These are not "classical" performances in the sense of attempting to reproduce the effect of a late eighteenth-century orchestra, but the interpretation has something classical about it all the same — a vigour and a sense of proportion which make me rate this record very highly among the many Karajan has given us … [the] guality of playing and interpretation and recording all combine to make this record … a luxury article. Gramophone (on the Haydn)
Conductor Ivan Fischer and the Budapest Festival Orchestra give an enchanting performance of Beethoven's together with works from Weber, Rossini and Wilms.
Beethoven’s Fifth, described by one writer as "the most powerful work of musical rhetoric in orchestral literature," is surely the best-known symphony ever written. But how well do you really know this masterpiece? There are so many novel, forward-looking elements in it that it took years for some people to accept it as anything but unintelligible modern music.
"It is my best work, with a primarily cheerful character". This was Gustav Mahler's assessment of his Symphony No. 7, which was also highly regarded by Arnold Schoenberg, who said, "I had an impression of absolute peace based on artistic harmony. Something able to set me in motion without recklessly unsettling my center of gravity." Riccardo Chailly, in his internationally acclaimed interpretations of Mahler's symphonies - which he and the Gewandhaus Orchestra are bringing together in a complete cycle - focuses on the musical qualities of the works, eschewing false pathos and sentimentality while giving up none of the music's dramatic intensity. "Mahler's Seventh Symphony, in which the composer pulled out all expressive stops and revealed himself to be an innovative modernist, has seldom been as persuasive and direct as in Chailly's interpretation", said the Frankfurter Neue Presse.