“Hünteler is playing a Jakob Denner Flute, one of only four to survive, and which was discovered in 1991 in the attic of a house near Nuremberg, where it had lain undisturbed for almost three centuries. And indeed Hünteler elicits beautiful sounds from the instrument.” ~Fanfare
“Hünteler is playing a Jakob Denner Flute, one of only four to survive, and which was discovered in 1991 in the attic of a house near Nuremberg, where it had lain undisturbed for almost three centuries. And indeed Hünteler elicits beautiful sounds from the instrument.” (Fanfare)
The pianist on this CD, Yulliana Avdeeva, is the winner of the Chopin piano competition in 2010. Checking the internet, you will find that the decision by the jury was controversial. Her playing was considered not to display the proper Chopin style, and too cool. I wasn't present at the competition, so I cannot write much about this. But having bought this CD, mainly because of use of old instruments, and the direction by the recently deceased icon of old music Frans Brüggen, I must say that I was totally blown away by the playing of Yulianna Avdeeva.
Claudio Abbado isn't a name one associates with early music, in light of his impressive career conducting the masterworks of the Romantic and modern eras. Indeed, he didn't conduct any music by J.S. Bach with the Berlin Philharmonic until as late as 1994. Yet when he's leading the talented Orchestra Mozart of Bologna in Bach's Brandenburg Concertos, his ease with the music and his players is obvious, and the performances have almost as much Baroque style as many versions by period ensembles of greater longevity. Abbado led this ensemble in all six Brandenburgs in 2007 at the Teatro Municipale Romolo Valli in Reggio Emilio, and the live performances were recorded by Deutsche Grammophon with close attention to details, as befits chamber music.
This is a perfectly reasonable recording of Bach's works for violin and orchestra and anyone who has not heard the works before will no doubt find them more than adequate. Violinist and leader Jonathan Rees is a fine player with a sweet tone and a warm style and he takes the strings of the Scottish Ensemble through thoroughly professional performances of the works. When joined by spry violinist Jane Murdoch in the Concerto for two violins and plangent oboist Nicholas Daniel in the Concerto for violin and oboe, Rees proves himself a graceful and considerate partner. Virgin's early-'90s sound is a bit thin on top but still clean and clear.(James Leonard)
There are many other highly recommendable recordings by Collegium Musicum 90 under Simon Standage on the Chandos early music label, Chaconne. If you’ve heard a reasonable cross-section of the music of Vivaldi and would like to experiment with some of his near-contemporaries, their recording of Alessandro Marcello’s six Violin Concertos, Op.6, known as ‘La Cetra’, together with an extra Concerto in B-flat, would be a good place to start.
A contemporary of Tomaso Albinoni, Alessandro Marcello was the son of a senator in Venice. As such, he enjoyed a comfortable life that gave him the scope to pursue his interest in music. He held concerts in his hometown and also composed and published several sets of concertos, including six concertos under the title of La Cetra (The Lyre), as well as cantatas, arias, canzonets, and violin sonatas.