The Jazztet had been in existence for two years when they recorded what would be their final LPs, Here and Now and Another Git Together. The personnel, other than the two co-leaders, flugelhornist Art Farmer and tenor-saxophonist Benny Golson, had completely changed since 1960 but the group sound was the same. The 1962 version of the Jazztet included trombonist Grachan Moncur III, pianist Harold Mabern, bassist Herbie Lewis, and drummer Roy McCurdy. It is remarkable to think that this talent-filled group wasn't, for some reason, snapped up to record even more albums together. Highlights of their excellent out-of-print LP include Ray Bryant's "Tonk," "Whisper Not," "Just in Time," and Thelonious Monk's "Ruby My Dear." A classic if short-lived hard bop group.
The future "King of Swing", Benjamin David Goodman, was born on the 30th May, in Chicago, Illinois. He was the son of Jewish immigrants and grew up with 11 brothers and sisters. Benny Goodman learned to play the clarinet in a synagogue and took his first steps as a musician on the pleasure boats on the nearby Lake Michigan.
He worked for several years from the middle of the Twenties with Ben Pollack, but also played with several other bands. Goodman met the well-known music producer John Hammond in 1933, and was persuaded by Hammond to form his first big-band…
The first half of this chronological release of Benny Goodman's 1931-1933 recordings is comprised of dance band performances from 1931 - 12 selections with vocals from Paul Small, Smith Ballew, and Dick Robertson that have little to recommend them except excellent musicianship. The jazz content is pretty low and even Goodman is not heard from much. This is from the era when the clarinetist earned his employment as a studio musician. The final ten numbers are from 1933 and are of greater interest. Trombonist/singer Jack Teagarden is well featured on six songs, Billie Holiday makes her hesitant recording debut on "Your Mother's Son-in-Law" and "Riffin' the Scotch," and there are some fine solos along the way by both Jack and Charlie Teagarden, pianist Joe Sullivan, and Goodman. This is still Benny Goodman pre-history, for he would not attempt to lead a big band until 1934.
This release features some of the best live recordings by the celebrated Benny Goodman Sextet featuring the legendary Charlie Christian. Taken from rare radio broadcasts, they present the magic of Christians guitar during his short-lived three year music career, before he succumbed to tuberculosis in early 1942. As a bonus, this edition presents four tracks taken from a jam session at Minneapolis Harlem Breakfast Club, presenting the Jerry Jerome Quartet with Charlie Christian on electric guitar (including extended solos), Frankie Hines on piano and the great Oscar Pettiford on bass (no drums).
As part of Blue Note's 60th anniversary gala, Benny Green was invited to record a selection of his favorite tunes from the label's venerable catalog. Green picked eight songs previously recorded by the likes of Horace Silver, Lee Morgan, Joe Henderson, and Dexter Gordon, then he recruited bassist Christian McBride and guitarist Russell Malone. Together, they recorded These Are Soulful Days, a splendid tribute to the glory days of Blue Note, when excellent hard bop musicians ruled the roster. Like the classic albums from the late '50s and early '60s, These Are Soulful Days clocks in at an economical 45 minutes and feels intimate. All eight songs were recorded directly to two-track, giving the music an immediate, vibrant feel.
At age eighty, tenor saxophonist, composer and band leader Benny Golson is still going strong, and although he experienced a few lean years, is very much a force on the modern mainstream jazz scene in the years of the 2000s. He has revived the spirit of his original Jazztet, co-founded with the late trumpeter Art Farmer, on several occasions since the ensemble was originally founded in 1959. This edition features a strong front line of Golson, trumpeter Eddie Henderson, and trombonist Steve Davis, players from different generations who completely understand the hard and post-bop language. The rhythm section is even more delicious, with pianist Mike LeDonne, peerless bassist Buster Williams, and younger drummer Carl Allen working together in the best sense of that ideal.