Bartok Plays Bartok:

Patricia Kopatchinskaja Plays Bartok, Eotvos, Ligeti (2012)  Music

Posted by peotuvave at Oct. 13, 2013
Patricia Kopatchinskaja Plays Bartok, Eotvos, Ligeti (2012)

Patricia Kopatchinskaja Plays Bartok, Eotvos, Ligeti (2012)
EAC Rip | Flac (Image + cue + log) | 2 CDs | Full Scans | 430 MB
Genre: Classical | Label: Naive | Catalog Number: 5285

This is the fourth recording by Patricia Kopatchinskaja on naïve; the second in the concerto repertoire. The collaboration with conductor/composer Peter Eötvos and the programme is an intense series of connections. Between Bartok, Ligeti, Eotvos and Kopatchinskaja, there are many links: Hungary, the land of the 3 composers featured; Peter Eötvos was the conductor of the first performance of the second version of Ligeti violin concerto, in 1992, with Ensemble Modern; Patricia Kopatchinakaja and Peter Eötvös have been working together for 4 years, performing several concertos, including those recorded here.
Dejan Lazic – Liaisons Vol.1: Scarlatti, Bartok (2007) [SACD ISO+HiRes FLAC]

Dejan Lazic – Liaisons Vol.1: Scarlatti, Bartok (2007)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Digital Booklet | 3.84GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Digital Booklet | 1.13MB + 5% Recovery

At 1st sight, they appear to have nothing in common – but disregarding the stylistic elements & a difference of 2 centuries, you soon recognize that both are in a sense, musical architects, who as piano virtuosos were equally interested in miniature forms & inspired by folk music. On the 1 hand you have Scarlatti, who, after moving to Spain in 1729 composed almost exclusively for harpsichord & integrated elements of Spanish folklore into his compositions in an experimental way; on the other hand Bartk, who boosted the recognition of the rich native Hungarian peasant songs to an independent folk art, & was also influenced by Arabic folk music.

Bartok 1920-45 - Bartók At The Piano 6cd  Music

Posted by brekk at Oct. 12, 2009
Bartok 1920-45 - Bartók At The Piano 6cd

Bartok 1920-45 - Bartók At The Piano 6cd
classical | 6CD | EAC Rip | FLAC+CUE+LOG | cover
Hungaroton | RAR +5% recovery | 1600 MB


Bartók Béla play the piano! rec: 1920-45

Britten, Bartok, Stravinsky - Works for two pianos  Music

Posted by chzhzhang at July 24, 2009
Britten, Bartok, Stravinsky - Works for two pianos

Bartok, Britten, Stravinsky–Works for two pianos played by S. Richter, Vassili Lobanov etc.
Classical | Full length CD | Philips | Separate tracks in ALAC with XLD | NO Cue, LOG, NO Booklet, Cover embedded | 260 MB

Bartok & Shostakovich - String Music (Zagreb Soloists)  Music

Posted by tapaz9 at May 15, 2012
Bartok & Shostakovich - String Music (Zagreb Soloists)

Bartok & Shostakovich - String Music (Zagreb Soloists)
Classical | EAC: FLAC+Cue+Log | 1 Cd, Cover+Booklet | 309 Mb
Label: IMP - Date: 1991

Through his far-reaching endeavors as composer, performer, educator, and ethnomusicolgist, Béla Bartók emerged as one of the most forceful and influential musical personalities of the twentieth century. Born in Nagyszentmiklós, Hungary (now Romania), on March 25, 1881, Bartók began his musical training with piano studies at the age of five, foreshadowing his lifelong affinity for the instrument. Following his graduation from the Royal Academy of Music in 1901 and the composition of his first mature works – most notably, the symphonic poem Kossuth (1903) – Bartók embarked on one of the classic field studies in the history of ethnomusicology. With fellow countryman and composer Zoltán Kodály, he traveled throughout Hungary ……..
From Allmusic
Andras Schiff, Ivan Fischer, BFO - Bela Bartok: Piano Concertos Nos. 1-3 (1996)

Béla Bartók - Piano Concertos Nos. 1-3 (1996)
András Schiff, piano; Budapest Festival Orchestra, conducted by Iván Fischer

EAC | FLAC | Tracks (Cue&Log) ~ 345 Mb (incl 5%) | Mp3 (CBR320) ~ 206 Mb (incl 5%) | Scans included
Genre: Classical | Label: Teldec Classics | # 0630-13158-2 | Time: 01:16:26

First there was rhythm - pulsing, driving, primal rhythm. And a new word in musical terminology: Barbaro. As with sticks on skins, so with hammers on strings. The piano as one of the percussion family, the piano among the percussion family. The first and second concertos were written to be performed that way. But the rhythm had shape and direction, myriad accents, myriad subtleties. An informed primitivism. A Baroque primitivism. Then came the folkloric inflections chipped from the music of time: the crude and misshapen suddenly finding a singing voice. Like the simple melody - perhaps a childhood recollection - that emerges from the dogged rhythm of the First Concerto's second movement. András Schiff plays it like a defining moment - the piano reinvented as a singing instrument. His "parlando" (conversational) style is very much in Bartók's own image. But it's the balance here between the honed and unhoned, the brawn and beauty, the elegance and wit of this astonishing music that make these readings special.
Ivry Gitlis - The Art of Ivry Gitlis: Tchaikovsky, Bruch, Sibelius, Mendelssohn, Bartok (1992) 2CD

Ivry Gitlis - The Art of Ivry Gitlis (1992) 2CD
Tchaikovsky - Bruch - Sibelius - Mendelssohn - Bartók

EAC | FLAC | Tracks (Cue&Log) ~ 556 Mb (incl 5%) | Mp3 (CBR320) ~ 393 Mb (incl 5%) | Scans included
Genre: Classical | Label: VoxBox | # CDX2 5505 | Time: 02:39:09

There are several reasons to own this Vox Box 2CD set. For the first, it includes five great violin concertos in some of the very best performances in their discography. For the second, Ivry Gitlis (born 1922) is a great living violinist and these recordings made in early 1950s show his art in the best way, when Ivry's violin sounded powerful and brilliant.
Ivry Gitlis plays Tchaikovsky, Brahms, Bartok, Elgar, Wieniawski, Saint-Saens, Moszkowski, Albeniz, Paganini (2007)

Ivry Gitlis plays Tchaikovsky, Brahms, Bartok, Elgar, Wieniawski, Saint-Saens, Moszkowski, Albeniz, Paganini (2007)
Classical - Violin | DVD Video | DVD-9 | Complete Scans | 75mins | 4.91 GB | FileServe + FileSonic + Hotfile
MPEG-2 Video | NTSC | 4:3 | 720x480 | 5988 kb/s | 29,97 fps | Label: EMI Classics
English | Dolby Digital | 48000 Hz | PCM, 2ch, 1536 kb/s | RAR 4% Rec

It usually takes about ten seconds to identify Ivry Gitlis' playing. No offense intended, but he is perhaps one of the most "anti-Classical" violinists, or the one whom you would least like to hear playing the Bach solo partitas. His free-wheeling approach to vibrato and intonation are not what wins praise in conservatories and awards at competitions these days. Often, it is said that Gitlis sounds like a gypsy violinist. There's nothing wrong with that, though, at least in certain repertoire. Gitlis takes us back to a time when classical music and musicianship were a little more wild and unpredictable than they are today.
Henryk Szeryng Plays Brahms Violin Concerto, Bartok & Ravel (2004)

Henryk Szeryng Plays Brahms Violin Concerto, Bartok & Ravel (2004)
DVD-5 (compressed) | 01:44:25 | 720 x 576 | FPS (25fps) | MPEG-2 8500Kbps | PCM @1536kbps 2 CH | 4.2 GB
Genre: Classical | Studio: EMI Classics

For many listeners, Henryk Szeryng would be the No. 1 choice for a recording of the Brahms Violin Concerto. His interpretation is technically flawless, emotionally involved, and deeply probing; it makes Jascha Heifetz, for example, sound slightly offhand. In this French-made video from 1962, the Paris Conservatoire is not the best possible orchestra, but it is more than adequate and Paul Paray is an excellent conductor.
Philharmonia Orchestra, Esa-Pekka Salonen - Bela Bartok: The Miraculous Mandarin; Dance Suite; Contrasts (2016)

Béla Bartók: The Miraculous Mandarin; Dance Suite; Contrasts (2016)
Philharmonia Orchestra; Philharmonia Voices; Esa-Pekka Salonen, conductor
Yefim Bronfman, piano; Zsolt-Tihamér Visontay, violin; Mark Van de Wiel, clarinet

EAC | FLAC | Image (Cue&Log) ~ 289 Mb | Mp3 (CBR320) ~ 163 Mb | Artwork included
Genre: Classical | Label: Signum Records | # SIGCD466 | Time: 01:08:31

Recorded as part of their critically praised ‘Infernal Dance’ season, the Philharmonia Orchestra under Esa-Pekka Salonen explore three contrasting works by Bela Bartok – the chamber piece Contrasts, and the orchestral works Dance Suite and The Miraculous Mandarin. Contrasts is one of Bela Bartok’s most imaginative forays into the world of chamber music. His only chamber work involving a woodwind instrument (for Piano, Clarinet and Violin), Contrasts originated in a commission from the American ‘King of Swing’, Benny Goodman. Composed to mark the 50th anniversary of Budapest in 1923, Bartok’s Dance Suite is a rhapsodic collection of folk inspired tunes that marked a sonorous change in direction from the composer’s more dissonant works up to that point. The ballet-pantomime The Miraculous Mandarin is raw, dangerous, exotic and elemental: using the rarely performed full ballet score it is frenzied music, percussive, sensuous and violent, telling a shocking story of desire and death.