2008 digitally re-mastered two CD set featuring the first three CBS albums from the Country rockers. The first 3 CBS albums released in early 70s from the country rockers. Their debut, Dr. Hook & the Medicine Show was released in 1971, followed by Sloppy Seconds in 1972, then Belly Up! In 1973. This double CD set features 'Sylvia's Mother', 'Freakin' at the Freaker's Ball', 'Queen of the Silver Dollar', 'The Cover of the Rolling Stone' and more.
For about a year after the Woodstock Music and Art Fair in 1969, it seemed as though everyone wanted to stage a rock festival. However, The Rolling Stones' disastrous Altamont free concert (documented in the film Gimme Shelter) forever tarnished the image of the rock festival in the U.S., while in Europe, the 1970 Isle of Wight Festival was fortunately less deadly than Altamont, but nearly as controversial. Staged by two men with greater ambitions than practical experience (not unlike Woodstock), the festival was held on a small island off the British coast, where some of the finest rock talent of the day – Jimi Hendrix, The Doors, The Who, Miles Davis, Joni Mitchell, Donovan, Jethro Tull, Joan Baez, Leonard Cohen, and Kris Kristofferson, among many others – were scheduled to play over the course of five days.
The 5th Dimension were just about the most successful harmony group of the 1960s and The Ultimate 5th Dimension is easily the most comprehensive single-disc collection on the market. It documents the heyday of the group, mostly their late-'60s tenure with Johnny Rivers' Soul City label and a few tracks from their '70s stay at Bell, and it focuses on their singles – their hit singles, that is. Each of the 20 songs here (the 21st track is a previously unreleased song, "Then You Can Tell Me Goodbye") was a Top 35 hit or better. "Aquarius/Let the Sun Shine In" and "Wedding Bell Blues" were their number one smashes; they also had four more Top Ten hits.
The Modey Lemon's Phil Boyd (guitars, Moogs, vocals) and Paul Quattrone (drums) invited Jason Kirker to join the band on bass and keys after he produced Thunder + Lightning. But that's not the only change on 2005's Curious City. In the band's earlier work, Boyd sang in a slithering rasp that matched Modey's blues-punk skuzz ably, if only satisfactorily. But on City his suddenly clearer vocals are the key hinge to mounting blasts of hellacious Moog noise and weird melodies that slink from under the belly of classic rock & roll. (On Curious they're weird even when quiet, as the downcast Animals redux "Countries" proves.) The background of "Fingers, Drains" warbles in heat and melting instrument noises, and Boyd's vocal on it is downright sultry. Meanwhile "Sleep Walkers" is some of the most efficient music Modey Lemon's ever made; it sounds like a lost Golden Earring B-side with its throbbing bass and insistent drum clap.