The Musea label and the Finnish magazine Colossus endlessly continue their quest for the greatest universal themes, in order to complete their collection of concept-albums dedicated to Progressive rock. The hero of the day is Dante Alighieri, the famous medieval author from Firenze who wrote "The Divine Comedy". That's precisely this epic piece of work, without a doubt one of the greatest books of all times, that serves as the basis for this project. And of course, it has been divided in three parts: Inferno, Purgatorio and Paradiso. The first volume is made of thirty-four "cantos" dispatched on four discs, each one showing the personal interpretation of an international band, according to the rules of the genre: no drumboxes, the only instruments allowed are those of the mighty Seventies, the same as for the musical inspiration. Nuova Era, Nemo, Nexus, Willowglass, Ars Nova, Sinkadus, Simon Says and many more…
The music of The Lord of the Rings film series was composed, orchestrated, conducted and produced by Howard Shore. Shore wrote many hours of music for The Lord of the Rings, 10 hours of which have been released in the Complete Recordings CD/DVD boxed sets. Additional music, including alternate and unused compositions, was released with the book The Music of the Lord of the Rings. Shore composed the music in an emotional, operatic way, threading through the scores over 90 identified leitmotifs, which are categorized by the Middle-earth cultures to which they relate. The scores for The Fellowship of the Ring and The Return of the King won Academy Awards in 2002 and 2004. The latter film also won an Oscar statuette for Best Song, as well as the Golden Globe Award for Best Original Score and Best Original Song.
Wonderful collection of Karl Richter, both as a keyboardist (harpsichord and organ), as well as conductor (the Munich Bach Choir and Orchestra). One of the great Bach interpreters of all time!
La Vie Electronique is a series of 3-disc CD releases by Klaus Schulze, reissuing material from his limited edition 50-disc CD box set The Ultimate Edition (2000), which itself collected the previously released limited edition multi-disc box sets Silver Edition (1993, 10 discs), Historic Edition (1995, 10 discs), and Jubilee Edition (1997, 25 discs), along with an additional 5 discs. The series began in 2009 with a plan to release all the music from The Ultimate Edition in chronological order. Four volumes were released in 2009, and four more were released in 2010. In May 2011 the ninth volume was released, with the tenth volume following in June 2011. Five more volumes, for a total of fifteen, are tentatively scheduled, with a possible addition of several more after that, with the eleventh volume scheduled for May 2012.
This is the second of Brilliant's box sets devoted to Russian recordings from Evgeny Kissin. Labeled as early, these live concert performances from 1984 to 1990 carry us from the day after Kissin turned 13 (Mozart Cto. #12 K. 414) to age 18 (Mozart Cto. #20, K. 466), with most readings clustering in the range of 1985-89. Russians were well aware of the marvel in their midst; the pianist's American breakthrough occurred in 1990 when he debuted at Carnegie Hall's centennial season. No one since Richter, debuting almost thirty years before, had made such a heady entry, and Richter was past fifty when he came here (briefly, since he loathed American capitalism and the pace of life in our big cities).