„Beethoven is the alpha and omega of the symphonic repertoire: a repertoire crucial to any orchestra’s quality. However my orchestra at the Paris Opera had never played the Beethoven symphonies before.“ (Philippe Jordan) This Edition contains all Beethoven Symphonies with the Orchestra and Chorus of the Opéra national de Paris conducted by Philippe Jordan. A brand new production filmed in the highest quality known on the market today made by the creators oft he successful Shostakovich cycle. Philippe Jordan presents a young but traditionalist interpretation in the spirit of historical performance practice, setting a new course in Beethoven interpretation. Includes a documentary film „Philippe Jordan – Born to Conduct“ by Reiner E. Moritz. Reiner E. Moritz sketches his astonishing career and in his film uses exciting excerpts of his most important conducting performances, allowing Jordan to recount not only his childhood memories, but also his own career.
Beethoven wrote ten sonatas for piano and violin, the best known of which are the "Spring" and the "Kreutzer" sonatas. The fame of these two works has tended to result in neglect of the remaining sonatas. This is unfortunate because Beethoven's remaining eight sonatas for piano and violin include much great music. The set of 10 works is of an appropriate size to warrant exploration of the entire group for those with a passion for the violin or for Beethoven. It includes an appealing mix of familiar and unfamiliar music.
The string quartet is the highest achievement of classical music. How to describe what a great string quartet is/does? Four voices that sing, simultaneously dependently and independently. Or, as someone else once said, "a conversation among four very intelligent and witty persons." After almost 200 years, Beethoven's 16 quartets still stand as the acme of the form, notwithstanding brilliant contributions from just about every important composer since. There are many wonderful performances of the Beethoven quartets available on CD, but none are more distinguished than these performances by the Talich Quartet. More than any other ensemble in my experience, the Talich's performances proclaim that intimacy is the true experience of quartet playing (and listening). Every phrase is projected with exquisite attention to the constantly shifting balance of light and shadow that is the hallmark of the greatest quartet playing. Tempos are vigorous without being rushed, rubato is applied in the subtlest way imaginable, and dynamics seem to explore impossible distinctions between pp and ppp. In short, every performance in this set invites you to carefully listen to Beethoven's musical argument as you've never listened before.T. Beers – Amazon
Paul Lewis performed all the Beethoven piano sonatas on tour in the USA and Europe between the 2005 and 2007 seasons, in parallel with his complete recording of the cycle for Harmonia Mundi. His interpretation of the Lizst sonata was distinguished by the prestigious Edison Award, while his recording of the complete Beethoven sonatas received two Gramophone Awards in 2008 (Recording of the year and Best Instrumental Recording).
Covering the breadth of Beethoven’s complete output, this updated 86-CD box set is a staggering collection featuring performers including Alfred Brendel, Sir Colin Davis, David Zinman, Herbert Blomstedt, Staatskapelle Dresden and the London Symphony Orchestra.
Featured works include: Symphonies, Piano Concertos, Violin Concerto & Romances, Overtures and other orchestral works, Fidelio, Leonore, Septet, Sextet, String Quintets, String Quartets, String Trios, Violin Sonatas, Cello Sonatas, Chamber music for flute, Music for winds and brass, Piano Quintet, Clarinet Trio, Piano Sonatas & Variations, Songs, Masses.
Beethoven was the last great composer to write string trios, and his are the finest works of their type. Mozart hardly touched this particular combination, and Haydn wrote quite few very early works which are now completely unknown. In any case, Haydn used two violins and a cello, whereas with Beethoven the standard combination became violin, viola, and cello. These are all early works, expert examples of all that Beethoven learned from Haydn and Mozart in preparation for the writing of his first great string quartets. But far from being mere composition exercises, these are highly rewarding works on their own, and these outstanding performances make the best possible case for their claim to be ranked among Beethoven's chamber music masterpieces.