Beethoven Piano Quartete

Sequeira Costa - Beethoven: Piano Sonatas, Vol. 9 (2017)  Music

Posted by Pisulik at Aug. 14, 2017
Sequeira Costa - Beethoven: Piano Sonatas, Vol. 9 (2017)

Sequeira Costa - Beethoven: Piano Sonatas, Vol. 9 (2017)
Classical, Piano | MP3 CBR 320 kbps | 00:51:27 | 119 MB
Label: Claudio Records

In a career spanning five decades, Sequeira Costa has developed his own musical interpretation from an understanding of the German and French schools, acquired through studies with his teacher, Vianna da Motta, one of the last pupils of Liszt and Hans von Bulow.
Emil Gilels, New Philharmonia, Sir Adrian Boult - Ludwig van Beethoven: Piano Concertos Nos. 1 & 3 (2011)

Ludwig van Beethoven: Piano Concertos Nos. 1 & 3 (2011)
Emil Gilels, piano; New Philharmonia Orchestra; Sir Adrian Boult, conductor

EAC | APE | Image (Cue&Log) ~ 359 Mb | Mp3 (CBR320) ~ 163 Mb | Scans included
Classical | Label: ICA Classics, BBC Worldwide | # ICAC 5000 | 01:10:24

Emil Gilels, along with fellow Russian artists, Sviatoslav Richter, David Oistrakh and Mstislav Rostropovich represented four of the greatest artists of the 20th Century. These live performances from London's Royal Festival Hall in 1967 capture Gilels at his best playing in front of an audience away from the confines of the studio. William Mann in the Times wrote after the concert of Concerto No.3, "For all his truly Beethovian brio in the first movement, Gilels never allowed this to get the better of the clarity and firmness of his phraseology, indeed his opening was like chiselled stone. There was immense dignity in the Largo and in the Rondo, taken at what I thought to be exactly the right speed, came across with remarkable vivacity". These archive recordings in stereo are extremely rare and have never been issued before.
Rémi Geniet - Beethoven: Piano Sonatas (2017) [Official Digital Download 24/96]

Rémi Geniet - Beethoven: Piano Sonatas (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 75:31 minutes | 1.18 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

With this programme of four sonatas, the young pianist Rémi Géniet presents a highly judicious selection that enables listeners to enter the exceptional world of Beethoven’s thirty-two piano sonatas, which Hans von Bülow described as the ‘New Testament’ for pianists, the ‘Old Testament’ being Bach’s Well-Tempered Clavie.
Till Fellner, Orchestre Symphonique de Montreal, Kent Nagano - Beethoven: Piano Concertos 4 & 5 (2010) (Repost)

Till Fellner, Orchestre Symphonique de Montreal, Kent Nagano - Beethoven: Piano Concertos 4 & 5 (2010)
EAC | FLAC (image+.cue, log) | Covers Included | 72:40 | 266 MB
Genre: Classical | Label: ECM | Catalog: 001397502

As Austrian pianist Till Fellner has aged, his performance style has naturally matured. This CD of Beethoven's Fourth and Fifth piano concertos shows Fellner is still impetuous but more commanding, still virtuosic but less demonstrative, and still playful but less prankish and more thoughtful. His touch is generally light, as in the Fourth's airy closing Vivace, and often legato, as in the Fifth's lyrical central Adagio, but he displays plenty of power in the Fourth's dramatic Andante and the Fifth's mighty opening flourish.
Ronald Brautigam, Norrköping Symphony Orchestra, Andrew Parrott - Beethoven: Piano Concerto No. 5, Choral Fantasia (2010)

Ronald Brautigam, Norrköping Symphony Orchestra, Andrew Parrott - Beethoven: Piano Concerto No. 5, Choral Fantasia (2010)
EAC | FLAC (image+.cue, log) | Covers Included | 52:38 | 244 MB
Genre: Classical | Label: BIS | Catalog: SACD-1793

For the final instalment of his survey of Beethoven’s works for piano and orchestra, Ronald Brautigam has saved ‘the final crowning glory of his concerto output’, as Beethoven specialist Barry Cooper describes the Fifth Piano Concerto in his liner notes. It is coupled on this disc with the Choral Fantasia – an intriguing work scored for piano, orchestra and chorus with vocal soloists.
Ronald Brautigam, Norrköping Symphony Orchestra, Andrew Parrott - Beethoven: Piano Concerto No. 4 & in D, Op. 61 (2009)

Ronald Brautigam, Norrköping Symphony Orchestra, Andrew Parrott - Beethoven: Piano Concerto No. 4 & in D, Op. 61 (2009)
EAC | FLAC (image+.cue, log) | Covers Included | 01:09:33 | 315 MB
Genre: Classical | Label: BIS | Catalog: SACD-1693

The apparently insatiable Dutch pianist Ronald Brautigam continues to gobble up standard and not-so-standard Beethoven with this 2009 disc featuring the composer's Fourth Piano Concerto and the piano transcription of his Violin Concerto, a recording that should please fans of the pianist's previous Beethoven recordings. Performing on a modern concert grand rather than the fortepianos he had favored in some earlier releases, Brautigam delivers readings that sparkle in the outer movements, sing in the central movements, and never resort to technical or emotional grandstanding to make their points.
Ronald Brautigam, Norrköping Symphony Orchestra, Andrew Parrott - Beethoven: Piano Concertos WoO4 & No.2 (2009)

Ronald Brautigam, Norrköping Symphony Orchestra, Andrew Parrott - Beethoven: Piano Concertos WoO4 & No.2 (2009)
EAC | FLAC (image+.cue, log) | Covers Included | 58:34 | 288 MB
Genre: Classical | Label: BIS | Catalog: SACD-1792

Ronald Brautigam releases his second disc of Beethoven’s Piano Concertos – this time offering a youthfully fresh Concerto No. 2 which was actually conceived long before the First Piano Concerto. The programme also includes two rarities: the Piano Concerto in E flat major, WoO4, sometimes referred to as Beethoven’s ‘Concerto No.0’, and the Rondo in B flat major, WoO6, composed during the long period of composition of Concerto No.2 and probably at one stage intended as the finale of this work.
Ronald Brautigam, Norrköping Symphony Orchestra, Andrew Parrott - Beethoven: Piano Concertos Nos.1 & 3 (2008) (Repost)

Ronald Brautigam, Norrköping Symphony Orchestra, Andrew Parrott - Beethoven: Piano Concertos Nos.1 & 3 (2008)
EAC | FLAC (image+.cue, log) | Covers Included | 67:16 | 304 MB
Genre: Classical | Label: BIS | Catalog: SACD-1692

As smooth and delicious a performance of Beethoven's First Piano Concerto as has been released since the turn of the century, Ronald Brautigam's account of the work with Andrew Parrott and the Norrköping Symphony Orchestra compares with Richter's for sparkle, with Pollini's for cleverness, and with Michelangeli's for liveliness. Brautigam's opening Allegro con brio has velocity and control, his central Largo expressivity and refinement, and his closing Rondo wit and whimsy.
Ania Dorfmann - Beethoven: Piano Concerto No. 1 in C Major, Op. 15 (2017) [Official Digital Download 24/96]

Ania Dorfmann - Beethoven: Piano Concerto No. 1 in C Major, Op. 15 (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 72:10 minutes | 710 MB
Studio Master, Official Digital Download | Artwork: Front Cover

Dorfmann was the daughter of a merchant. Her elder brother and sister both played the piano and Ania received her early musical education in Odessa, giving her first solo public concert at the age of eleven. The success of this concert led to plans being made for her to travel to Paris to study with Isidor Philipp; however, her father died at this time and the journey was postponed. When she did finally arrive in Paris with her mother, she was to stay for just under a year, returning to find her native land already in the throes of revolution.
Olga Pashchenko - Beethoven: Piano Sonatas Nos. 21, 23 & 26 (2017) [Official Digital Download 24/88]

Olga Pashchenko - Beethoven: Piano Sonatas Nos. 21, 23 & 26 (2017)
FLAC (tracks) 24-bit/88.2 kHz | Time - 69:44 minutes | 1.08 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Olga Pashchenko is in the process of creating a unique place for herself in the world of the keyboard: she moves with astounding ease and skill from the harpsichord to the fortepiano, the organ and the modern piano. After a recording of Beethoven’s variations in 2015 (awarded ffff by Télérama), the young pianist has now gone to the legendary Beethoven-Haus in Bonn, a venue she knows well since she regularly gives concerts within its walls, to record three monuments of the pianistic literature – the Appassionata, Les Adieux and Waldstein sonatas – on the original Conrad Graf piano of 1824 conserved there.