French accordionist and bandoneon player Richard Galliano has spent much of his career demonstrating that his instruments can be employed not only in the service of folk music, but also to play jazz. His long tenure on Dreyfus Records was spent in that endeavor, but with Deutsche Grammophon, the venerable classical label, he naturally takes a different tack, here adapting himself to the demands of Johann Sebastian Bach. (…) as Galliano re-creates the majesty of Bach's music on his accordion, proving its worth as a formal instrument, just as he has previously as a jazz axe.
"…As usual, Ancalagon gives us an absolutely first-rate production, superb booklet notes in full color, and some of the best Super Audio surround sound on the market today. I keep insisting that small group chamber music provides some of the best opportunities to show off surround sound, and this disc proves the point. When the music is as brilliant and sparkling as we have here—Bach would certainly be thrilled—there simply remains no excuse under the sun to avoid acquiring this disc immediately. This composer oozes from the souls of these two performers." 5/5 ~Audiophile Audition
The title of this release is thoroughly misleading. The album contains nothing like the ''Complete Flute Sonatas'' of C. P. E. Bach but only those for flute with obbligato harpsichord, of which there are but five. Eleven others for flute and continuo are omitted, along with Bach's single work for unaccompanied flute. Instead, the remaining five sonatas in the programme consist of two (BWV1020 and 1031) whose authorship has long been a matter of dispute; a trio for flute, violin and bass (H578) in which the violin part has been taken over by the right hand of the keyboard; another (H543) in which a similar adjustment has been made to Bach's two differently scored originals; and a duet for violin and harpsichord (H504) in which the violin part is taken by the flute. So, you can see that the title of the album is somewhat economical with the truth, though the accompanying essay by Barthold Kuijken clarifies the position.– Nicholas Anderson, Gramophone [5/1994]
Fans of Angela Hewitt will be delighted to find her in chamber mode, accompanying Andrea Oliva (described as ‘one of the best flutists of his generation, a shining star in the world of the flute’ by Sir James Galway) in a programme of J S Bach’s flute sonatas (including one by his most famous and talented son, CPE). Of unfailingly remarkable quality, all these works exploit the full potential of an instrument which was only just coming into its own when they were written. Oliva’s lyricism and agility coupled with Hewitt’s musicianship—not to mention her lifelong rapport with Bach’s music—make this an album to treasure.
"Yo-Yo Ma Plays Bach" is one of several titles in Sony's new "Music For You" Series, easily identified by their artsy, photographic covers. The material on this CD has been available previously on CBS Masterworks. True, Ma does play music by Bach, but it is sonatas (originally intended for viola da gamba and not cello) by Bach, and the Sinfonia Concertante by Bach's youngest son, Johann Christian Bach. Not that Sony is lying and not that most people will care or feel cheated, but since this title is obviously aimed at classical novices, I just thought I'd set the record straight. In a similar vein, hopefully those that discover both Bach and Yo-Yo Ma via this disc will like what they hear, and go on to get one of Ma's two recordings of the Bach "Cello Suites" – the real yardstick for composer and performer alike. ~Amazon
Nightnoise is the first Windham Hill album to include Celtic music influence, at a time before Celtic music was considered one of the pillars of New Age (along with synthesizer washes and the more folk-inspired music that Windham Hill is best known for. Regardless, Oskay and O Domhnaill cover new ground here and there is much to like.