Bell Laboratories

The Idea Factory - Bell Labs and the Great Age of American Innovation (Audiobook)  eBooks & eLearning

Posted by Grev27 at March 11, 2013
The Idea Factory - Bell Labs and the Great Age of American Innovation (Audiobook)

Jon Gertner , Chris Sorensen , "The Idea Factory - Bell Labs and the Great Age of American Innovation"
Unabridged edition 2012 | 17 hours and 28 mins | ISBN: 1464035911 | MP3 48 kbps | 360 MB

The Idea Factory: Bell Labs and the Great Age of American Innovation  eBooks & eLearning

Posted by ksveta6 at Nov. 10, 2012
The Idea Factory: Bell Labs and the Great Age of American Innovation

The Idea Factory: Bell Labs and the Great Age of American Innovation by Jon Gertner
Penguin | 2012 | ISBN: 1594203288 | English | 432 pages | EPUB + MOBI | 1.35 MB + 1.65 MB

Crystal Fire: The Birth of the Information Age [Audiobook]  eBooks & eLearning

Posted by First1 at April 24, 2018
Crystal Fire: The Birth of the Information Age [Audiobook]

Crystal Fire: The Birth of the Information Age [Audiobook] by Michael Riordan, Lillian Hoddeson
English | April 24th, 2018 | ISBN: 1538590646 | MP3@64 kbps | 12 hrs 59 mins | 354.63 MB
Narrator: Dennis McKee

On December 16, 1947, two physicists at Bell Laboratories, John Bardeen and Walter Brattain, jabbed two electrodes into a sliver of germanium half an inch long. The electrical power coming out of that piece of germanium was 100 times stronger than what went in. In that moment, the transistor was invented and the information age began.

Analytical Methods for Network Congestion Control  eBooks & eLearning

Posted by Underaglassmoon at Aug. 11, 2017
Analytical Methods for Network Congestion Control

Analytical Methods for Network Congestion Control
Morgan & Claypool | English | 2017 | ISBN-10: 1627057331 | 213 pages | PDF | 2.4 mb

by Steven H Low (Author)
VA - Das Mikrofon / The Microphone (1991, Tacet # TACET 17)  [RE-UP]

Various - Das Mikrofon: Ein Querschnitt durch die Entwicklung des Mikrofons von 1927 bis heute
Various - The Microphone: Highlights of the evolution of the microphone from 1927 until today
EAC+LOG+CUE | FLAC: 296 MB | Full Artwork: 89 MB | 5% Recovery Info
Label/Cat#: Tacet # TACET 17 | Country/Year: Germany 1991
Genre: Classical, Technical | Style: -

As well as giving you a historic cross section, we would also like to provide you with an acoustic "insight" into the TACET label's production methods. TACET's philosophy that there is no recording technique or method which is absolutely perfect forever. Rather, it should be the job of a good recording team to use the best technical equipment available at any given time to experiment in the interests of the music, and to endeavor to provide the technical support in order to portray clearly the ideas of the composer and of the performing musicians. (…) Really audiophile sounds are only found where excellent musicians get the best out of excellent instruments and themselves. And the result is music! If you are not content to just listen to the excerpts on this album, you must simply listen to TACET's entire program.

Surface Modification and Alloying: by Laser, Ion, and Electron Beams  eBooks & eLearning

Posted by ksenya.b at July 18, 2015
Surface Modification and Alloying: by Laser, Ion, and Electron Beams

"Surface Modification and Alloying: by Laser, Ion, and Electron Beams" By J. M. Poate, G. Foti, D. C. Jacobson
PDF | 1983 | 414 pages | ISBN: 1461337356 | English | 9 MB

Crystal Fire: The Birth of the Information Age [Audiobook]  eBooks & eLearning

Posted by IrGens at Jan. 31, 2015
Crystal Fire: The Birth of the Information Age [Audiobook]

Crystal Fire: The Birth of the Information Age [Audiobook] by Michael Riordan, Lillian Hoddeson
English | November 17, 2000 | ASIN: B000056F1X | M4B@64 kbps | 12 hrs 45 mins | 368 MB
Narrator: Dennis McKee | Genre: Nonfiction/History/Technology

Forensic Chemistry by Suzanne Bell  eBooks & eLearning

Posted by tanas.olesya at Nov. 16, 2014
Forensic Chemistry by Suzanne Bell

Forensic Chemistry by Suzanne Bell
Prentice Hall; 1 edition | July 31, 2005 | English | ISBN: 0131478354 | 712pages | DJVU | 12 MB

As the number of forensic science and forensic chemistry degree programs has increased over the last few years, Forensic Chemistry was the first book to specifically address this rapidly growing field.

VA - Das Mikrofon / The Microphone [TACET 17] (1991)  Music

Posted by luckburz at Feb. 23, 2014
VA - Das Mikrofon / The Microphone [TACET 17] (1991)

Various - Das Mikrofon: Ein Querschnitt durch die Entwicklung des Mikrofons von 1927 bis heute
Various - The Microphone: Highlights of the evolution of the microphone from 1927 until today
EAC+LOG+CUE | FLAC: 296 MB | Full Artwork: 89 MB | 5% Recovery Info
Label/Cat#: Tacet # TACET 17 | Country/Year: Germany 1991
Genre: Classical, Technical | Style: -

As well as giving you a historic cross section, we would also like to provide you with an acoustic "insight" into the TACET label's production methods. TACET's philosophy that there is no recording technique or method which is absolutely perfect forever. Rather, it should be the job of a good recording team to use the best technical equipment available at any given time to experiment in the interests of the music, and to endeavor to provide the technical support in order to portray clearly the ideas of the composer and of the performing musicians. (…) Really audiophile sounds are only found where excellent musicians get the best out of excellent instruments and themselves. And the result is music! If you are not content to just listen to the excerpts on this album, you must simply listen to TACET's entire program.
Jean-Claude Risset: Songes · Passages · Computer Suite from Little Boy · Sud (1988)

Jean-Claude Risset - Songes · Passages · Computer Suite from Little Boy · Sud (1988)
Classical | EAC (APE - CUE - LOG) | 232 MB

Jean-Claude Risset (b 1938) is a French composer of electronic music. Arriving at Bell Labs in 1964, he used Max Mathew's MUSIC IV software to digitally recreate the sounds of brass instruments. He made digital recordings of trumpets and then studied their timbral composition using "pitch-synchronous" spectrum analysis tools, revealing that the harmonics of these instruments would differ greatly depending on pitch, duration and loudness. From 1975-79, he became IRCAM's computer music director and worked in close collaboration with the likes of Pierre Boulez.