Reissue with the latest 2015 remastering. Comes with liner notes. Nicely sharp sounds from the great JJ Johnson – a set that has the trombonist really honing his edge on a host of tight, short tracks – with a vibe that almost recalls his initial bop recordings on Blue Note and Prestige! The style here is a bit more sophisticated – definitely with an ear towards the modern directions that JJ was exploring in the 50s – but the sound is also nicely spontaneous, with more focus on improvisation between group members than larger arrangements – quite nice, given that the group features excellent tenor from Bobby Jaspar on tenor – and either Tommy Flanagan or Hank Jones on piano, Percy Heath or Wilbur Little on bass, and Elvin Jones on drums. Tracks are short, and titles include "Overdrive", "Cube Steak", "Chasin The Bird", and "Solar".
Reissue with the latest 2015 remastering. Comes with liner notes. One of the hippest, hardest albums that trombonist JJ Johnson ever cut for Columbia – a session we'd rank right up there with his amazing JJ Inc record, and like that one a really cooking hardbop record that maybe even rivals the best on Blue Note and Prestige at the time! As with that gem, the strength here is really the group – not just tremendous trombone from JJ, but great work from Nat Adderley on trumpet, Bobby Jaspar on tenor and flute, Cedar Walton on piano, Spanky DeBrest on bass, and Albert Heath on drums – all working with a soaring, soulful energy that's a lot more hardbop heavy than you might expect from JJ Johnson on some of his other projects for the label.
Reissue with the latest remastering. Comes with liner notes. One of Barney Kessel's greatest albums ever – a rare Italian-only session that has a sparkly Brazilian groove! The record was recorded in Rome in 1970, and it's got Kessel's guitar fronting a combo with organ and some very tight percussion – all dancing around in a fast samba mode that's different from virtually anything else he ever recorded – very groovy, very upbeat, and very much what you might expect when the talents of a west coast guitar giant meets the best of the Italian studio scene of the time! There's loads of original tracks on the set – like "Freeway", "Lison", "BJ's Samba", and "On the Riviera" – and the whole thing has a breezy dancing feel that's really wonderful!
Reissue with the latest remastering. Comes with liner notes. One of JJ's best from the late 50s – a tightly crackling hardbop set, recorded very much in the manner of his classic JJ Inc album! The sound here is a bit more compact overall – with some shorter tracks that really allow Johnson to display his keen sense of economy on his horn, while working in a burning mode that recalls some of his best bop sides from the early years – particularly his work on Blue Note.
Reissue with the latest 2015 DSD remastering. Comes with liner notes. Not J.J. Johnson's initial public offering by any means, First Place was done with only a quartet in 1957 for Columbia Records, where other efforts by the legendary jazz trombonist were set in a larger ensemble format. Long out of print, this is now on CD with bonus tracks from 1954 featuring Charles Mingus. Playing standards and originals, Johnson assembled a mighty band with pianist Tommy Flanagan, bassist Paul Chambers, and especially on-fire drummer Max Roach, a group you'd be hard-pressed to top.
Seven clear, precise lessons in developing exciting chordal harmonies. This course will ultimately lead to your own original harmonic style.
Swedish trombonist Eje Thelin and French tenor saxophonist Barney Wilen were two of the top European jazz musicians for several decades before their deaths in the 1990s. They first joined forces briefly in Thelin's quartet in 1963. Based in bop and earlier forms of jazz, Thelin and Wilen were open to freer improvising and music from other countries. In 1966 they joined forces, and two sessions are included on the 1966 With Barney Wilen CD. The first one features a quintet with pianist Lars Sjösten, bassist Erik Lundborg, and drummer Rune Carlsson that is joined by eight brass, bass clarinet, and flute for four inventive Thelin originals. While those performances are excellent, it is the other five numbers (which include second versions of a pair of Thelin's tunes plus "It Could Happen to You" and "Dear Old Stockholm") that are of greatest interest. The playing by the pianoless quartet (comprised of Thelin, Wilen, Carlsson, and bassist Palle Danielsson) is looser and freer with plenty of fireworks occurring in the often intuitive music. This set is easily recommended, particularly to listeners who are not aware that talented Europeans had been playing creative jazz for decades.