After its first two recordings, devoted to Schubert then Beethoven, highly praised and recommended by the critics (both ffff in Télérama, recommended by The Strad…), this eclectic, innovative quartet is now celebrating its tenth anniversary by tackling the string quintets of Mozart and Brahms. These two scores, representative of the culmination of a career in the case of Brahms and, for Mozart, the end of a life, are sustained by vigorous inspiration and frothing energy.
The Brodsky Quartet present the first of two albums that will feature Brahms’s complete string quartets. This recording includes the String Quartet Op. 51 No. 2 with the Clarinet Quintet in B minor. The second string quartet was written alongside its contrasting companion, the String Quartet Op. 51 No. 1. They were both finally published in 1873 after being held back for years by a typically self-doubting Brahms until he had brought them to his own standards of perfection. Of the two, the second is warmer, more affirmative and relaxed, with few extremes of tempo or mood. It is a work that often looks backward, incorporating hints of baroque devices in his lyrical writing.
The Brodsky Quartet presents this second volume in its exploration of Brahms’s complete string quartets. The first, which also featured the Clarinet Quintet with Michael Collins, received numerous enthusiastic reviews, The Guardian praising the players for their ‘immaculate’ performance. The String Quartet, Op. 51 No. 1, featured here, was written alongside its contrasting companion, Op. 51 No. 2. Both were finally published in 1873 after having been held back for years by a typically self-doubting Brahms, until he had brought them to his own high standards of perfection.