Bwv 194

Johann Sebastian Bach - The Cantatas [55 CD] (Repost)  Music

Posted by Bibixy at Sept. 14, 2013
Johann Sebastian Bach - The Cantatas [55 CD] (Repost)

Johann Sebastian Bach - The Cantatas (Masaaki Suzuki)
BIS | 1995-2011 | 55 CD | 55 RAR | 6.5Gb
MP3 192 Kbps | Lame encoded | Tracks | Covers & Booklets

For those who are not familiar with the Bach Collegium Japan, it is an orchestra and choir founded in 1990 by their director and keyboard player Masaaki Suzuki. The orchestra is renowned as Japan’s leading period instrument players applying their historically informed knowledge of sacred baroque music and specialising in the work of J.S. Bach. The chosen venue for Suzuki’s cycle of recordings has been the Shoin Women’s University Chapel in Kobe, Japan.
Suzuki really is a master of his art directing impeccable vocal and instrumental performances.

Johann Sebastian Bach - The Cantatas [50 CD]  Music

Posted by Bibixy at Dec. 1, 2011
Johann Sebastian Bach - The Cantatas [50 CD]

Johann Sebastian Bach - The Cantatas (Masaaki Suzuki)
BIS | 1995-2011 | 50 CD | 50 RAR | 6.08Gb
MP3 192 Kbps | Lame encoded | Tracks | Covers & Booklets | Fserve, Fsonic

For those who are not familiar with the Bach Collegium Japan, it is an orchestra and choir founded in 1990 by their director and keyboard player Masaaki Suzuki. The orchestra is renowned as Japan’s leading period instrument players applying their historically informed knowledge of sacred baroque music and specialising in the work of J.S. Bach. The chosen venue for Suzuki’s cycle of recordings has been the Shoin Women’s University Chapel in Kobe, Japan.
Suzuki really is a master of his art directing impeccable vocal and instrumental performances.
Alexander Grychtolik - Bach: Angenehme Melodei (Huldigungskantaten, BWV 216a & 210a) (2017) [Official Digital Download 24/96]

Alexander Grychtolik - Bach: Angenehme Melodei (Huldigungskantaten, BWV 216a & 210a) (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 52:39 minutes | 1.03 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

It’s amazing to think that world première recordings of Bach are possible today at all. The harpsichordist Alexander Grychtolik has painstakingly reconstructed two homage cantatas from Bach’s Leipzig years. The first, Erwählte Pleissenstadt (BWV 216a), survives only in a draft libretto and a few fragments of notation rediscovered in 2003 among the posthumous papers of a Japanese pianist. The second, O angenehme Melodei (BWV 210a), survives only in a soprano part and a separate print of the libretto for the earliest of its three versions.

Zefiro, Alfredo Bernardini - J.S. Bach: Ouvertures (2016)  Music

Posted by tirexiss at April 30, 2017
Zefiro, Alfredo Bernardini - J.S. Bach: Ouvertures (2016)

Zefiro, Alfredo Bernardini - J.S. Bach: Ouvertures (2016)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 77:00 | 467 MB
Genre: Classical | Label: Arcana | Catalog: A 400

Like many German composers of his time, Johann Sebastian Bach also devoted himself to the French style with its characteristic dances and rhythmic ouvertures. His regular contact from an early age with French musicians and dance masters living in Germany made him very familiar and competent with the typical features of French music. Among the results of this interest are his orchestral ouvertures, of which BWV 1066, 1068 and 1069 with large scoring are presented in this recording.
Akademie für Alte Musik Berlin & René Jacobs - Bach: St John Passion, BWV 245 (Johannes-Passion) (2016) [TR24][OF]

Akademie für Alte Musik Berlin & René Jacobs - Bach: St John Passion, BWV 245 (Johannes-Passion)
Classical | FLAC (tracks) 24-bit/96 kHz | 106:12 min | 1.88 GB | Digital booklet
Label: Harmonia Mundi | Tracks: 40 | Rls.date: 2016

Bach revised his 'Johannes-Passion' regularly: he returned to it over a period of 26 years, from 1724 until his death. It is the version hallowed by tradition, established by the Kantor a year before his death, that is presented on these CDs. However, the 1725 version, equally outstanding musically, has also been recorded complete and can be downloaded as a bonus in high-resolution sound. Comparison of the two versions reveals the underlying meaning of this matchless 'Passion'.
Julia Fischer - J.S. Bach - Sonatas And Partitas For Solo Violin BWV 1001-1006 (2005) [SACD-R][OF]

Julia Fischer - J.S. Bach - Sonatas And Partitas For Solo Violin BWV 1001-1006 (2005) [SACD-R][OF]
Classical, Violin | SACD ISO: DST64 5.0; 2.0 > 1-bit/2.8224 MHz | 7.38 GB + 5% Recovery
Label: Pentatone Classics | Release Year: 2005

No doubt many of you are wondering whether I should be recording Bach’s complete sonatas and partitas at the age of only 21. Perhaps I should have waited a bit longer? Well, patience has seldom been my strong point, and after all I have already waited a number of years for an opportunity to record these works. During the first six years of study with my teacher Ana Chumachenco, I studied the sonatas and partitas thoroughly, and first performed both cycles in their entirety in the Bach year 2000, during the course of two evenings at the Mecklenburg-Vorpommern Festival.
Julia Fischer
Karl Richter & Münchener Bach-Orchester - Bach: Orchestral Suites, BWV 1066-1069 (1961/2002) [DD 24bit/192kHz]

Karl Richter & Münchener Bach-Orchester - Bach: Orchestral Suites, BWV 1066-1069 (1961/2002)
FLAC tracks 24bit/192kHz | Digital Booklet | 3.46GB + 5% Recovery
Studio Master, Official Digital Download, Deutsche Grammophon

Karl Richter’s recordings of Bach’s orchestral and sacred music influenced an entire generation of musicians and listeners, presenting the conductor’s unique sound and style. When Richter recorded Bach’s works, he freed them from a ponderous tradition that had mired the music in romantic sounds and idiom. Richter lightened Bach’s music, and, with an orchestra of outstanding musicians, helped bring it toward the more modern interpretations that listeners have become familiar with today. This is still a bit far from the historically-informed performances that are pretty much the norm, but there is a unity and natural originality that comes through the music in these recordings.

J.S.Bach - The Cantatas Pilgrimage (Gardiner) [Repost]  Music

Posted by Bibixy at July 17, 2013
J.S.Bach - The Cantatas Pilgrimage (Gardiner) [Repost]

J.S.Bach - The Cantatas Pilgrimage (Gardiner)
Soli Deo Gloria | 1999/2010 | 51 CD | 28 RAR | 4.44Gb
Lame encoded | MP3 192 Kbps | Covers | Tracks

When we embarked on the Bach Cantata Pilgrimage in Weimar on Christmas Day 1999 we had no real sense of how the project would turn out. There were no precedents, no earlier attempts to perform all Bach’s surviving church cantatas on the appointed feast day and all within a single year, for us to draw on or to guide us. Just as in planning to scale a mountain or cross and ocean, you can make meticulous provision, calculate your route and get all the equipment in order, in the end you have to deal with whatever the elements - both human and physical - throw at you at any given moment. (Sir John Eliot Gardiner)

J.S.Bach - Complete Cantatas (Koopman) [REPOST]  Music

Posted by Bibixy at March 18, 2013
J.S.Bach - Complete Cantatas (Koopman) [REPOST]

J.S.Bach - Complete Cantatas (Koopman)
67 CD | Elektra / Wea / Erato | 67 ZIP (6.43Gb) | booklets, covers
MP3 192 Kbps | Lame encoded | Tracks | 1995-2006

"Koopman's directing vitality keeps the music spontaneously alive, with no sense of over-refinement or scholarly rectitude; the recording is first class, and the documentation could hardly be more informative. In short, this is a more enjoyable and rewarding seriesthat will give much satisfaction" - Penguin Guide to Recorded Classical Music, 2008

J.S.Bach - The Cantatas Pilgrimage (Gardiner)  Music

Posted by Bibixy at March 30, 2011
J.S.Bach - The Cantatas Pilgrimage (Gardiner)

J.S.Bach - The Cantatas Pilgrimage (Gardiner)
Soli Deo Gloria | 1999/2010 | 51 CD | MP3 192 Kbps | 27 RAR | 4.44Gb
Lame encoded | Covers | Tracks | Fserve, Fsonic, HotF

When we embarked on the Bach Cantata Pilgrimage in Weimar on Christmas Day 1999 we had no real sense of how the project would turn out. There were no precedents, no earlier attempts to perform all Bach’s surviving church cantatas on the appointed feast day and all within a single year, for us to draw on or to guide us. Just as in planning to scale a mountain or cross and ocean, you can make meticulous provision, calculate your route and get all the equipment in order, in the end you have to deal with whatever the elements - both human and physical - throw at you at any given moment. (Sir John Eliot Gardiner)