Bartok Plays Bartok:

Bela Bartok - Zoltan Kocsis Plays Bartok (2005) (8CD Box Set)  Music

Posted by shamanicus at Oct. 5, 2017
Bela Bartok - Zoltan Kocsis Plays Bartok (2005) (8CD Box Set)

Béla Bartók - Zoltán Kocsis Plays Bartók (2005)
EAC Rip | FLAC (tracks+.cue, log) | Covers, d.booklet | 1.52 Gb | MP3 CBR 320kbps | RAR | 1,2 Gb
Classical, Modern | Label: Philips Classics / 475 672

This is quite simply one of the most important and consistently superbly executed recording projects of all time. Bartók's piano music isn't exactly overrepresented on disc, being as it is without doubt one of the most important piano oeuvres ever composed, and in the hand of Zoltán Kocsis, doubtlessly one of the greatest pianists alive today, one should expect some superb discs where the works at long last receive the treatment they deserve. In fact, the actual result surpasses any possible expectations.

Patricia Kopatchinskaja Plays Bartok, Eotvos, Ligeti (2012)  Music

Posted by peotuvave at Oct. 13, 2013
Patricia Kopatchinskaja Plays Bartok, Eotvos, Ligeti (2012)

Patricia Kopatchinskaja Plays Bartok, Eotvos, Ligeti (2012)
EAC Rip | Flac (Image + cue + log) | 2 CDs | Full Scans | 430 MB
Genre: Classical | Label: Naive | Catalog Number: 5285

This is the fourth recording by Patricia Kopatchinskaja on naïve; the second in the concerto repertoire. The collaboration with conductor/composer Peter Eötvos and the programme is an intense series of connections. Between Bartok, Ligeti, Eotvos and Kopatchinskaja, there are many links: Hungary, the land of the 3 composers featured; Peter Eötvos was the conductor of the first performance of the second version of Ligeti violin concerto, in 1992, with Ensemble Modern; Patricia Kopatchinakaja and Peter Eötvös have been working together for 4 years, performing several concertos, including those recorded here.
Dejan Lazic – Liaisons Vol.1: Scarlatti, Bartok (2007) [SACD ISO+HiRes FLAC]

Dejan Lazic – Liaisons Vol.1: Scarlatti, Bartok (2007)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 5.0 >1-bit/2.8224 MHz | Digital Booklet | 3.84GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Digital Booklet | 1.13MB + 5% Recovery

At 1st sight, they appear to have nothing in common – but disregarding the stylistic elements & a difference of 2 centuries, you soon recognize that both are in a sense, musical architects, who as piano virtuosos were equally interested in miniature forms & inspired by folk music. On the 1 hand you have Scarlatti, who, after moving to Spain in 1729 composed almost exclusively for harpsichord & integrated elements of Spanish folklore into his compositions in an experimental way; on the other hand Bartk, who boosted the recognition of the rich native Hungarian peasant songs to an independent folk art, & was also influenced by Arabic folk music.

Bartok & Shostakovich - String Music (Zagreb Soloists)  Music

Posted by tapaz9 at May 15, 2012
Bartok & Shostakovich - String Music (Zagreb Soloists)

Bartok & Shostakovich - String Music (Zagreb Soloists)
Classical | EAC: FLAC+Cue+Log | 1 Cd, Cover+Booklet | 309 Mb
Label: IMP - Date: 1991

Through his far-reaching endeavors as composer, performer, educator, and ethnomusicolgist, Béla Bartók emerged as one of the most forceful and influential musical personalities of the twentieth century. Born in Nagyszentmiklós, Hungary (now Romania), on March 25, 1881, Bartók began his musical training with piano studies at the age of five, foreshadowing his lifelong affinity for the instrument. Following his graduation from the Royal Academy of Music in 1901 and the composition of his first mature works – most notably, the symphonic poem Kossuth (1903) – Bartók embarked on one of the classic field studies in the history of ethnomusicology. With fellow countryman and composer Zoltán Kodály, he traveled throughout Hungary ……..
From Allmusic

Bartok 1920-45 - Bartók At The Piano 6cd  Music

Posted by brekk at Oct. 12, 2009
Bartok 1920-45 - Bartók At The Piano 6cd

Bartok 1920-45 - Bartók At The Piano 6cd
classical | 6CD | EAC Rip | FLAC+CUE+LOG | cover
Hungaroton | RAR +5% recovery | 1600 MB


Bartók Béla play the piano! rec: 1920-45

Britten, Bartok, Stravinsky - Works for two pianos  Music

Posted by chzhzhang at July 24, 2009
Britten, Bartok, Stravinsky - Works for two pianos

Bartok, Britten, Stravinsky–Works for two pianos played by S. Richter, Vassili Lobanov etc.
Classical | Full length CD | Philips | Separate tracks in ALAC with XLD | NO Cue, LOG, NO Booklet, Cover embedded | 260 MB
Anne-Sophie Mutter - Dutilleux, Bartok, Stravinsky (2005) (Repost)

Anne-Sophie Mutter - Dutilleux, Bartok, Stravinsky (2005)
EAC | APE (image+.cue, log) | Covers Included | 68:45 | 311 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 477 9492

Long admired for her powerful playing and respected as a champion of new music, Anne-Sophie Mutter is the recipient of numerous pieces composed especially for her by the leading contemporary masters. Henri Dutilleux wrote his nocturne for violin and orchestra, Sur le même accord, for Mutter, and this live, world-premiere recording of the debut performance demonstrates why composers trust her with their music.
Thomas Zehetmair, Budapest FO, Ivan Fischer - Bela Bartok: Violin Concertos Nos. 1 & 2 (1995)

Béla Bartók: Violin Concertos Nos. 1 & 2 (1995)
Thomas Zehetmair, violin; Budapest Festival Orchestra; Iván Fischer, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 245 Mb | Mp3 (CBR320) ~ 130 Mb | Scans ~ 64 Mb
Genre: Classical | Label: Berlin Classics/Edel | # 0115292 | Time: 00:56:58

Neither too nationalist nor too internationalist, this 1995 recording of Béla Bartók's two violin concertos featuring Thomas Zehetmair with Ivan Fischer leading the Budapest Festival Orchestra is just right. Austrian-born Zehetmair has a fabulous technique, a warm but focused tone, and lively sense of rhythm, all of which make him an ideal Bartók player. His interpretations are less about showing off then about digging in, and his performances are more about the music than they are about the musician. Hungarian conductor Fischer and his Hungarian orchestra are not only up for the music in a technical sense, they are also down with the music in an emotional sense, and their accompaniments ground Zehetmair's coolly flamboyant performances. Captured in white-hot sound that is almost too vivid for its own good, these performances deserve to stand among the finest ever recorded.
Fritz Reiner, Pittsburgh SO - Shostakovich: Symphony No 6; Kodaly: Dances of Galánta; Weiner; Bartok; Kabalevsky; Glinka (1996)

Dmitri Shostakovich: Symphony No. 6; Zoltán Kodály: Dances of Galánta;
Leó Weiner: Divertimento No. 1; Béla Bartók: Hungarian Sketches;
Dmitry Kabalevsky: Colas Breugnon Overture; Mikhail Glinka: Kamarinskaya
Pittsburgh Symphony Orchestra; Fritz Reiner, conductor; Sigurd Bockman, clarinet

EAC | FLAC | Image (Cue&Log) ~ 310 Mb | Mp3 (CBR320) ~ 196 Mb | Scans included
Genre: Classical | Label: Sony Classical | # MHK 62343 | Time: 01:12:26

These pre-Chicago recordings of Fritz Reiner with the Pittsburghers is a reminder of his greatness as a conductor. It also restores to the catalog his recordings of some composers he wasn't closely identified with. Shostakovitch, for example, wasn't a regular on Reiner's studio schedule, but should have been, for this Sixth bristles with sardonic wit and energy. The Kodaly Dances, of course, were right up Reiner's alley, and get a smashing performance. The shorter works too, are first class, especially the Bart243;k Hungarian Sketches and another Reiner calling card, Kabalevsky's Colas Breugnon Overture. Weiner's string Divertimento is charming, but the real prize may be Glinka's Kamarinskaya, given a peformance that shimmers and glistens with delicacy and life. Sony's restoration of the 1945-1947 recordings is faultless.
Andras Schiff, Ivan Fischer, BFO - Bela Bartok: Piano Concertos Nos. 1-3 (1996)

Béla Bartók - Piano Concertos Nos. 1-3 (1996)
András Schiff, piano; Budapest Festival Orchestra, conducted by Iván Fischer

EAC | FLAC | Tracks (Cue&Log) ~ 345 Mb (incl 5%) | Mp3 (CBR320) ~ 206 Mb (incl 5%) | Scans included
Genre: Classical | Label: Teldec Classics | # 0630-13158-2 | Time: 01:16:26

First there was rhythm - pulsing, driving, primal rhythm. And a new word in musical terminology: Barbaro. As with sticks on skins, so with hammers on strings. The piano as one of the percussion family, the piano among the percussion family. The first and second concertos were written to be performed that way. But the rhythm had shape and direction, myriad accents, myriad subtleties. An informed primitivism. A Baroque primitivism. Then came the folkloric inflections chipped from the music of time: the crude and misshapen suddenly finding a singing voice. Like the simple melody - perhaps a childhood recollection - that emerges from the dogged rhythm of the First Concerto's second movement. András Schiff plays it like a defining moment - the piano reinvented as a singing instrument. His "parlando" (conversational) style is very much in Bartók's own image. But it's the balance here between the honed and unhoned, the brawn and beauty, the elegance and wit of this astonishing music that make these readings special.