Bwv 90

Konstantin Lifshitz - Bach - Klavierkonzerte BWV 1052-1058 (2011)  Music

Posted by tirexiss at April 21, 2017
Konstantin Lifshitz - Bach - Klavierkonzerte BWV 1052-1058 (2011)

Konstantin Lifshitz - Bach - Klavierkonzerte BWV 1052-1058 (2011)
EAC | FLAC (image+.cue, log) | Covers Included | 01:48:29 | 546 MB
Genre: Classical | Label: Orfeo | Catalog: C 828 112 A

Konstantin Lifschitz has long since established himself as an outstanding exponent of the works of Johann Sebastian Bach. He has already recorded the `Musical Offering´ and the `Art of Fugue´ for ORFEO and now turns his attention to the composer´s seven keyboard concertos. He is partnered by the Stuttgart Chamber Orchestra, an ensemble that enjoys an equally distinguished reputation for its Bach interpretations. With only three of these seven concertos has it been possible to identify specific originals with different solo instruments, while the other four have been ascribed to various other instruments by experts in the field; attributions that none the less continue to be hotly debated.
J. S. Bach - Matthäus-Passion BWV 244 - AKAMUS, Jacobs (2013) (2CD) {Harmonia Mundi}

J. S. Bach - Matthäus-Passion BWV 244 - AKAMUS, Jacobs (2013)
EAC Rip | FLAC (tracks+.cue, log) | Artwork (300dpi, png), booklet | 1444 mb | MP3 CBR 320kbps | RAR | 1034 mb
Classical, Choral, Sacred | Label: Harmonia Mundi - HMC802156.58

The appetite for evolving performance practices in Bach’s St Matthew Passion appears undiminished as we have gradually shifted, over the generations, from larger to smaller ensembles and also towards a greater dramatic understanding of the implications of Bach’s ambitious ‘stereophonic’ double choir and orchestra choreography.
John Eliot Gardiner - Bach: St Matthew Passion BWV 244 (2017) [Official Digital Download 24/96]

John Eliot Gardiner - Bach: St Matthew Passion BWV 244 (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 160:28 minutes | 2.64 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

A new live recording of Bach’s St Matthew Passion (Matthäuspassion BWV 244), recorded in Pisa Cathedral during the Anima Mundi Festival as part of the Monteverdi Choir and Orchestra’s 2016 tour.
Isabelle Faust - J.S. Bach: Sonatas & Partitas, Vol. 1, BWV 1004-1006 (2010) [Official Digital Download 24/96]

Isabelle Faust - J.S. Bach: Sonatas & Partitas, Vol. 1, BWV 1004-1006 (2010)
FLAC (tracks) 24-bit/96 kHz | Time - 68:48 minutes | 1.13 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Isabelle Faust has gone back to the original manuscript sources to offer us her versions of these iconic masterpieces of the violin repertoire. In Bach s time, music for solo instruments was still little explored territory, and his Sonatas and Partitas immediately established themselves as a benchmark, technically challenging and brimming with creativity.
David Watkin - Johann Sebastian Bach: Cello Suites, BWV 1007-1012 (2015)

David Watkin - Johann Sebastian Bach: Cello Suites, BWV 1007-1012 (2015)
EAC | FLAC | Image (Cue&Log) ~ 620 Mb (incl 5%) | Mp3 (CBR320) ~ 360 Mb (incl 5%) | Scans included
Genre: Classical, Baroque | Label: Resonus Classics | # RES10147 | Time: 02:24:58

GRAMOPHONE AWARD WINNER 2015 - BAROQUE INSTRUMENTAL RECORDING OF THE YEAR. This recording is the first time that the five-stringed Amati has been used to record the 6th suite and it is the only original five-string cello in existence in the UK and unique in being the only one by this maker. The Cello Suites are performed on two gut-string cellos Suite Nos. 1-5 on a Francesco Ruggieri from 1660 and Suite No. 6 the five-stringed Cremona cello by A. & H. Amati from c.1600, both tuned to Baroque pitch. Bachs cello suites are renowned as the pinnacle of the instruments repertoire and are performed here in period performances by the internationally acclaimed cellist, David Watkin. David Watkin has been performing Bachs Cello Suites in concert for 35 years, and Bachs unaccompanied cello repertoire has taken him all over Europe, from the Palace of Frederick the Great at Potsdam to the Prague Spring Festival, and, as part of Sir John Eliot Gardiner's Bach Cantata Pilgrimage, included performances sitting by the font in which Bach was baptised.
Akademie für Alte Musik Berlin & René Jacobs - Bach: St John Passion, BWV 245 (Johannes-Passion) (2016) [TR24][OF]

Akademie für Alte Musik Berlin & René Jacobs - Bach: St John Passion, BWV 245 (Johannes-Passion)
Classical | FLAC (tracks) 24-bit/96 kHz | 106:12 min | 1.88 GB | Digital booklet
Label: Harmonia Mundi | Tracks: 40 | Rls.date: 2016

Bach revised his 'Johannes-Passion' regularly: he returned to it over a period of 26 years, from 1724 until his death. It is the version hallowed by tradition, established by the Kantor a year before his death, that is presented on these CDs. However, the 1725 version, equally outstanding musically, has also been recorded complete and can be downloaded as a bonus in high-resolution sound. Comparison of the two versions reveals the underlying meaning of this matchless 'Passion'.

Bach Edition - Vocal Works Vol. II [2006]  Music

Posted by Aregak at Jan. 2, 2017
Bach Edition - Vocal Works Vol. II [2006]

Bach Edition - Vocal Works Vol. II [2006]
EAC Rip | FLAC, IMG+CUE, LOG | Scans | 8cd, 2.01 GB
Classical | Label: Brilliant Classics | RAR 5% Rec.

The second section of the cantata is a long vocal section opening with four soloists (soprano, alto, tenor and bass) singing together. Many recordings of this cantata use a choir for this section, but recent recordings have featured a one-voice-per-part strategy here, as does this one. The texture of this is excellent, although the balance between the voices wavers a bit. The tenor, bass and soprano each have ariosos within this section. Tenor Knut Schock enters a bit heavily, but his voice is quite appropriate for the melancholy tone of his section. Bass Bas Ramselarr has a slightly dark, yet clear voice. His section features a delightful accompaniment by the two recorders - in an interesting counterpoint with such a deep voice - and, again, the balance is slightly off, his voice sometimes drowning out the recorders just a bit…
Vox Luminis, Lionel Meunier - Bach: Actus Tragicus (Cantatas BWV 106, 150, 131, 12) (2016)

Vox Luminis, Lionel Meunier - Bach: Actus Tragicus (Cantatas BWV 106, 150, 131, 12)
Classical | FLAC (tracks)+cue, log, booklet | 84:36 min | 400 MB
Label: Alpha | Tracks: 26 | Rls.date: 2016

The year ends in fine style with a programme of cantatas by J.S. Bach performed by Vox Luminis. The Belgian group directed by the bass Lionel Meunier is now acknowledged as belonging among the worlds elite vocal ensembles, especially for its interpretations of German Baroque sacred music.
Julia Fischer - J.S. Bach - Sonatas And Partitas For Solo Violin BWV 1001-1006 (2005) [SACD-R][OF]

Julia Fischer - J.S. Bach - Sonatas And Partitas For Solo Violin BWV 1001-1006 (2005) [SACD-R][OF]
Classical, Violin | SACD ISO: DST64 5.0; 2.0 > 1-bit/2.8224 MHz | 7.38 GB + 5% Recovery
Label: Pentatone Classics | Release Year: 2005

No doubt many of you are wondering whether I should be recording Bach’s complete sonatas and partitas at the age of only 21. Perhaps I should have waited a bit longer? Well, patience has seldom been my strong point, and after all I have already waited a number of years for an opportunity to record these works. During the first six years of study with my teacher Ana Chumachenco, I studied the sonatas and partitas thoroughly, and first performed both cycles in their entirety in the Bach year 2000, during the course of two evenings at the Mecklenburg-Vorpommern Festival.
Julia Fischer
Karl Richter & Münchener Bach-Orchester - Bach: Orchestral Suites, BWV 1066-1069 (1961/2002) [DD 24bit/192kHz]

Karl Richter & Münchener Bach-Orchester - Bach: Orchestral Suites, BWV 1066-1069 (1961/2002)
FLAC tracks 24bit/192kHz | Digital Booklet | 3.46GB + 5% Recovery
Studio Master, Official Digital Download, Deutsche Grammophon

Karl Richter’s recordings of Bach’s orchestral and sacred music influenced an entire generation of musicians and listeners, presenting the conductor’s unique sound and style. When Richter recorded Bach’s works, he freed them from a ponderous tradition that had mired the music in romantic sounds and idiom. Richter lightened Bach’s music, and, with an orchestra of outstanding musicians, helped bring it toward the more modern interpretations that listeners have become familiar with today. This is still a bit far from the historically-informed performances that are pretty much the norm, but there is a unity and natural originality that comes through the music in these recordings.