Bwv 194

J.S. Bach - 6 Suites BWV 1007-1012 transcribed from the originals for solo cello (Marion Verbruggen) - 2006

J.S. Bach - 6 Suites BWV 1007-1012 transcribed from the originals for solo cello (Marion Verbruggen) - 2006
WEB FLAC (tracks, cover, logs) | 02:09:13 | 589.40 MB
Classical | Harmonia Mundi

Much of Bach's music is abstract enough that it can easily be arranged for new instrumental combinations, and often was by the composer himself. The music for unaccompanied violin and for unaccompanied cello forms an exceptional case; the sonatas and partitas for solo violin were part of a long tradition of virtuoso violin music to which Bach was making a conscious contribution, and the six suites for solo cello were written as extensions of the ideas in the violin pieces. Transferring the cello suites to a solo recorder, which is incapable of executing many details of the cello scores, is thus something Bach probably wouldn't have countenanced. ..
Nicolas Dautricourt & Juho Pohjonen - Bach: 6 Sonatas for Violin and Keyboard, BWV 1014-1019 (2018) [24/96]

Nicolas Dautricourt & Juho Pohjonen - Bach: 6 Sonatas for Violin and Keyboard, BWV 1014-1019 (2018)
FLAC (tracks) 24-bit/96 kHz | Time - 121:07 minutes | 2.27 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

One of the most original features of the Sonatas for violin and piano BWV 1014-1019 is the imagination shown by Johann Sebastian Bach in harmonic, melodic and contrapuntal terms. The pianist’s right hand and the violin must constantly answer each other, while the basso continuo is entrusted to the pianist’s left hand. The exceptional degree of invention to be found in this musical dialogue – a felicitous harmony between melody and counterpoint – irremediably excludes any form of excessive soliloquising.
Philippe Herreweghe & Collegium Vocale Gent - Bach: Missa in h-moll, BWV 232 (2012) [Official Digital Download]

Philippe Herreweghe & Collegium Vocale Gent - Bach: Missa in h-moll, BWV 232 (2012)
FLAC (tracks) 24-bit/44.1 kHz | Time - 100:43 minutes | 946 MB
Studio Master, Official Digital Download | Artwork: Digital Booklet

"If at first you don’t succeed, try, try again”. Philippe Herreweghe’s longlasting interest in the works of the Cantor of Leipzig has turned him into a man whose views evolve as he delves deeper into his subject matter. The joy that he feels – combined with a very legitimate sense of pride – in having forged musical tools that have today reached maturity, has led him to come back on a Missa that has never ceased to intrigue him: the catholic Missa of the protestant composer Bach.
Ralf Otto, Mainz Bach Choir & Mainz Bach Orchestra - Bach: St. John Passion, BWV 245 (1749 Version) (2018)

Ralf Otto, Mainz Bach Choir & Mainz Bach Orchestra - Bach: St. John Passion, BWV 245 (1749 Version) (2018)
Classical, Choral | WEB FLAC (tracks) & d. booklet | 595 MB
Label: Naxos | Tracks: 45 | Time: 131:33 min

Johann Sebastian Bachs St John Passion is, along with the St Matthew Passion, without doubt one of the most important works he ever composed. It established a new tradition for Good Friday vespers in Leipzig, and with sublime skill Bach managed to retain a spirit of church worship while creating an almost operatic narrative that movingly depicts Christs trial, death, and ultimate apotheosis. Bachs numerous revisions always demand a certain amount of scholarly decision-making, and this recording of the St John Passion uses the final 1749 version that not only draws on and reinforces the best of Bachs original concept, but incorporates the additional movements of the 1725 version.
Crouch End Festival Chorus, Bach Camerata & David Temple - J.S. Bach: St. John Passion, BWV 245 (Sung in English) (2017)

Crouch End Festival Chorus, Bach Camerata & David Temple - J.S. Bach: St. John Passion, BWV 245 (Sung in English) (2017)
Classical, Choral | WEB FLAC (tracks) & d. booklet | 441 MB
Label: Chandos | Tracks: 68 | Time: 109:40 min

This will play on conventional CD players A landmark recording of J.S. Bach s St John Passion, sung in English the first for over forty-five years. With communicative zeal, beautiful articulation, and focused energy, the 100 voices of CEFC lend precision and power to the performance alongside the instruments of the Bach Camerata, one of the finest UK baroque orchestras, all under the inspired direction of David Temple. They are joined by a superb array of soloists including Robert Murray, Ashley Riches and Sophie Bevan.
Nikolaus Harnoncourt, Gustav Leonhardt - Bach: The Sacred Kantatas 60 CD Box Set Part 4 (2008)

Nikolaus Harnoncourt, Gustav Leonhardt - Bach: The Sacred Kantatas 60 CD Box Set Part 4 (2008)
Classical | MP3 CBR 320 kbps | 1,92 Gb | Covers - 51 Mb
Label: Warner Classics | Release Year: 2008

Nikolaus Harnoncourt and Gustav Leonhardt were at the forefront of the early music movement that swept classical music in the '70s and '80s, performing pieces from the canon with period instruments in order to re-create the original intent of the composer as closely as possible. And their most enduring legacy is right here, the complete survey of Bach's sacred cantatas that they began in 1971 and completed in 1988.

Johann Sebastian Bach - The Cantatas [55 CD] (Repost)  Music

Posted by Bibixy at Sept. 14, 2013
Johann Sebastian Bach - The Cantatas [55 CD] (Repost)

Johann Sebastian Bach - The Cantatas (Masaaki Suzuki)
BIS | 1995-2011 | 55 CD | 55 RAR | 6.5Gb
MP3 192 Kbps | Lame encoded | Tracks | Covers & Booklets

For those who are not familiar with the Bach Collegium Japan, it is an orchestra and choir founded in 1990 by their director and keyboard player Masaaki Suzuki. The orchestra is renowned as Japan’s leading period instrument players applying their historically informed knowledge of sacred baroque music and specialising in the work of J.S. Bach. The chosen venue for Suzuki’s cycle of recordings has been the Shoin Women’s University Chapel in Kobe, Japan.
Suzuki really is a master of his art directing impeccable vocal and instrumental performances.

Johann Sebastian Bach - The Cantatas [50 CD]  Music

Posted by Bibixy at Dec. 1, 2011
Johann Sebastian Bach - The Cantatas [50 CD]

Johann Sebastian Bach - The Cantatas (Masaaki Suzuki)
BIS | 1995-2011 | 50 CD | 50 RAR | 6.08Gb
MP3 192 Kbps | Lame encoded | Tracks | Covers & Booklets | Fserve, Fsonic

For those who are not familiar with the Bach Collegium Japan, it is an orchestra and choir founded in 1990 by their director and keyboard player Masaaki Suzuki. The orchestra is renowned as Japan’s leading period instrument players applying their historically informed knowledge of sacred baroque music and specialising in the work of J.S. Bach. The chosen venue for Suzuki’s cycle of recordings has been the Shoin Women’s University Chapel in Kobe, Japan.
Suzuki really is a master of his art directing impeccable vocal and instrumental performances.
Philippe Herreweghe, Collegium Vocale Gent - Bach: Magnificat BWV 243 & 243a & Cantatas BWV 8, 63, 80, 125, 138 (2010)

Philippe Herreweghe, Collegium Vocale Gent - Bach: Magnificat BWV 243 & 243a & Cantatas BWV 8, 63, 80, 125, 138 (2010)
EAC | FLAC | Image (Cue & Log) ~ 777 Mb | Total time: 61:49+53:06+58:40 | Scans included
Classical | Label: Harmonia Mundi | # HML 5908360.62 | Recorded: 1990, 1997, 2002

"It is…a fine pairing of two of Bach’s more extroverted works, in which Herreweghe delves beneath the masculine surface of the Magnificat to find its more tender interior and boldly explores Bach’s expansion of Luther’s great Reformation hymn, Ein feste Burg ist unser Gott. For whatever reason, Cantata 80 seems to have lost a degree of popularity lately, and it’s good to hear it again, complete with W. F. Bach’s interpolated trumpets."
– George Chien
Thomas Hengelbrock, Freiburger Barockorchester, Balthasar-Neumann-Chor - Bach: Messe H-Moll/Mass B minor BWV 232 (1997)

Thomas Hengelbrock, Freiburger Barockorchester, Balthasar-Neumann-Chor - Bach: Messe H-Moll/Mass B minor BWV 232 (1997)
EAC | FLAC | Image (Cue & Log) ~ 493 Mb | Total time: 56:20+52:55 | Scans included
Classical | Label: Deutsche Harmonia Mundi | # 05472 77380 2 | Recorded: 1996

Two things distinguished Thomas Hengelbrock's 1996 recording of Bach's B minor Mass from the many other historically informed performances of the work released in the early digital era. Where many other conductors used small mixed choirs, Hengelbrock not only used the 26-voice Bathasar-Neumann-Chor, he drew his soloists from it. And where most other conductors tended exclusively toward quick tempos, Hengelbrock mixed things up, favoring fast tempos in joyful movements and slow tempos for painful movements.