After spending time on the road after the release of their self-titled debut Jazz Funk Soul, the superstar trio of Jeff Lorber, Chuck Loeb and Everette Harp booked more studio time, with the goal of capturing their dynamic onstage energy and flow on a follow-up release. The brilliant result may be called MORE SERIOUS BUSINESS, but these legends also have a blast, let loose and jam. Combine Harp’s soaring sax, Loeb’s brilliant inventive guitar and Lorber’s super funky piano, and the result is serious fun – percussive and punchy one minute, sweet and sensual the next. Combined, the three have amassed an incredible 50-plus #1 Smooth Jazz radio hits, including two from their debut as Jazz Funk Soul. There are sure to be a bunch more now that they’re getting down to MORE SERIOUS BUSINESS.
GALAXIAN, the 1981 album from modern jazz group The Jeff Lorber Fusion, first appeared in 1981 and features the tracks "Magic Lady" and "Night Love."
For Immediate Release – Jeff Lorber Fusion, whose previous release Hacienda was praised for its “impeccable musicianship and deep grooves” by JazzTimes and its “funky, rollicking jams” by All About Jazz, returns on September 25, 2015, with Step It Up on Heads Up, a division of Concord Music Group. The fourth consecutive collaboration between GRAMMY®-nominated keyboardist/composer/producer Jeff Lorber and GRAMMY®-winning bassist/composer/ producer Jimmy Haslip since the two virtuosos reactivated Jeff Lorber Fusion five years ago, Step It Up features 11 new Lorber compositions, several co-written with Haslip. The longtime colleagues also co-produced the recording.
West Side Stories is the twelfth studio album by a Grammy Award nominated composer, keyboardist and pioneer of the smooth jazz genre, Jeff Lorber.
As with previous release 'Now is the Time' Jeff Lorber is joined by the Yellowjackets' Jimmy Haslip on bass, Eric Marienthal on saxophones and Vinnie Colaiuta and Dave Weckl sharing drumming duties. Jeff once again takes some of his more popular tunes from the past, like "Wizard Island", "City" and "The Underground" and updates them with the new band. "Essentially this album is a part two", Lorber says. "It features the same rhythm section, but it's even more into the jazz fusion direction. It's more energetic and the performances are tighter." In total, 'Galaxy' includes 11 Jeff Lorber original compositions.
This is without question Jeff Lorber's finest and most consistant album of the 1980's and is very difficult to locate on CD.The classic title track,featuring the dynamic vocals of singer Audrey Wheeler is the main centerpiece of this album and most of the material tends to be very similar-uptempo vocal funky R&B/fusion with a few light touches.
The Jeff Lorber Fusion's 1970s grooves were hip enough for Nelly to sample them on his 2003 "Pimp Juice" remix. On Lorber's latest CD, the Philly-born keyboardist delivers some of his trademark funk, albeit with musical twists, and a slew of guests from saxophonists Kirk Whalum and Tom Scott, guitarist Russell Malone, and trumpeter Chris Botti to the horns from Blood, Sweat & Tears. His smooth-jazz fans will dig Lorber's lovely rendition of Bill Wither's "Grandma's Hands," graced with Eric Benet's impassioned vocal, and "The Other Side of the Heart," the quiet storm duet with Benet and Holly Cole. But, like a few of his contemporaries, Lorber unplugs and takes to the acoustic ivories on the orchestral, Aaron Copeland-esque overture "Anthem for a New America." He increases his swing cred on the Gil Evans-ghosted "Surreptitious" and "BC Bop" and proves that some smooth stars still have a little hard bop left in them.
Buddy Guy revitalized his career when he signed with Silvertone Records in the early '90s. His first album for the label, Damn Right, I've Got the Blues, was a smash success, earning critical acclaim, awards, and sales hand over fist. Prior to that record, he was a legend only among blues fans; afterward, he was a star. Although it was a bit too rock-oriented and slick for purists, Damn Right was a terrific album, setting the pace not only for Guy but for modern electric blues in the '90s. As the decade wore on, Guy continued to make albums for Silvertone, some of them a little complacent, others quite excellent…