The official release of The Basement Tapes – which were first heard on a 1968 bootleg called The Great White Wonder – plays with history somewhat, as Robbie Robertson overemphasizes the Band's status in the sessions, making them out to be equally active to Dylan, adding in demos not cut at the sessions and overdubbing their recordings to flesh them out…
A spinoff of its parent magazine, Classic Rock Presents Prog takes a look at progressive music and the artists who weave them together. Each issue takes a soul-searching foray into the hearts and minds of the heroes of rock, reviewing both new and old releases. Building upon the history of some of the most genre-defining pieces ever devised and those who followed who continue to refine, revolutionise and completely discard the formulas of those who came before. Reflecting on the proud genesis of this unexpected genre, Classic Rock Presents Prog is an able tutor for those in the dark about the evolution of progressive music, and a tonic for existing fans.
Preserving newly written Bob Dylan songs for copyright is the reason why the Band's Garth Hudson rolled tape at Big Pink but The Basement Tapes were something much more than songwriting demos. Greil Marcus dubbed it a celebration of the "Old, Weird America" in his 1997 book Invisible Republic, connecting these songs to Harry Smith's Anthology of American Folk Music, adding an extra layer of myth to tapes that were shrouded in mystery from the moment bootlegs started to circulate. The Basement Tapes Complete strengthens portions of that legend while simultaneously puncturing it. Certainly, the six-disc box – its first five discs assembled according to Hudson's numbering system, with the sixth disc collecting sessions discovered later – feels substantially different from the LP released in 1975, where the overall picture was distorted by Robbie Robertson adding sometimes significant overdubs and including Band recordings that weren't cut during those seven months in 1967.
Official reissue of ultra-rare 1970 underground fuzzed basement psych rock private press record. Original pressings on the Castle label are impossible to find and demand big money on the collector market. The sound is raw primitive distorted rock ‘n roll in it’s purest form, inspired by the likes of Cream, Blue Cheer, Jimi Hendrix, Nazz, Illusion, Steppenwolf and others. Featured here is over 74 minutes of music including 10 non-lp bonus tracks and some early 70s cuts from, post-Negative Space outfit, Snow! The 12-page booklet includes liner notes from guitarist Rob Russen, photos and lyrics.