeve reissue series featuring albums "I Will Say Goodbye," "Alone (Again)," "Intuition," "Re: Person I Knew," and "Jazzhouse." The Village Vanguard and Bill Evans have been linked in jazz history since the pianist's first trio recorded Sunday at the Village Vanguard and Waltz for Debby at the club in 1961. Evans returned often, and was later asked by owner Max Gordon to select the house piano. These eight tracks were recorded during the 1974 visit that also produced Since We Met, and offer an accurate sampling of his club sets of the time–a mix of old favorites and newer material, including five Evans originals and a budding interpretation of a Herbie Hancock tune.
Music No Theory" Taught by legendary pianist Bill Gordon! From working with such artists as James Brown, Barbra Streisand, Quincy Jones, and Madonna in concert halls and recording studios around the world, to the classrooms of the largest audio school, SAE Institute, Bill Gordon has made music his career and a way of life. His passion, down-to-earth explanations will help you take your music to an entirely new level. Music, No Theory: "There is nothing theoretical about it."
"Music No Theory" Taught by legendary pianist Bill Gordon! From working with such artists as James Brown, Barbra Streisand, Quincy Jones, and Madonna in concert halls and recording studios around the world, to the classrooms of the largest audio school, SAE Institute, Bill Gordon has made music his career and a way of life. His passion, down-to-earth explanations will help you take your music to an entirely new level. Music, No Theory: "There is nothing theoretical about it."
Originally released in 1988, this album marked one of the truly successful world fusion creations, which Rhythm Magazine said symbolizes "the birth of a new era in music". It's a direct, transcendent exchange between six acclaimed musicians from diverse cultures, including L. Shankar, Zakir Hussain, Nicky Skopelitis, Daniel Ponce, Aiyb Dieng and producer/bassist Bill Laswell. This CD is a true American melting pot of deeply tangled roots, merging East and West to create a new music soundscape. At it's core, there's Indian music, and somewhere underneath lies flashes of the slow rustic lope of American country music.
Some Other Time: The Lost Session From the Black Forest is a newly unearthed studio session from the iconic pianist Bill Evans featuring bassist Eddie Gomez and drummer Jack DeJohnette. Recorded on June 20, 1968, nearly 10 years after the legendary Kind of Blue sessions with Miles Davis and a mere five days after the trio's incredible Grammy award-winning performance at the Montreux Jazz Festival, this is truly a landmark discovery for jazz listeners worldwide. Available in deluxe 2-CD and limited edition 2-LP sets, and containing over 90 minutes of music, this is the only studio album in existence of the Bill Evans trio with Gomez and DeJohnette. Some Other Time was recorded by the legendary MPS Records founder and producer Hans Georg Brunner-Schwer along with writer/producer Joachim-Ernst Berendt at the MPS studios in the Black Forest (Villingen, Germany).
Many different possibilities for harmonizing the same melody are illustrated and analyzed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans, and Clare Fischer. Techniques of melody harmonization, linear writing, and counterpoint for 2, 3, 4, and 5 horns. A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers.