Rudolf Serkin emerged from the environment of post-World War I Austria to become one of the most profound and challenging pianists of the century. (…) Rudolf Serkin's discography is impressive, spanning most of the general repertory from Bach to the early/mid-twentieth century, and including such relative novelties as the F minor Concerto of Max Reger, a composer Serkin had an abiding affinity for. His work at the Curtis Institute, and, during the summers, at the Marlboro Festival, has made him one of the most influential American teachers of the post-World War II era.
This is the first-ever collection of Rudolf Serkin's complete recordings for Columbia Masterworks on 75 discs: Concertos, sonatas, chamber music and vocal performances, all recorded between 1941 and 1985. An all-embracing survey of Rudolf Serkin's recorded achievements, spanning over 44 years. Some collaborations include Adolf Busch, Pablo Casals, Peter Serkin, Jaime Laredo, Frtiz Reiner, George Szell, Eugene Ormandy, and Arturo Toscanini.
This concert was performed at the Musicvereinsalle in Vienna and was broadcast throughout Austria and most of Western Europe. Rudi was 85 years old at this time. He died three years later and is buried in Vermont. No one has ever played Beethoven with such passion and beauty in the 20th Century..
This three-CD set showcases Beethoven's most famous Violin Sonatas in multiple performances by some of the 20th century's greatest violin/piano duos. A virtual master class in Golden Age interpretation, this collection features three performances of the "Spring" Sonata and four of the "Kreutzer" Sonata, ranging from Georg Kulenkampff and Wilhelm Kempff's "Kreutzer" in 1935 to Nathan Milstein and Arthur Balsam's "Spring" in 1950. The set also includes the celebrated 1940 "Kreutzer" performance at the Library of Congress by Joseph Szigeti and Bela Bartók. To recapture the magic of these performances for a new century, rare, pristine 78s were transferred and 24-bit digitally remastered using the state-of-the-art CAP 440 technique.
This new recording of…the great D minor, K466, made last November with the LSO under Abbado, is immensely welcome. The old magic is still there: the ability to make every semiquaver in a run count: the way he can invest even quite 'innocent' music…with real meaning and character; the pathos and lyricism he brings to the slow movements; and the tension and drama he reveals in the outer movements of K466.
Rudolf Serkin's 1964 recording of Beethoven's Piano Concerto in C minor is surely among the greatest recordings of the work ever made, and certainly his finest performance of the work. The energy and enthusiasm and even passion he brings to Concerto in C minor is overwhelming, and indeed, it overwhelms Bernstein and the New York Philharmonic, who accompany Serkin with the sort of commitment that only a conductor and orchestra give to soloists when they are deeply inspired. But while Serkin's 1962 recording of Beethoven's Piano Concerto in E flat major is also surely among the greatest recordings of the work ever made, it is not quite Serkin's finest recording of the work.
Andras Schiff and Peter Serkin, internationally celebrated and multi-award winning classical soloists, make their New Series debuts with Music for Two Pianos. Regarded as 2 of the greatest pianists of our time, Schiff and Serkin are very seldom heard - as they are here - as piano duo. With this recording, ECM begins a long-term relationship with Andras Schiff, a musician described by Gramophone magazine as "a unique poetic voice among the pianists".