Bartok: Piano

Alain Planes - Bartok: Piano Works (2014)  Music

Posted by peotuvave at Oct. 21, 2015
Alain Planes - Bartok: Piano Works (2014)

Alain Planes - Bartok: Piano Works (2014)
EAC Rip | Flac (Tracks + cue + log) | 223 MB | MP3 320Kbps CBR | 180 MB | 1 CD | Full Scans
Genre: Classical | Label: Harmonia Mundi | Catalog Number: 902163

It was in these terms that Ferruccio Busoni greeted the publication in 1908 of the 14 Bagatelles, in which Béla Bartók conveyed the violent aesthetic impact of his discovery of authentic Hungarian peasant music. Over the next 20 years, up to the magisterial Sonata of 1926, he indefatigably refined an innovative pianistic language: pungent, dissonant, percussive, with multiple new playing techniques, that was to influence the entire 20th century. A master of every style, from Haydn to Boulez by way of Chopin and Chabrier, Alain Planès is revealed here as a Bartókian of the front rank.
Andras Schiff, Ivan Fischer, BFO - Bela Bartok: Piano Concertos Nos. 1-3 (1996)

Béla Bartók - Piano Concertos Nos. 1-3 (1996)
András Schiff, piano; Budapest Festival Orchestra, conducted by Iván Fischer

EAC | FLAC | Tracks (Cue&Log) ~ 345 Mb (incl 5%) | Mp3 (CBR320) ~ 206 Mb (incl 5%) | Scans included
Genre: Classical | Label: Teldec Classics | # 0630-13158-2 | Time: 01:16:26

First there was rhythm - pulsing, driving, primal rhythm. And a new word in musical terminology: Barbaro. As with sticks on skins, so with hammers on strings. The piano as one of the percussion family, the piano among the percussion family. The first and second concertos were written to be performed that way. But the rhythm had shape and direction, myriad accents, myriad subtleties. An informed primitivism. A Baroque primitivism. Then came the folkloric inflections chipped from the music of time: the crude and misshapen suddenly finding a singing voice. Like the simple melody - perhaps a childhood recollection - that emerges from the dogged rhythm of the First Concerto's second movement. András Schiff plays it like a defining moment - the piano reinvented as a singing instrument. His "parlando" (conversational) style is very much in Bartók's own image. But it's the balance here between the honed and unhoned, the brawn and beauty, the elegance and wit of this astonishing music that make these readings special.
Prokofiev - Bartok - Piano Concertos - Lang Lang; Berliner Philharmoniker; Sir Simon Rattle

Sergei Prokofiev: Piano Concerto No. 3 in C major, Op. 26 & Béla Bartók: Piano Concerto No. 2, Sz. 95, BB 101 -
Lang Lang (piano); Berliner Philharmoniker; Sir Simon Rattle, conductor

Classical | 1 CD | EAC Rip | 343 MB, 3% recovery | FLAC+LOG+Cue | Complete scans
Publisher: Sony Classical | Recorded: 2013| Published: 2013

It is extremely hard for any new recording to compete with the stunning 1967 Berlin account that Argerich made with the Berliner Philharmoniker under Abbado… Lang Lang certainly equals the boldness, power and communicative quality of Argerich’s account. Under the baton of Sir Simon Rattle the Berliner Philharmoniker is highly persuasive and sympathetic. Not for the first time the woodwind excel - marvellous. - Michael Cookson; www.musicweb-international.com

Pollini - Bartok Piano Concertos no.1 & 2 (1979)  

Posted by fatfox at Aug. 26, 2010
Pollini - Bartok Piano Concertos no.1 & 2 (1979)

Pollini - Bartok Piano Concertos no.1 & 2 (1979)
Unknown Rip | APE (IMG+Cue+NO log) | No Covers | 50:01 mins | 193 MB
Genre: Classical - Piano | Label: Deutsche Grammophon

Here is yet another reissue of the classic recordings of Bartók’s first two piano concertos, this time with an added bonus. These 1977 performances are cool, elegant, and brilliant; Pollini’s playing is stunning, and the Chicago Symphony is on its best behavior, with an unmatched clarity that is abetted by the gorgeously clean DG recording. A highlight is the Adagio–Presto–Adagio movement of the Second Concerto; the Adagios have never been so eerily calm, the Presto so perfectly executed. The only real competition comes from Yefim Bronfman and Esa-Pekka Salonen on a Sony disc. Their performances have more sizzle and spice than these, at the cost of some of the clarity found here. But their biggest advantage is including all three concertos; it is a shame that Pollini and Abbado didn’t record the Third, which would benefit most of all from their elegance. This DG disc and the Sony are both so fine—and so different—as to be absolute musts.

Béla Bartok - Piano Concertos Nos. 1 - 3  Music

Posted by ysov at March 7, 2010
Béla Bartok - Piano Concertos Nos. 1 - 3

Andras Schiff, pianist - Ivan Fischer, conductor | Béla Bartok - Piano Concertos Nos. 1 - 3
FLAC 332 Mb | Scans | RS | RAR | Easy CD Ripper Pro
Label: Teldec | 1996 | DDD | 1 CD | Classical, instrumental
Bartok Piano Concerto 3 & Schumann Symphony 4 - Anda, Karajan, Dresden Staatskapelle

Bartok Piano Concerto 3 & Schumann Symphony 4 - Anda, Karajan, Dresden Staatskapelle
Classical | EAC, APE IMAGE, CUE, NO log | 1 CD, HQ Cover | 271 MB | 2008 Tower Records PROA-201
Evgeny Kissin, Berlin Philharmonic Orchestra, Claudio Abbado - Prokofiev: Piano Concertos Nos. 1 & 3 (1994)

Evgeny Kissin, Berlin Philharmonic Orchestra, Claudio Abbado - Prokofiev: Piano Concertos Nos. 1 & 3 (1994)
EAC | FLAC (image+.cue, log) | Covers Included | 00:42:27 | 177 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 439898

The young Kissin was able to work wonders in Prokofiev–above all the Sixth Sonata (Kissin in Tokyo - Yevgeny Kissin). Regrettably, the mature Kissin recently delivered highly disappointing live performances of the Second and Third Concertos (Prokofiev: Piano Concertos Nos. 2 & 3), indeed, regardless of the predictable rave in the British press. This 1994 recording of the First and Third Concertos is unquestionably very good, especially the youthful First, although competition is very strong–from Graffman/Szell (Prokofiev: Piano Concertos Nos. 1 & 3) and Argerich/Dutoit (Prokofiev: Piano Concertos Nos. 1 & 3 / Bartok: Piano Concerto No. 3) in this coupling, and from the complete sets by Berman/Gutierrez/Järvi, Toradze/Gergiev and Krainev/Kitaenko.
Mark Taratushkin - Piano Works by Sergei Prokofiev, Béla Bartók (2014)

Mark Taratushkin - Piano Works by Sergei Prokofiev, Béla Bartók
Classical | FLAC (tracks) 24-bit/96 kHz | 78:19 min | 1.22 GB | Digital booklet
Label: Acousence (ACO12014) | Tracks: 45 | Rls.date: 2014

Russian pianist Mark Taratushkin combines early works of two of the most important composers from the first half of the 20th c. on this CD. These six works by Sergei Prokofiev and Bela Bartok illustrate their respective evolutionary thinking and use of new forms and ideas. Born in 1990 in Ukraine, Mr. Taratuskhin moved with his family to Moscow when aged 10 where he was accepted into the Central Music School for gifted children. Now resident in Berlin, he has performed as soloist and chamber musician in Switzerland, Spain, Israel, Italy, Greece, Germany and Russia.
Prokofiev, S.: Piano Concerto No. 3; Bartók: Piano Concerto No. 2 – Lang Lnag; BPO; Simon Rattle (re-upload)

Sergei Prokofiev: Piano Concerto No. 3 in C major, Op. 26 & Béla Bartók: Piano Concerto No. 2, Sz. 95, BB 101 -
Lang Lang (piano); Berliner Philharmoniker; Sir Simon Rattle, conductor

Classical | 1 CD | EAC Rip | 343 MB, 3% recovery | FLAC+LOG+Cue | Complete scans
Publisher: Sony Classical | Recorded: 2013 | Published: 2013 | Catalog Number: 88883732252

It is extremely hard for any new recording to compete with the stunning 1967 Berlin account that Argerich made with the Berliner Philharmoniker under Abbado… Lang Lang certainly equals the boldness, power and communicative quality of Argerich’s account. Under the baton of Sir Simon Rattle the Berliner Philharmoniker is highly persuasive and sympathetic. Not for the first time the woodwind excel - marvellous. - Michael Cookson; www.musicweb-international.com
Dejan Lazic – Liaisons Vol.1: Scarlatti, Bartok (2007) [SACD ISO+HiRes FLAC]

Dejan Lazic – Liaisons Vol.1: Scarlatti, Bartok (2007)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Digital Booklet | 3.84GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Digital Booklet | 1.13MB + 5% Recovery

At 1st sight, they appear to have nothing in common – but disregarding the stylistic elements & a difference of 2 centuries, you soon recognize that both are in a sense, musical architects, who as piano virtuosos were equally interested in miniature forms & inspired by folk music. On the 1 hand you have Scarlatti, who, after moving to Spain in 1729 composed almost exclusively for harpsichord & integrated elements of Spanish folklore into his compositions in an experimental way; on the other hand Bartk, who boosted the recognition of the rich native Hungarian peasant songs to an independent folk art, & was also influenced by Arabic folk music.