Rudolf Buchbinder is firmly established as one of the most important pianists on the international scene, he is a regular guest of such renowned orchestras as the Berlin Philharmonic, Vienna Philharmonic, New York Philharmonic, Orchestre National de France, London Philharmonic, National Symphony, and the Philadelphia Orchestra. He has collaborated with the world’s most distinguished conductors including Abbado, Dohnányi, Dudamel, Frühbeck de Burgos, Giulini, Harnoncourt, Maazel, Masur, Mehta, Saraste, Sawallisch and Thielemann and is a regular guest at the Salzburger Festspiele and other major festivals around the world.
Following on from Volume 11 which has a superb Eroica Variations, Ronald Brautigam’s excellent journey through Beethoven’s complete works for solo piano continues in volume 12 with further variations. This time it’s a group from earlier in his career. The Dressler Variations were Beethoven’s first published work, and are pleasant enough though pretty light-weight stuff, as are the almost aphoristic Sechs Variationen über ein Schweizer Lied.
By virtue of their diverse styles and extraordinary technical demands, Ravel's solo piano works present a daunting challenge to anyone who would record them as a complete set. From the sublime Pavane pour une infante défunte and the crystalline Sonatine, to the dazzling impressionism of Miroirs and the nightmarish intricacies of Gaspard de la nuit, Ravel's keyboard music reflects all aspects of his spontaneous imagination and his involved artistic development. Few performers have completely mastered this complex body of work and recorded it superbly, but versatile Canadian pianist Louis Lortie is in that select company. His 1988 performances have been esteemed for their consistency, sensitivity, and compelling energy, and this reissue from Chandos is likely to garner even more praise for Lortie. Previously available in two volumes, this double disc is newly remastered, and Lortie sounds better than ever, particularly in such exquisite works as Le tombeau de Couperin and Valses nobles et sentimentales. Lortie's careful shading of subordinate lines and subtle use of dynamics in his coloristic effects invite repeated listening. Best of all, he captures Ravel's dry wit and irony with his mannered shaping of gestures, most effectively in Le tombeau, the Sérénade grotesque, and the Menuet antique.
Classical pianist Jean-Yves Thibaudet has become a command performer much in demand on the world concert scene. He is known for his beautiful poetic musical interpretations, and his skill at evoking the atmospheric textures, colors, and moods of the music he plays…