Bwv 590

Rush - 2112 (1976) [MFSL, UDCD 590]  Music

Posted by v3122 at Dec. 15, 2017
Rush - 2112 (1976) [MFSL, UDCD 590]

Rush - 2112 (1976)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1993 | MFSL, UDCD 590 | ~ 232 or 94 Mb | Scans(jpg) -> 12 Mb
Progressive Rock

Whereas Rush's first two releases, their self-titled debut and Fly by Night, helped create a buzz among hard rock fans worldwide, the more progressive third release, Caress of Steel, confused many of their supporters. Rush knew it was now or never with their fourth release, and they delivered just in time – 1976's 2112 proved to be their much sought-after commercial breakthrough and remains one of their most popular albums…
Masaaki Suzuki, Bach Collegium Japan - Bach: Gloria in excelsis Deo: Kantaten BWV 30,69,191 (2017) [Blu-Ray]

Masaaki Suzuki, Bach Collegium Japan - Bach: Gloria in excelsis Deo: Kantaten BWV 30,69,191 (2017) [Blu-Ray]
BluRay | BDMV | MPEG-4 AVC Video / 21264 kbps / 1080i / 29,970 fps | 99 min | 36,0 Gb
Audio1: German, Latin / LPCM Audio / 2.0 / 24-bit | Audio2: LPCM Audio / 5.0 / 96 kHz / 11520 kbps / 24-bit

BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 99 min | 11,5 Gb
Audio: German, Latin / PCM / 5ch / 96.0 KHz / 24 bits
Classical | BIS | Sub: English, Japanese

In June 1995, a virtually unknown group of Japanese musicians embarked on the monumental task of recording the complete sacred cantatas by Johann Sebastian Bach. Almost eighteen years later, on 23rd February 2013, the Bach Collegium Japan and Masaaki Suzuki – by then household names in the international music world – reached their goal, as they finished recording the 55th disc in a series which in the meantime had met with overwhelming acclaim worldwide. Made in conjunction with the final cantata recording, this film commemorates the occasion. Besides filmed performances of the three last cantatas – Gloria in excelsis Deo, BWV191, Lobe den Herrn, meine Seele, BWV69 and Freue dich, erlöste Schar, BWV30 – the film includes interviews with Masaaki Suzuki and key members of Bach Collegium Japan as well as behind-the-scenes footage.
Bach - Variations canoniques; Les Chorales de Leipzig, BWV 769, 651-668 (Hans Vollenweider) [1995] *Re-Up*

Bach - Variations canoniques; Les Chorales de Leipzig, BWV 769, 651-668 (Hans Vollenweider) [1995]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 547 MB
Classical | Label: Accord | Catalog Number: 149514 | TT: CD1: 53’07, CD2: 53’55

It’s now time for a release with the famous German organist Helmut Walcha. This is the first of initially 4 releases with Walcha playing J. S. Bach. He recorded the complete works by J. S. Bach twice, from 1947-1950 in mono on the Schnitger organ in Cappel and in St. Jakobi in Lübeck and 1956-1971 on the famous organ in Alkmaar. This release is from the Alkmaar serie and is therefore in stereo. A quite interesting thing is to compare it with the IHORC14 release, where Fernando Germani plays the exact same organ about two years later…

Deutsche Harmonia Mundi - Edition Vol.2: Box Set 50CDs (2014)  Music

Posted by Discograf_man at June 22, 2016
Deutsche Harmonia Mundi - Edition Vol.2: Box Set 50CDs (2014)

Deutsche Harmonia Mundi - Edition Vol.2: Box Set 50CDs (2014)
Classical | MP3 CBR 320 kbps | 8,08 Gb
Label: Sony-BMG Classics | Release Year: 2014

The legendary label, Deutsche Harmonia Mundi, releases a special 50 CD boxset featuring star performers such as Hille Perl, Nikolaus Harnoncourt, Dorothee Oberlinger, Simone Kermes, and Nuria Rial and more!
This collection displays the sheer variety available from theDHM archive. A perfect collection ranging through medieval, Renaissance, baroque and Romantic music.
Marie-Claire Alain - Johann Sebastian Bach: Organ Works 14 CD Box Set (2011)

Marie-Claire Alain - Johann Sebastian Bach: Organ Works 14 CD Box Set (2011)
Classical, Organ | MP3 CBR 320 kbps | 2,28 Gb
Label: Erato Disques | Release Year: 2011

This 1990 Digital Recording is a must for Bach's CD Collector. Recorded using historic organs on which some were played himself by Bach. Marie-Claire Alain's playing here is more in historic and faithful to performance practice. The tempos and the registrations are well planned and the approach of playing is spontaneous and simple. The spirituality of the performer is so evident here.

Bach - Simon Preston - Works For Organ (1989, reissue 2000's)  Music

Posted by luckburz at May 20, 2014
Bach - Simon Preston - Works For Organ (1989, reissue 2000's)

Johann Sebastian Bach - Simon Preston - Works For Organ
EAC+LOG+CUE | FLAC: 323 MB | Part. Artwork: 23 MB | 5% Recovery Info
Label/Cat#: Deutsche Grammophon "entrée" # 471 734-2 GEN | Country/Year: Germany 2000s, 1989
Genre: Classical | Style: Baroque, Organ

"…Preston's playing is lucid, alert, and incisive, and his choices of stops produce clear tones that make the counterpoint utterly transparent. If one listens to several discs in a row, Preston's consistently bright sonorities and mostly brisk tempos may seem a little predictable, but any perceived lack of variety is certainly compensated by his skill and thorough mastery of this massive body of work. These recordings present the organs in nearly ideal conditions, with superb sound quality in moderately resonant spaces and without the usual blemishes associated with church recordings, such as the noises of the instruments' mechanisms or random background distractions…" ~AMG

Bach J.S. - Orgelwerke (Koopman; Preston; Walcha)  Music

Posted by ArlegZ at Sept. 29, 2010
Bach J.S. - Orgelwerke (Koopman; Preston; Walcha)

Ton Koopman, Simon Preston, Helmut Walcha - Bach: Orgelwerke (1999)
EAC | FLAC | Image (Cue & Log) ~ 685 Mb | Total time: 76:16+65:30 | Scans included
Classical | Label: Deutsche Grammophon | # 461 016-2/463 017-2 | Recorded: 1963-65; 1983-92

Johann Sebastian Bach is a perfect embodiment of the Baroque composer. Everything that typifies the music of that era - splendour and grace as well as complexity - is manifested at the level of genius throughout his oeuvre. In the course of his career, which took him by way of the courts of Weimar and Cothen to the Church of St. Thomas's in Leipzig, Bach set standards in composing for virtually every genre. His mastery of the technical intricacies of writing counterpoint remains unequalled, but there is never a whiff of academic dryness in his works. He also continually expanded and invigorated his musical language by absorbing stylistic elements from other composers and nations. Although relatively little is known about Bach as a person, it is certain that he was fully aware of his own unique gifts and stature. Yet he was esteemed during his lifetime chiefly as a virtuoso organist, hardly at all for his compositions. Not until half a century after his death did the musical world begin to comprehend their significance. Since then Bach's works have assumed their rightful place as a cornerstone of the musical repertoire. His importance for today is documented in the present Edition, in which some of the leading interpreters of our time present a comprehensive cross-section of his creative output.

J.S.Bach - Toccata & Fuge - Ton Koopman, organ (1984)  Music

Posted by pmarkov at Aug. 13, 2010
J.S.Bach - Toccata & Fuge - Ton Koopman, organ (1984)

J.S.Bach - Toccata & Fuge - Ton Koopman, organ (1984)
CD | APE + CUE + EAC LOG | Cover | 307.2Mb | 1:07:165
Archiv Produktion - Germany 447 292-2 ATMA
Festliches Barock: Bach, Handel, Vivaldi, Corelli, Telemann, Pachelbel (Capella Istropolitana)

Festliches Barock: Bach, Handel, Vivaldi, Corelli, Telemann, Pachelbel (Capella Istropolitana)
Baroque | EAC | FLAC+CUE+LOG | Scans | CD1:61’20; CD2:56’24; CD3:53’37 | 773.77 MB
Capella Istropolitana, Richard Edlinger
Recording: 1987-89 | Released: 2002 | Label: Naxos
Silke Strauf & Claas Harders - J.S. Bach: Goldberg-Variationen BWV 988 für 2 Violen da Gamba (2009)

Silke Strauf & Claas Harders - J.S. Bach: Goldberg-Variationen BWV 988 für 2 Violen da Gamba (2009)
MP3 (CBR 320 kbps) | Covers Included | 01:11:34 | 189 MB
Genre: Classical | Label: Raumklang

Für den kaiserlichen Gesandten in Dresden, Hermann Graf Keyserlingk, sollen die Goldberg-Variationen entstanden sein. Der Graf habe, wie Bach-Biograph Nikolaus Forkel schreibt, die Musik bei Bach bestellt in der Hoffnung, „daß er dadurch in seinen schlaflosen Nächten ein wenig aufgeheitert werden könnte.“ Diese Bearbeitung der Goldberg-Variationen für zwei Gamben setzt die Reihe der schon bestehenden Transkriptionen fort.