Trinidad "Trini" López III is an American singer, guitarist, and actor. Initially receiving very little success, Lopez landed a steady engagement at the nightclub PJ's. He was heard there by Frank Sinatra, who had started his own label, Reprise Records, and who subsequently signed Lopez. His debut live album, Trini Lopez At PJ's, was released in 1963, & his career took off from that point. Many of the tracks are folk music songs. The cover shows Lopez with his Barney Kessel guitar, outside the nightclub. The album includes a cover of "If I Had a Hammer", which reached number one in 36 countries (No. 3 in the United States). It sold over one million copies, and was awarded a gold disc. Lopez also performs a version of the traditional Mexican song "La Bamba". This version was later re-issued as a single in 1966.
Belisario is, quite simply, one of Donizetti’s finest achievements. Dating from the high watermark of Donizetti’s maturity, with its premiere in 1836 (the year after the debut of Maria Stuarda in Milan and Lucia di Lammermoor in Naples), Belisario proved a triumph on stages throughout the 19th century. Yet, incredibly, it is little known today. The libretto, by Salvadore Cammarano (who collaborated with Donizetti on Lucia di Lammermoor), tells the moving and typically complicated story of the 6th century Byzantine general. Falsely accused by his wife, Antonina, of killing their son, he was blinded and exiled as his punishment. Only the recognition by his daughter, Irene, that her father’s former captive, Alamiro, was her long-lost brother restores Belisario’s reputation; tragically, too late to save his life.
Featuring intimate documentary footage and interviews with Lopez and her closest friends, as well as spectacular in-concert renditions of many of her biggest hits, the docu-concert goes behind the scenes of the superstar’s first world tour…
Boundary busting and inventive though it was, Kalimba (ACT, 2007)—the first album by German pianist Joachim Kuhn, Moroccan vocalist and guembri player Majid Bekkas, and Spanish drummer Ramon Lopez—ultimately felt like Kuhn's album more than a fully integrated, cross-cultural group exercise. Two years on, the trio's second outing, Out Of The Desert, offers a deeper mix—and an altogether more absorbing one.