A spinoff of its parent magazine, Classic Rock Presents Prog takes a look at progressive music and the artists who weave them together. Each issue takes a soul-searching foray into the hearts and minds of the heroes of rock, reviewing both new and old releases. Building upon the history of some of the most genre-defining pieces ever devised and those who followed who continue to refine, revolutionise and completely discard the formulas of those who came before. Reflecting on the proud genesis of this unexpected genre, Classic Rock Presents Prog is an able tutor for those in the dark about the evolution of progressive music, and a tonic for existing fans.
A limited edition of the Camaron de la Isla 'Integral' box-set. It represents a veritable journey through his life and singing. It includes 21 original albums. The first 17 of them were made in recording studios by Camaron from 1969 to 1992 while he was alive. The title of his new album in 1975 seems to indicate the path politics would take, because of its reference to "majestad" (majesty, or King). "Arte y majestad" is a work in the Camaron manner as few others -his styles and vocal twistings are presents in each track, although the authorship of the cuts is still signed by Antonio Sanchez. To prove it, all that is needed is to listen to the "soleares", "tarantas" (the credits say "tarantos"), "seguiriyas" and "bulerias", outstanding the one dedicated to his admired Curro Romero, in which Paco de Lucia gave a preview of some sounds from the coming "Almoraima".
Live & Remastered is not just a deliciously put together compilation, but a time capsule of the history of house music. In the early days, the men and women at Ministry of Sound hit the record button on their DAT machine each week and captured mind blowing sets from the era’s finest DJs.
The argument will forever rage, but Memphis, Tennessee, is as much the fountainhead of rock ’n’ roll as is Cleveland, Ohio. Whilst the north had Alan Freed as its turntable champion, the south was blessed with the madcap deejay, Dewey Phillips. Chances are, ole Dewey would have played most of the 75 titles that go to make up Raunchy Sugar on his Red Hot and Blue show that aired over WHBQ in Memphis.During the 1950s the city was alive with labels, record hops, musicians and the general chaos that goes hand in hand with the big beat. The geographical lie of the land helped a great deal, because the city was central to so many rural areas that harboured musical talent and style. Carl Perkins and Carl Mann gravitated to the area from Jackson, Tennessee, Billy Riley and Conway Twitty did the same from Arkansas, and Elvis Presley hit the trail from Mississippi in order to soak up some of that unique Shelby County action. Outside of Sam Phillips’ legendary Sun Records, the labels included such names as Hi, Cover, Fernwood, Meteor, Vaden Moon and Satellite.
Constance Demby is one of the few representatives of the New Age movement (in both her music and her personal philosophies) who consistently creates artistic, highly expressive compositions. Demby was trained in classical music as a child, and her artistic spirit led her to also master several other art forms; at the University of Michigan, she studied painting, sculpture, and music. It was her work as a sculptor that led her to new dimensions of sound. As she was torching a sheet of metal, it roared thunderously, and thus was born the Sonic Steel Instruments: the Whale Sail, and the Space Bass, enormous bowed instruments with deep archetypal resonances.
2011 expanded the original album to include a second disc and also rearranged the entire track order. This is the third ELO compilation that presents a chronological run-through of ELO's singles/songs. The original artwork has been slightly altered as well to differentiate from the single CD release.
Fiolministeriet, or The Fiddle Ministry, is a string trio comprising Kirstine Sand (violin, vocals), Kirstine Elise Pedersen (cello, vocals), and Ditte Fromseier Mortensen (fiddle, viola, vocals). They draw much of their material from 18th century song collections and their home islands of Fuen and Bornholm. They have a powerful and rhythmic sound with the cello adding a solid underpinning not usually found in performances of traditional material. At times the arrangements sound quite classical in nature, like on “Gottlob Minuet”; at other times, they sound traditional with the two violins playing in harmony.