Bach: Brandenburg Concertos Nos. 1 6

J.S. Bach - Brandenburg Concertos Nos. 1, 2 & 4 Overture No. 2 (Nikolaus Harnoncourt) (1992)

J.S. Bach - Brandenburg Concertos Nos. 1, 2 & 4 Overture No. 2 (Nikolaus Harnoncourt) (1992)
EAC Rip | FLAC, IMG+CUE, LOG | HQ Full Scan | 01:12:35 | 376 MB
Genre: Classical | Label: TELDEC
Bach - Brandenburg Concertos no. 1-6 (Slovak Chamber Orchestra, Bohdan Warchal) (1995)

Bach - Brandenburg Concertos no. 1-6 (Slovak Chamber Orchestra, Bohdan Warchal) (1995)
Classical | Eac. Flac, Img+Cue, Log | Covers | 614 MB
Label: Prestige Classics | TT: 48:35 / 57:40

Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer, organist, harpsichordist, violist, and violinist of the Baroque period. He enriched many established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France. Bach's compositions include the Brandenburg Concertos, the Mass in B minor, the The Well-Tempered Clavier, his cantatas, chorales, partitas, Passions, and organ works. His music is revered for its intellectual depth, technical command, and artistic beauty..

Johann Sebastian Bach: Brandenburg Concertos Nos. 4-6 (CLASSICAL GOLD: CD 32/50) APE

Johann Sebastian Bach: Brandenburg Concertos Nos. 4-6
Classical Gold: CD 32/50 | APEs | 292 Mb
Genre: Classical | ES, FF
Münchener Bach-Orchester, Karl Richter - Bach: Brandenburg Concertos (2002/2012) [Official Digital Download 24/96]

Münchener Bach-Orchester, Karl Richter - Bach: Brandenburg Concertos (2002/2012)
FLAC (tracks) 24-bit/96 kHz | Time - 212:55 minutes | 4.25 GB
Studio Master, Official Digital Download | Artwork: Front Cover

Very few conductors have recorded as much Bach as Karl Richter and none can lay a stronger claim to a legacy based on championing the master. Richter's reverence for Bach is evinced by the simplicity, splendor, and grandeur with which he consistently imbued his performances exemplified here by these landmark recordings of the Brandenburg Concertos and Orchestral Suites. In Archiv's original-image bit-processing remastered transfers as well, the sound is better than ever. This is cornerstone Bach that should not be missed.
Amsterdam Guitar Trio - J.S. Bach: Brandenburg Concertos Nos. 2, 3, 5 & 6

Amsterdam Guitar Trio - J.S. Bach: Brandenburg Concertos Nos. 2, 3, 5 & 6
Classical | EAC (APE+CUE+LOG) | full 300dpi scans | 293 MB
RCA Classics | 1996 | 74321 427422 | rar files | 3% recovery

Brilliant transcriptions for guitar trio of four of the Brandenburgs.

Bach - Brandenburg Concertos 4-5-6  Music

Posted by Ibiza at Nov. 28, 2008
Bach - Brandenburg Concertos 4-5-6

Bach - Brandenburg Concertos 4-5-6
Classical | mp3 320 Kbps | 119 MB
Brilliant Classics Recorded in May - June 2006 in Leiden at the Lokhorstkerk
Glenn Gould, Leonard Bernstein, Vladimir Golschmann, Columbia Symphony Orchestra - Bach: Piano Concertos Nos. 1-5 & 7 (1992)

Glenn Gould, Leonard Bernstein, Vladimir Golschmann, Columbia Symphony Orchestra - Bach: Piano Concertos Nos. 1-5 & 7 (1992)
EAC | FLAC | Image (Cue & Log) ~ 460 Mb | Total time: 69:42+38:08 | Scans included
Classical | Label: Sony | # SM2K 52591 | Recorded: 1957, 58, 67, 69

Glenn Gould was this century's greatest Bach player, so these legendary recordings are self-recommending. While other fine pianists have made powerful statements in this music, no one sounds anything like Gould. His phenomenal clarity of articulation, digital control, and well, just plain interesting way with the music set him completely apart from the competition. With playing of this individuality and quality, it's pointless to engage in any debate with respect to the appropriateness of the piano versus the harpsichord. Scholars and pedants may continue to argue, but the fact is, it doesn't matter. Great musicianship always serves great music best.
-David Hurwitz
Hille Perl, Christine Schornsheim, Lee Santana- J.S. Bach - Trio Sonatas Nos. 1-6 (2009)

Hille Perl, Christine Schornsheim, Lee Santana- J.S. Bach - Trio Sonatas Nos. 1-6 (2009)
EAC | FLAC (image+.cue, log) | Covers Included | 74:24 | 531 MB
Genre: Classical | Label: Deutsche Harmonia Mundi | Catalog: 88697526972 2

Hille Perl is widely regarded as one of the leading viola da gambists in the world. Because of the prominence of her instrument in the Baroque era, her repertory is rich in works from that period, with the names, J.S. Bach, Telemann, Marin Marais, Sainte-Colombe, and other 17th and 18th century composers headlining her concert programs and recordings. Perl also plays the treble viol, the seven-string bass viol, Baroque guitar, Lirone, and Xarana.
Nosrati Schaghajegh & Deutsches Kammerorchester Berlin - Bach: Keyboard Concertos Nos. 1, 2 & 3 (2017)

Nosrati Schaghajegh & Deutsches Kammerorchester Berlin - Bach: Keyboard Concertos Nos. 1, 2 & 3
Classical | WEB FLAC (tracks) & d. booklet | 59:31 min | 240 MB
Label: Genuin | Tracks: 09 | Rls.date: 2017

Once again, Schaghajegh Nosrati captivates us from the very beginning in her second GENUIN CD: Here too she plays Bach, and, following her recording of the "The Art of Fugue," she has now put three of Bach's piano concertos on the program. Her piano sound speaks to us and Nosrati relays stories with her performance, of which great colleagues like András Schiff mention with respect. Nosrati's partner in these narrations is the flexible and elastic Deutsche Kammerorchester Berlin, which richly supports the velvety piano sound. Youthfulness and maturity: an ideal combination for Bach!
Ophelie Gaillard - Johann Sebastian Bach: Cello Suites Nos. 1-6, BWV1007-1012 (2011) 2CDs

Ophélie Gaillard - Johann Sebastian Bach: Cello Suites (2011) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 596 Mb | Mp3 (CBR320) ~ 319 Mb | Artwork included
Genre: Classical | Label: Aparté | # AP017 | Time: 02:16:57

Over the years, the Bach Suites have become a monument of the cello repertoire, to which all cellists return regularly. Some of the greatest did not record these works until they reached their years of maturity (Casals was over 60, Rostropovich was 63), while others have not hesitated to present several versions (Yo-Yo Ma, 1990, 1998; Janos Starker, 1957, 1963, 1983). Ophélie Gaillard’s first recording of the Suites, released on Ambrosie in 2000, was highly acclaimed internationally by the critics and her performance earned her a French Classical Music Award (Victoire) as a "Revelation" in the Solo Instrumentalist category. Ten years later, at the request of Nicolas Bartholomée, artistic director of Aparte and indeed Ambroisie, she agreed to record a new version on a cello made in 1737 by Matteo Goffriller, a contemporary of J. S. Bach. Ophélie Gaillard had already given us a reference performance of these pieces. Now we discover a prodigiously renewed vision of this masterpiece.