Good Deal is a typically fine record from the Three Sounds, who were beginning to hit their stride when this session was recorded in May of 1959. Like most of their records, it's laidback – even when the group works a swinging tempo, there's a sense of ease that keeps the mood friendly, relaxed and mellow. Balancing standards like "Satin Doll," "Soft Winds" and "That's All" with bop ("Robbin's Nest"), calypso ("St. Thomas") and originals, the Three Sounds cover a lot of stylistic territory, putting their distinctive stamp on each song. It's very accessible, pleasant soul-jazz and mainstream hard bop, but Gene Harris' masterful technique means that Good Deal rewards close listening as well.
"Most of the APO analog to DSD conversions are great, but this one is probably the best from a sonic perspective. And if you like jazz trio's with articulate bass playing and a clear and purposeful piano technique, then you are in for a treat. This is a live recording set at the New York Village Vanguard jazz club with accompanying audience 'participation', though that never distracts. The Stereo separation is rather absolute left/right, with the piano in the right speaker and the rest in the left. There is virtually no center image…." ~sa-cd.net
"The music from Richter 858 was originally commissioned and recorded to accompany a book of paintings by Gerhard Richter, which was only available in limited quantities back in 2002. Tony Reif of Songlines decided to rescue the recordings from obscurity, and re-released them in early 2005. The band is Frisell on guitar and delay, Eyvind Kang on viola, Jenny Scheinman on violin, and Frisell's old bandmate Hank Roberts on cello. The pieces were directly inspired by a specific painting, and recorded live to two-track with no editing or overdubs."