After achieving independence from Spain, Argentina developed its own models for concert- and opera-going, even though these continued in many respects to reflect European traditions. Musical legends emerged during this time: Astor Piazzolla, the founder of the Tango Nuevo, Mauricio Kagel, Carlos Gardel and Alberto Ginastera, the man considered for decades to be the country's most significant composer of classical music. Three of the works recorded on this CD fall into Ginastera's final ‘Neo-Expressionist’ period: the Concerto per corde Op.33 (1965), cast in a classical, four-movement form; the Estudios sinfonicos Op.35 (1967), which represent Ginastera at his most adventurous with the avant-garde style; and the Glosses sobra temes de Pau Casals Op.48 (1976/77), in which Ginastera experiments by taking traditional themes by the great Spanish cellist Pablo Casals and holding them up to an avant-garde mirror.
Liederabend "Wien-Prag-Berlin". Geografisch bilden Wien, Prag und Berlin gewissermaßen die Nord-Süd-Achse Mitteleuropas.
Historisch sind diese drei Metropolen schicksalsträchtig miteinander verbunden; für die Ambivalenz zwischen Freundschaft und Feindschaft geben die drei Jahrhunderte seit dem Barock ein beredtes Zeugnis. In der Musik besteht eine lange Tradition der gegenseitigen Befruchtung zwischen diesen Städten, die nicht zueltzt im kompositorischen Netzwerk zum Ausdruck kommt, in welchem die Schöpfer der von einer Berlinerin und einer Wienerin gesungenen Duette verbunden sind.
As a conductor, Sergiu Celibidache influenced as no other the musical life of Berlin, a metropolis still scarred by the war. The sound documents of this edition, most of which have not been previously released, for the first time paint a comprehensive picture of the conductor during the period between 1945 and 1957. These historic documents, providing new impressions of the legendary conductor, were revealed after intensive research.
2009 CD/DVD live release from the veteran Synth Pop band fronted by Terri Nunn includes a bonus DVD. Berlin's Electro-Pop sound features the enduring and assertive voice of Nunn, which is why All The Way In is the most preferable place to hear this Los Angeles-based group's music. Berlin made its first national impression with the provocative single 'Sex (I'm A…)' from the gold-selling debut EP Pleasure Victim in 1982. The Synth-soaked punch of 'No More Words' from 1984's Love Life album and the number one ballad 'Take My Breath Away' from the film Top Gun are the album's high points. Berlin's '80s poignancy provided some rather palatable music, even if the charts didn't say so. Songs like 'Dancing In Berlin' and 'Scream' could compete with anything Depeche Mode or Duran spouted at the time, and the range of Nunn's vocals elevated most of Berlin's efforts above the norm of the run-of-the-mill synthesizer glitz. All The Way In captures Berlin at their best in front of a hometown Los Angeles crowd.