Beethoven Piano No.8

Freddy Kempf - Beethoven: Piano Sonatas 8, 14 and 23 (2005)  Music

Posted by andrey_yrs at April 30, 2006
Freddy Kempf - Beethoven: Piano Sonatas 8, 14 and 23 (2005)

Freddy Kempf - Beethoven: Piano Sonatas 8, 14 and 23
classical, piano | M4A 256 kbps | 116 mb |

1. Sonata for Piano no 8 in C minor, Op. 13 "Pathetique"
2. Sonata for Piano no 14 in C sharp minor, Op. 27 no 2 "Moonlight"
3. Sonata for Piano no 23 in F minor, Op. 57 "Appassionata"

Freddy Kempf has become one of the most important young artists on the world stage today. He has worked with major conductors and distinguished conductors and he is building a reputation as a serious, sensitive and profoundly musical artist.

Toscanini BEETHOVEN Symphony No.8 and Violin Concerto  Music

Posted by zse4xdrcfv at Oct. 25, 2010
Toscanini BEETHOVEN Symphony No.8 and Violin Concerto

Arturo Toscanini - BEETHOVEN (Symphony No.8, Violin Concerto) (CD 2)
EAC Rip | Separate FLAC tracks+CUE+LOG | Scans | 210MB | TT: 62:19 | Classical | FileServe

Beethoven: Piano Sonatas, Vol. 1 - Bavouzet (2012)  Music

Posted by peotuvave at Jan. 19, 2013
Beethoven: Piano Sonatas, Vol. 1 - Bavouzet (2012)

Beethoven: Piano Sonatas, Vol. 1 - Bavouzet (2012)
EAC Rip | Flac (Tracks + cue + log) | 3 CDs | Full Scans | 567 MB
Genre: Classical | Label: Chandos | Catalog Number: 10720

To run parallel with his complete Haydn series, Jean-Efflam Bavouzet is now starting a complete, chronological cycle of Beethoven’s piano sonatas. This first set covers the sonatas composed in the 1790s. Two further volumes, of middle and late sonatas, will follow in 2013 and 2014 respectively.

The Rubinstein Collection Volume 56 - Beethoven Piano Sonatas  Music

Posted by hanswurst at Dec. 27, 2008
The Rubinstein Collection Volume 56 - Beethoven Piano Sonatas

The Rubinstein Collection Volume 56 - Beethoven Piano Sonatas
Genre: Classical Piano Sonatas | 1CD | FLAC (CUE+LOG) | Covers & Booklet (pdf) | 327 MB MB
1962 & 1963 recording, 1999 release | Publisher: RCA Red Seal 09026 63056-2

Beethoven - Piano Sonatas Vol. II, opp.10 & 13 - Schiff (2006)  Music

Posted by p.cedric at Nov. 27, 2006
Beethoven - Piano Sonatas Vol. II, opp.10 & 13 - Schiff (2006)

Beethoven - Piano Sonatas Vol. II, opp.10 & 13 - Schiff (2006)
Classical | FLAC | 229 MB | 76’45 | No cover

Sequeira Costa - Beethoven: Piano Sonatas, Vol. 9 (2017)  Music

Posted by Pisulik at Aug. 14, 2017
Sequeira Costa - Beethoven: Piano Sonatas, Vol. 9 (2017)

Sequeira Costa - Beethoven: Piano Sonatas, Vol. 9 (2017)
Classical, Piano | MP3 CBR 320 kbps | 00:51:27 | 119 MB
Label: Claudio Records

In a career spanning five decades, Sequeira Costa has developed his own musical interpretation from an understanding of the German and French schools, acquired through studies with his teacher, Vianna da Motta, one of the last pupils of Liszt and Hans von Bulow.
Emil Gilels, New Philharmonia, Sir Adrian Boult - Ludwig van Beethoven: Piano Concertos Nos. 1 & 3 (2011)

Ludwig van Beethoven: Piano Concertos Nos. 1 & 3 (2011)
Emil Gilels, piano; New Philharmonia Orchestra; Sir Adrian Boult, conductor

EAC | APE | Image (Cue&Log) ~ 359 Mb | Mp3 (CBR320) ~ 163 Mb | Scans included
Classical | Label: ICA Classics, BBC Worldwide | # ICAC 5000 | 01:10:24

Emil Gilels, along with fellow Russian artists, Sviatoslav Richter, David Oistrakh and Mstislav Rostropovich represented four of the greatest artists of the 20th Century. These live performances from London's Royal Festival Hall in 1967 capture Gilels at his best playing in front of an audience away from the confines of the studio. William Mann in the Times wrote after the concert of Concerto No.3, "For all his truly Beethovian brio in the first movement, Gilels never allowed this to get the better of the clarity and firmness of his phraseology, indeed his opening was like chiselled stone. There was immense dignity in the Largo and in the Rondo, taken at what I thought to be exactly the right speed, came across with remarkable vivacity". These archive recordings in stereo are extremely rare and have never been issued before.
Rémi Geniet - Beethoven: Piano Sonatas (2017) [Official Digital Download 24/96]

Rémi Geniet - Beethoven: Piano Sonatas (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 75:31 minutes | 1.18 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

With this programme of four sonatas, the young pianist Rémi Géniet presents a highly judicious selection that enables listeners to enter the exceptional world of Beethoven’s thirty-two piano sonatas, which Hans von Bülow described as the ‘New Testament’ for pianists, the ‘Old Testament’ being Bach’s Well-Tempered Clavie.
Midori Seiler, Jos van Immerseel - Beethoven: Complete Sonatas for Violin and Piano (2012) (Repost)

Midori Seiler, Jos van Immerseel - Beethoven: Complete Sonatas for Violin and Piano (2012)
EAC | FLAC (image+.cue, log) | Covers Included | 03:53:58 | 1,07 Gb
Genre: Classical | Label: Zig-Zag Territoires | Catalog: ZZT307

Period-instrument performances of Beethoven's violin sonatas aren't too common; they pose thorny problems of balance even beyond the question of whether Beethoven wouldn't have preferred modern instruments if he could have had them. But this superbly musical set by violinist Midori Seiler, playing an Italian Baroque violin of unknown manufacture, and fortepianist Jos van Immerseel, on a copy of an entirely appropriate Viennese Walter piano, may well redefine the standard for these works.
Till Fellner, Orchestre Symphonique de Montreal, Kent Nagano - Beethoven: Piano Concertos 4 & 5 (2010) (Repost)

Till Fellner, Orchestre Symphonique de Montreal, Kent Nagano - Beethoven: Piano Concertos 4 & 5 (2010)
EAC | FLAC (image+.cue, log) | Covers Included | 72:40 | 266 MB
Genre: Classical | Label: ECM | Catalog: 001397502

As Austrian pianist Till Fellner has aged, his performance style has naturally matured. This CD of Beethoven's Fourth and Fifth piano concertos shows Fellner is still impetuous but more commanding, still virtuosic but less demonstrative, and still playful but less prankish and more thoughtful. His touch is generally light, as in the Fourth's airy closing Vivace, and often legato, as in the Fifth's lyrical central Adagio, but he displays plenty of power in the Fourth's dramatic Andante and the Fifth's mighty opening flourish.