The mid-Michigan based trio Organissimo is not your garden variety, grandfather's organ combo. Yes, they pay allegiance to Jimmy Smith and the forefathers of the B-3, but these musicians, particularly guitarist Joe Gloss and organist Jim Alfredson, are younger and have the audience of their generation in mind. Easy comparisons to Medeski, Martin & Wood, Soulive, and the Brothers Groove can be made. The difference maker is veteran drummer Randy Marsh, who has played his share of bop, soul-jazz, rock, funk, and commercial music, not to mention being a fan of Frank Zappa.
Fantastic collection of all 24 of the legendary late singer's hit singles on Monument Records from the 1960's plus a couple more stereo mixes. The set also contains a few of Roy's covers of classic songs like 'Distant Drums', 'What'd I Say', 'Let The Good Times Roll', 'Beautiful Dreamer' and 'Love Hurts'. There are other notable songs here too, many of them obscure songs, all of which confirm what a talented singer Roy was. The second disc includes all the b-sides, so collectors can be satisfied that they have all his single output from the era.
Roy Kelton Orbison (April 23, 1936 – December 6, 1988) was an American singer-songwriter and musician, well known for his distinctive, powerful voice, complex compositions, and dark emotional ballads. Orbison grew up in Texas and began singing in a rockabilly / country & western band in high school until he was signed by Sun Records in Memphis. His greatest success came with Monument Records in the early to mid 1960s when 22 of his songs placed on the US Billboard Top Forty, including "Only the Lonely", "Crying", "In Dreams", and "Oh, Pretty Woman". Fantastic collection of 24 confirmed classics from one of the most beautiful voices ever in modern pop music. The bulk of the tracks are drawn from Orbison's meticulous 1985 re-recordings of all his classics (that were done to absolute perfection). The balance come from the MGM and Sun Records archives. One track from 1969, "Say No More", written by Boudleaux Bryant, makes it's debut on this disc. Music Club.
Big Girl is the third album by Dutch alto saxophonist Candy Dulfer. Prior to its release, she had been working mainly with Ulco Bed. She was impressed, however, with Thomas Bank, an up-and-coming producer and keyboard player. This work marks the transition between the two producers and as a result has a much more funky style and tries to incorporate elements of rap and hip hop into contemporary jazz. The album features a collaboration with Trijntje Oosterhuis, on the track "Funkyness", before Trijntje became widely known as a singer. The album is mainly instrumental.