Bach Suzuky

Brad Mehldau - After Bach (2018)  Music

Posted by Designol at March 31, 2018
Brad Mehldau - After Bach (2018)

Brad Mehldau - After Bach (2018)
EAC | FLAC | Image (Cue&Log) ~ 269 Mb | Scans included
Label: Nonesuch Records | # 7559-79318-0 | Time: 01:09:22
Contemporary Jazz, Modern Creative, Classical Crossover

No composer looms over modern jazz quite like Johann Sebastian Bach, whose harmonic rigour seems to have provided the basis for bebop and all that followed. Listen to the endlessly mutating semiquavers tumbling from Charlie Parker’s saxophone and it could be the top line of a Bach fantasia; the jolting cycle of chords in John Coltrane’s Giant Steps could come straight from a Bach fugue and Bach’s contrapuntal techniques crop up in countless jazz pianists, from Bill Evans to Nina Simone. Bach certainly casts a long shadow over US pianist Brad Mehldau: even when he’s gently mutilating pieces by Radiohead, Nick Drake or the Beatles, he sounds like Glenn Gould ripping into the Goldberg Variations. Which is why it comes as no surprise to see Mehldau recording an entire album inspired by Bach. However, this is not a jazz album. Instead of riffing on Bach themes, as the likes of Jacques Loussier or the Modern Jazz Quartet have done in the past, After Bach sees Mehldau using Bach’s methodology. Mehldau plays five of Bach’s canonic 48 Preludes and Fugues, each followed by his own modern 21st-century response.
Slovak Chamber Orchestra, Bohdan Warchal - J.S. Bach: Brandenburg Concertos No. 1-6 (1995) (Repost)

Slovak Chamber Orchestra, Bohdan Warchal - J.S. Bach: Brandenburg Concertos No. 1-6 (1995)
EAC | FLAC (image+.cue, log) | Covers Included | 01:46:11 | 650 MB
Genre: Classical | Label: Selected Sound Carrier AG | Catalog: 1930.2028-2

Since the beginning of it’s existence in 1960, the Slovak Chamber Orchestra has developed into one of the most popular ensembles in the field of classical music in Slovakia, and into one of the principal representatives of the Slovak interpretation art abroad. The idea of founding a string orchestra has risen in the mind of Prof. Bohdan Warchal in the late 50-s, while still a member of the Slovak Philharmonic Orchestra.
Hélène Schmitt - J.S. Bach: Sei Solo a Violino senza Basso accompagnato, Vol.2 (2006) (Repost)

Hélène Schmitt - J.S. Bach: Sei Solo a Violino senza Basso accompagnato, Vol.2 (2006)
EAC | FLAC (image+.cue, log) | Covers Included | 01:07:50 | 469 MB
Genre: Classical | Label: Alpha | Catalog: 090

Say what you will about scanty biographical material and uncertain personal links, it nevertheless seems entirely probable that Bach wrote at least some of his sonatas and partitas for violin solo after his first wife's death in 1720. In this second volume of Hélène Schmitt recordings of the works, her performance of the monumental A minor Sonata No. 2 is so passionate, so rhapsodic, and so expressive that the spirit of loss and grief fills the music like inconsolable tears.
Hélène Schmitt - J.S. Bach: Sei Solo a Violino senza Basso accompagnato, Vol.1 (2005) (Repost)

Hélène Schmitt - J.S. Bach: Sei Solo a Violino senza Basso accompagnato, Vol.1 (2005)
EAC | FLAC (image+.cue, log) | Covers Included | 79:21 | 536 MB
Genre: Classical | Label: Alpha | Catalog: 082

This wild recording, the first volume of two covering all the Bach sonatas and partitas for solo violin, may well polarize listeners into attitudes of love and hate. French violinist Hélène Schmitt delivers readings of the first sonata and the first two partitas that are nowhere near the mainstream for these celebrated works, which are generally regarded as icons of Bach's intellectual accomplishment and have been subjected to all kinds of numerological analysis.
Jens Schowings Blue Note Bach - Nocturne (2017) [Official Digital Download 24-bit/96kHz]

Jens Schöwings Blue Note Bach - Nocturne (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 56:00 minutes | 1,08 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Since 2006 the Bremen jazz pianist Jens Schöwing and his ensemble have dedicated themselves to a person many music connoisseurs consider the greatest “jazzer” of all time: Johann Sebastian Bach. Blue Note Bach charms the listener with a balance of classically woven musical textures played with a definite jazz identity.

Bach's Continuo Group: Players and Practice in His Vocal Works  eBooks & eLearning

Posted by arundhati at May 22, 2018
Bach's Continuo Group: Players and Practice in His Vocal Works

L Dreyfus, "Bach's Continuo Group: Players and Practice in His Vocal Works"
1990 | ISBN-10: 067406030X | 280 pages | PDF | 45 MB
Enrico Onofri - J.S. Bach: Sonata No. 1 & Partitas No. 2 & 3 (2017) [Official Digital Download 24/88]

Enrico Onofri - J.S. Bach: Sonata No. 1 & Partitas No. 2 & 3 (2017)
FLAC (tracks) 24-bit/88.2 kHz | Time - 54:46 minutes | 947 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Johann Sebastian Bach‘s Sei Solo for unaccompanied violin figure amongst the baroque works on which the performance traditions of the 19th and 20th centuries weigh most heavily. Rediscovered halfway through the 19th century after having been forgotten for more than a century, these works quickly entered the repertoire of works performed by violinists during the Romantic period. Enrico Onofri’s (long-time concert director of the ensemble Il Giardino Armonico) interpretation inspires listeners with unbelievable detail in terms of embellishments and dynamics.

Elise Neumann - Bach & Castelnuovo-Tedesco: Guitar Music (2018)  Music

Posted by delpotro at May 18, 2018
Elise Neumann - Bach & Castelnuovo-Tedesco: Guitar Music (2018)

Elise Neumann - Bach & Castelnuovo-Tedesco: Guitar Music (2018)
WEB FLAC (tracks) - 263 Mb | MP3 CBR 320 kbps - 134 Mb | 00:58:41
Classical | Label: Carpe Diem Records

The present release is the second solo album of the young German guitarist Elise Neumann. She chose to combine two seemingly different composers on this album: J.S. Bach and Mario Castelnuevo-Tedesco. While at first one might have difficulty drawing a connection between the two composers, they are alike in their compositional forms. Like J.S. Bach, Castelnuevo-Tedesco wrote music in the form of the suite, but his musical ideas are completely different. Elise Neumann plays with her acclaimed warm and soulful tone on a rare instrument built by the luthier Daniel Friederich in 1969. On this recording, instrument and player form a perfect team, establishing a most natural, effortless and deeply musical interpretation of these well-known works.
Jean-Guihen Queyras - C.P.E. Bach: Cello Concertos (2018) [Official Digital Download]

Jean-Guihen Queyras, Ensemble Resonanz, Riccardo Minasi - C.P.E. Bach: Cello Concertos (2018)
FLAC (tracks) 24-bit/48 kHz | Time - 52:59 minutes | 548 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

After two albums which met with unanimous critical acclaim all over the world, the Resonanz Ensemble, based in Hamburg, is offering a recording dedicated to Carl Philipp Emanuel Bach: the Cello Concertos wq. 170 and Wq. 172, respectively from 1750 and 1753, and the Symphonie Wq. 173 of 1741.
Toyohiko Satoh - Bach & Weiss: Lute Music (2015) [Official Digital Download 24/96]

Toyohiko Satoh - Bach & Weiss: Lute Music (2015)
FLAC (tracks) 24-bit/96 kHz | Time - 68:42 minutes | 1,41 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The solo album of Toyohiko Satoh, the 72 year old Japanese lutenist who is considered my many as one of the most influential lute players of the last century, presents a well-known repertoire of baroque lute music. Mr. Satoh was the first lutenist to record Bach’s lute music on LP in the 70s (Phillips). Now he returns to this music 40 years later, delivering a completely different rendering of these iconic pieces. His playing has been influenced much by his studies of traditional Japanese arts such as tea ceremony, No-theater and Zen meditation. So here we are presented a recording that draws from the deep silence within, from the awareness of everything in the universe being connected, and from the understanding of Bach’s music as a universal, almost superhuman symbol of completeness.