“Hünteler is playing a Jakob Denner Flute, one of only four to survive, and which was discovered in 1991 in the attic of a house near Nuremberg, where it had lain undisturbed for almost three centuries. And indeed Hünteler elicits beautiful sounds from the instrument.” ~Fanfare
“Hünteler is playing a Jakob Denner Flute, one of only four to survive, and which was discovered in 1991 in the attic of a house near Nuremberg, where it had lain undisturbed for almost three centuries. And indeed Hünteler elicits beautiful sounds from the instrument.” (Fanfare)
Bernard Haitink conducts the Royal Concertgebouw Orchestra in Brahms’s great orchestral works, including the complete symphonies. The concertos feature three great soloists: pianist Claudio Arrau, violinist Henryk Szeryng, and cellist Janos Starker. "No one, I trust, will deny that Arrau has lived with, wrestled with, and in a truly terribly way ’known’ the D minor Concerto for more years than most of us can consciously recall. Where contemporary pianists have often tended to refine or domesticate the concerto, withdrawing it from the world of heroic endeavour, Arrau has always done the reverse. No pianist, apart possibly from Serkin in his several recordings, has communicated so formidably the work’s scope: its seriousness and its anxious, tragic mood. Often Arrau makes free with the text. But the vision is huge, the technique astonishing. Haitink is a worthy accompanist."
"Hans Werner Henze has written three violin concertos so far, separated in his output by gaps of 23 and 26 years. As you'd expect, they are very different pieces stylistically, and hearing them in succession provides a revealing map of the trajectory Henze's evolution has followed in his orchestral music. However, it's the two most widely separated works here that have the most similarities, suggesting how, in some important respects over the last half-century, he has come full circle. (…) The result is arguably one of the strongest of Henze's works from the 1970s; certainly that is how it seems in this very impressively controlled performance from Torsten Janicke and the Magdeburg Philharmonic." ~The Guardian
“This disc represents a major expansion in repertoire … excellently played and recorded“ (Fanfare)
Benda was headquartered in Berlin and his lifetime encompassed the latter three-quarters of the 18th century. He was one of those who ws fairly well known in his time — especially for his stage works — but is all but forgotten today. His harpsichord concertos received considerable attention during his life. They show the attributes of works composed during the time that the Baroque period was winding down and the Classical period opening. Benda did not just label these as just keyboard concertos but was specific that they were for the harpsichord, which was an important member of the Baroque orchestra.