Boogaloo Joe Jones

Ivan "Boogaloo" Joe Jones - Snake Rhythm Rock / Black Whip (1972-73) {Prestige-BGP CDBGPD 043 rel 1992}

Ivan "Boogaloo" Joe Jones - Snake Rhythm Rock / Black Whip (1972-73) {Prestige-BGP CDBGPD 043 rel 1992}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 392 Mb | MP3 @320 -> 167 Mb
Full Artwork @ 300 dpi (jpg) -> 9 Mb | 5% repair rar
© 1972-73, 1992 Prestige / Fantasy / BGP | CDBGPD 043
Jazz / Soul Jazz / Boogaloo / Hard Bop / Jazz Funk / Guitar / Organ

Guitarist Ivan "Boogaloo Joe" Jones two albums were made in the same period (1972-73) as the Funk Inc sides and use the same production /engineering team of Ozzie Cadena and Rudy Van Gelder. Snake Rhythm Rock and Black Whip were originally released as Prestige LPs 10056 and 10072, respectively, and the band expands in size from a quintet on the first album to a septet by the second.
Ivan "Boogaloo Joe" Jones - Black Whip (1973) {2014 Japan Rare Groove Funk Best Collection 1000}

Ivan "Boogaloo Joe" Jones - Black Whip (1973) {2014 Japan Rare Groove Funk Best Collection 1000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 234 Mb | MP3 @320 -> 94 Mb
Full Artwork @ 600 dpi (png) -> 184 Mb | 5% repair rar
© 2014 Prestige / Concord / Universal Music Japan | UCC0-90358
Jazz / Hard Bop / Soul Jazz / Guitar

Amazing stuff from Ivan Boogaloo Joe Jones! Unlike some of the other players on Prestige during the early 70s – who often got a bit weaker as the decade moved on, thanks to the departure of some of the better forces arranging and producing the records – Jones kept on playing hard, improving his guitar skill to a point where he was riffing and grooving away at a pace that's simply mindblowing when you hear it. Case in point is the mighty "Black Whip", a fantastic bit of funky jazz that cracks back and forth with all the whiplike qualities hinted at in the title – and which has a totally infectious jazz dance groove that always gets us on the floor. Other titles include the original groovers "Freak Off" and "Crank Me Up", both tasty numbers, plus some mellow pop covers like "My Love" and "Daniel".
Boogaloo Joe Jones - Right On Brother (1970) {2008 Prestige RVG Remasters Series}

Boogaloo Joe Jones - Right On Brother (1970) {2008 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 274 Mb | MP3 @320 -> 99 Mb
Full Artwork @ 600 dpi (png) -> 163 Mb | 5% repair rar
© 2008 Concord / Prestige | 0888072306592 | Prestige RVG Remasters Series | 24-bit remaster | PR 7766
Jazz / Soul Jazz / Hard Bop / Guitar

Guitarist Ivan Joseph Jones, better known as Boogaloo Joe Jones, was a soul-jazz artist whose brand of cool, funky music can be heard on Prestige releases from the late 1960s and early `70s. The newly reissued RIGHT ON BROTHER (1970) will give contemporary listeners a healthy dose of Jones's groovy brew. And fans of Grant Green, Kenny Burrell, and Wes Montgomery will know what to expect from Jones's blend of hard bop and R&B. Support from saxophonist Rusty Bryant and drummer Bernard Purdie keeps the groove solid, while Jones demonstrates his feel-good bluesy skills on the fretboard.
Boogaloo Joe Jones - Right On Brother (1970) {2008 Prestige Rudy Van Gelder Remaster}

Boogaloo Joe Jones - Right On Brother (1970) {2008 Prestige Rudy Van Gelder Remaster}
EAC rip (secure mode) | FLAC+CUE+LOG -> 274 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 400 dpi (png) -> 65 Mb
© 2008 Concord / Prestige | 0888072306592 | 24-bit remaster
Jazz / Soul Jazz / Hard Bop / Guitar


Boogaloo Joe Jones - Right On Brother (1970) {2008 Prestige Rudy Van Gelder Remaster}

Guitarist Ivan Joseph Jones, better known as Boogaloo Joe Jones, was a soul-jazz artist whose brand of cool, funky music can be heard on Prestige releases from the late 1960s and early `70s. The newly reissued RIGHT ON BROTHER (1970) will give contemporary listeners a healthy dose of Jones's groovy brew. And fans of Grant Green, Kenny Burrell, and Wes Montgomery will know what to expect from Jones's blend of hard bop and R&B. Support from saxophonist Rusty Bryant and drummer Bernard keeps the groove solid, while Jones demonstrates his feel-good bluesy skills on the fretboard.
Red Garland, Ron Carter, Philly Joe Jones - Crossings (1977) [Remastered 1991]

Red Garland, Ron Carter, Philly Joe Jones - Crossings (1977) [Remastered 1991]
EAC rip | FLAC+CUE+LOG | Scans | 190 Mb (Incl. Recovery)
Genre ~ Hard Bop, Piano Jazz | Label ~ Galaxy Records

Philly Joe Jones & Elvin Jones - Together! (1964)  

Posted by Bezz at Nov. 8, 2011
Philly Joe Jones & Elvin Jones - Together! (1964)

Philly Joe Jones & Elvin Jones - Together! (1964)
EAC rip | FLAC + CUE + LOG | Scans | 200 Mb (Incl. Recovery)
Genre ~ Hard Bop, Post-Bop | Label ~ Atlantic Records
Bill Evans With Philly Joe Jones – Green Dolphin Street (1959/62) (XRCD2) (Repost)

Bill Evans With Philly Joe Jones – Green Dolphin Street (1959/62) (XRCD2) (Repost)
Riverside/JVC XRCD2 | 1959/62 | Jazz | APE+CUE+Covers | NO LOG | 171Mb+10Mb

This rare Bill Evans trio set (with bassist Paul Chambers and drummer Philly Joe Jones) went unissued until the mid-'70s when the pianist decided that it was worth releasing as a fine example of bassist Chambers' work. Very much a spontaneous set (recorded after the rhythm section made part of a record accompanying trumpeter Chet Baker), the group runs through standards such as "You and the Night and the Music", "Green Dolphin Street" and two versions of "Woody 'N You." This out-of-print XRCD-2 reissue is a must for Bill Evans fans, superbly remastered with JVC's Extended Resolution Process.
Bill Evans, Philly Joe Jones - "Green Dolphin Street" (JVC XRCD-2 Supermaster)

Bill Evans, Philly Joe Jones "Green Dolphin Street" (JVC XRCD)
Jazz | 1959/2001 (JVC) | Ape | EAC Log + Cue | HQ Full Covers | 176mb

This rare Bill Evans trio set (with bassist Paul Chambers and drummer Philly Joe Jones) went unissued until the mid-'70s when the pianist decided that it was worth releasing as a fine example of bassist Chambers' work. Very much a spontaneous set (recorded after the rhythm section made part of a record accompanying trumpeter Chet Baker), the group runs through standards such as "You and the Night and the Music", "Green Dolphin Street" and two versions of "Woody 'N You." This out-of-print XRCD-2 reissue is a must for Bill Evans fans, superbly remastered with JVC's Extended Resolution Process.
Tadd Dameron with John Coltrane - Mating Call (1956) {2007 Prestige RVG Remasters Series}

Tadd Dameron with John Coltrane - Mating Call (1956) {2007 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 183 Mb | MP3 @320 -> 84 Mb
Full Artwork @ 300 dpi (jpg) -> 43 Mb | 5% repair rar
© 2007 Concord / Prestige | PRCD-30163 | Prestige RVG Remasters Series | 24-bit remaster
Jazz / Hard Bop / Bop / Piano / Saxophone

This fine set, recorded on November 30, 1956, has been reissued several times, often as a John Coltrane date, but make no mistake, this is a Tadd Dameron session, and his elegant compositions are its key component. Coltrane was fresh off playing with Miles Davis in 1956 and was still a year away from heading his own sessions and three years away from recording Giant Steps, so it might be said that he was in transition, but then when was Coltrane not in transition?
Miles Davis - Steamin' With The Miles Davis Quintet (1956) {2007 Prestige RVG Remasters Series}

Miles Davis - Steamin' With The Miles Davis Quintet (1956) {2007 Prestige RVG Remasters Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 215 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 600 dpi (png) -> 170 Mb | 5% repair rar
© 2007 Concord / Prestige | 0888072301672 | Prestige RVG Remasters Series | 24-bit remaster
Jazz / Bop / Hard Bop / Trumpet

Although chronologically the last to be issued, this collection includes some of the best performances from the tapes which would produce the albums Cookin', Relaxin', Workin', and ultimately, Steamin'. A primary consideration of these fruitful sessions is the caliber of musicians – Miles Davis (trumpet), Red Garland (piano), John Coltrane (tenor sax), and Philly Joe Jones (drums) – who were basically doing their stage act in the studio. As actively performing musicians, the material they are most intimate with would be their live repertoire. Likewise, what more obvious place than a studio is there to capture every inescapable audible nuance of the combo's musical group mind. The end results are consistently astonishing.