Nikolaus Harnoncourt and Gustav Leonhardt were at the forefront of the early music movement that swept classical music in the '70s and '80s, performing pieces from the canon with period instruments in order to re-create the original intent of the composer as closely as possible. And their most enduring legacy is right here, the complete survey of Bach's sacred cantatas that they began in 1971 and completed in 1988.
Like many German composers of his time, Johann Sebastian Bach also devoted himself to the French style with its characteristic dances and rhythmic ouvertures. His regular contact from an early age with French musicians and dance masters living in Germany made him very familiar and competent with the typical features of French music. Among the results of this interest are his orchestral ouvertures, of which BWV 1066, 1068 and 1069 with large scoring are presented in this recording.
GRAMOPHONE AWARD WINNER 2015 - BAROQUE INSTRUMENTAL RECORDING OF THE YEAR. This recording is the first time that the five-stringed Amati has been used to record the 6th suite and it is the only original five-string cello in existence in the UK and unique in being the only one by this maker. The Cello Suites are performed on two gut-string cellos Suite Nos. 1-5 on a Francesco Ruggieri from 1660 and Suite No. 6 the five-stringed Cremona cello by A. & H. Amati from c.1600, both tuned to Baroque pitch. Bachs cello suites are renowned as the pinnacle of the instruments repertoire and are performed here in period performances by the internationally acclaimed cellist, David Watkin. David Watkin has been performing Bachs Cello Suites in concert for 35 years, and Bachs unaccompanied cello repertoire has taken him all over Europe, from the Palace of Frederick the Great at Potsdam to the Prague Spring Festival, and, as part of Sir John Eliot Gardiner's Bach Cantata Pilgrimage, included performances sitting by the font in which Bach was baptised.
Markku Luolajan-Mikkola has a reputation for excellence and already has two Gramophone Awards. With a fan base to match, Luolajan-Mikkola is at the top of his game. In Luolajan-Mikkola’s Linn debut, he tackles the pinnacle of Bach’s productions for violinists: the Partitas and Sonatas. Luolajan-Mikkola transcribed these works for cello. His goal with this recording has been to encapsulate expression and emotion according to the character of each movement. A historically informed musician, he performs on baroque cello.