Here at Last… Bee Gees… Live is the sixteenth album and the first live album by the Bee Gees. It was released in May 1977. It reached No. 8 in the US, No. 8 in Australia, No. 1 in New Zealand and No. 2 in Spain, and sold 4.6 million copies worldwide. Here at Last was the first official live recording released by the Bee Gees, though many bootlegs have existed throughout the years of earlier performances.
The Very Best Of The Bee Gees Live, from the band's One For All tour, marks the brother's triumphant live return after a 10-years absence from the concert stage. This stunning, digitally recorded concert was lit by award-winning designer, Alen Branton, and was shot with more than 16 cameras. Recorded live at the National Tennis Centre in Melbourne, Australia, the show is a joyfulelebration of 27 multi-platinum Bee Gees hits spanning more than 20 years. Additional materials in the DVD include a Bee Gees discography and a career timeline.
Australia's most successful pop group, the Bee Geesfirst rose to fame in the 1960s, and have seen their careers continueto thrive more than 35 years after they began hitting the charts. Bee Gees: Live By Request was taped as a special for the A&E cable network, in which brothers Barry, Maurice, and Robin Gibb play a handful of new songs from their 2001 album This Is Where I Came In before taking requests from a live studio audience and perform a number of their biggest and best songs. Selections include "How Deep Is Your Love," "You Should Be Dancin'," "Jive Talkin'," and many more.
This CD was given away free with the British national newspaper, The Mail On Sunday. Companies/organisations mentioned on CD & sleeve: "Upfront", "Reprise Records", "Respect The Value Of Music". All tracks are taken from the Bee Gees live albums "One Night Only" & "Here At Last".
Their Greatest Hits: The Record is the career retrospective greatest hits album by the Bee Gees, released on UTV Records and Polydor in November 2001 as HDCD. The album includes 40 tracks spanning over 35 years of music. Four of the songs were new recordings of classic Gibb compositions originally recorded by other artists, including "Emotion" (Samantha Sang), "Heartbreaker" (Dionne Warwick), "Islands in the Stream" (Kenny Rogers and Dolly Parton), and "Immortality" (Celine Dion). It also features the Barry Gibb duet with Barbra Streisand, "Guilty", which originally appeared on Streisand's 1980 album of the same name. It is currently out of print and has been supplanted by another compilation, The Ultimate Bee Gees.
THE ULTIMATE BEE GEES is a double-disc career retrospective featuring the group's many hits and chart-topping singles, performances of a selection of hit songs they wrote for others, and liner notes by Tim Rice. Tim Rice's liner notes accompanying THE ULTIMATE BEE GEES puts the group's extravagant popularity into perspective. 'Within this package is a collection of performances and songs that very few practitioners of popular music of the past could match for quality, originality, and emotion. It's the singing, the harmonies, the arrangements, the sound, the rivalry, the love, the intelligence, the determination, but above all it's the songs.'
Trafalgar is a 1971 album by the Bee Gees. It was their ninth album (seventh internationally), and was released in September 1971 in the US, and November 1971 in the UK. The album was a moderate hit in the United States, and peaked at No. 34. The lead single "How Can You Mend a Broken Heart?" was the first Bee Gees' No. 1 single in the United States but failed to chart in Britain as did the album. It is Geoff Bridgford's only full-length appearance on a Bee Gees album as an official member.
Their late-'70s image as white-suited disco kings has earned them cultural-icon status for all the wrong reasons. In their 4 decade recording career, the have built a singularly impressive body of work encompassing the eccentric art-pop that first made the trio unlikely pop stars in the '60s and the R&B-inflected, falsetto-laced dance pop of their comeback. This 4 CD, 74 song set may be a mite too even-handed historically (thus giving short shrift to the group's prolific '60's output), but it presents a representative sampling of the ups and downs of the group, and includes all of the relevant hits and a generous assortment of rare items.