BGKO is a stable band that regularly performs in Barcelona and all Europe. But more than that, it’s an ever growing family of professional musicians and singers that are often invited for guests appearances. As musicians and singers from Turkey, Slovenia, Switzerland, England, Russia, Serbia, India, France, Greece, Italy, Mexico, Spain, Iran and Israel gave their contribution to the never-ending story, the BGKO brought Klezmer, Gipsy and Balkan music to all generations of Barcelona. Nevertheless, the interaction became mutual and the city became a melting pot with so many different styles and cultures to embrace, so many ears to play for, and so many dancing feet to move.
“Del Ebro al Danubio” consists of 12 striking soundscapes that serve as a bridge between different cultures that BGKO was inspired by: Romanian, Russian and Serbian gypsy songs; purifying Hungarian, Transylvanian, Klezmer and Albanian dances; contemplative melodies of Lebanese Arabic-Catalan tradition, Jewish and Bosnian sevdah.
This long-awaited third CD by the legendary New Klezmer Trio is pure pleasure. Their first two CDs, released in 1990 and 1995 respectively have long been Tzadik favorites, combining elements of jazz and improvisation with the Jewish tradition in ways both thoughtful and surprising. This is a masterful new recording by one of the classic bands in the New Jewish Renaissance. Naftule Brandwein via Jimmy Giuffre.
After ten years of playing in the streets, at weddings, and in restaurants, the Gipsy Kings were swept away in a feast of commercial and critical success in the late '80s. By the late '90s, they had sold over 15 million albums worldwide and become one of the best-selling all-Spanish language acts in U.S. history. Their Greatest Hits collection, released in 1998, aptly reflects the time-perfected technique and soulful delivery that allowed them to transcend ethnic and age differences as few bands have. The introductory sequence of songs simply explodes out of the blocks. If consecutive hip-shakers "Djobi, Djoba," "Baila Me," "Bamboleo," "Pida Me La," "Bem, Bem, Maria," and "Volare" don't have you at least tapping your feet, someone ought to take your pulse…