Bmg Japan

Delegation - Eau De Vie (1979) {BMG Japan}  Music

Posted by tiburon at Dec. 10, 2017
Delegation - Eau De Vie (1979) {BMG Japan}

Delegation - Eau De Vie (1979) {BMG Japan}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3u | Full Scans 300dpi | 413MB + 5% Recovery
MP3 CBR 320 Kbps | 145MB + 5% Recovery
Genre: Funk, Soul

Delegation was formed in the United Kingdom in 1975 by Ricky Bailey, Len Coley and Roddy Harris.In 1979, Delegation released Eau De Vie, on the Ariola label and had international hits with "Heartache #9", "You And I" and the "Put A Little Love On Me". By 1980, Coley and Harris were replaced by Ray Patterson and Bruce Dunbar, and group continued on with lesser success.

Steve Kuhn Trio - Three Waves (1966) {BMG Japan}  Music

Posted by tiburon at Nov. 12, 2017
Steve Kuhn Trio - Three Waves (1966) {BMG Japan}

Steve Kuhn Trio - Three Waves (1966) {BMG Japan}
WEB FLAC tracks | Full Scans 300dpi | 212MB + 5% Recovery
MP3 CBR 320 Kbps | 97MB + 5% Recovery
Genre: Jazz, Hard-Bop

Predictable is not an adjective associated with the recordings of pianist Steve Kuhn. He is joined by bassist Steve Swallow and drummer Pete La Roca for this exciting studio session from the mid-1960s, both of whom he had worked with under Art Farmer, as well as on La Roca's smashing debut as a leader, Basra. With the exception of "Ida Lupino" and "Never Let Me Go," the music will likely be unfamiliar to most jazz fans, but adventurous souls are in for a treat. Kuhn's originals include the furious modal work "Bits and Pieces," which sounds as if it represents the center of a storm, as well as "Today I Am a Man," which suggests a well-known composition from the heyday of the bop era. "Why Did I Choose You" is played with a soft bossa nova accent, while Sergio Mihanovich's "Three Waves" is intense, with overlapping changes of rhythm. "Never Let Me Go," a favorite of singers, is understated and subtle, only hinting briefly at the melody.
Larry Young's Fuel - Spaceball (1976) {BMG Japan 2005 Mini LP K2 re-issue}

Larry Young's Fuel - Spaceball (1976) {BMG Japan 2005 Mini LP K2 re-issue}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 298 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 300 dpi (png) -> 18 Mb | 5% repair rar
© 1976, 2005 Arista / BMG Japan | BVCJ-37490 | Mini LP | K2 24bit Mastering
Jazz / Jazz Funk / Soul Jazz / Organ

Some stellar stuff in there, and other bits that are a bit more on the forgettable side of things. Even though Young's output was starting to be a bit inconsistent, he was still very much trailblazing and this CD is nonetheless an important document; This was to be his last complete album session before his untimely passing at age 38, and it shows the maverick organ player charting a course for the funkier and electrified side of things. This CD was only made available in Japan, as a part of the "Legends Of Cosmic Jazz Funk" paper sleeve series.

Steve Coleman - Rhythm People (1990) {BMG Japan}  Music

Posted by tiburon at Sept. 2, 2016
Steve Coleman - Rhythm People (1990) {BMG Japan}

Steve Coleman - Rhythm People (1990) {BMG Japan}
EAC 1.0b3 | FLAC tracks level 6 | Cue+Log+M3U | Full Scans 600dpi | 379MB + 5% Recovery
MP3 CBR 320 Kbps | 147MB + 5% Recovery
Genre: M-Base, Post-Bop, Fusion, Free Funk

The music on this "M-Base" recording, despite the difference in instrumentation, does not sound radically different than Ornette Coleman's harmelodic music of the 1980s. Altoist Steve Coleman is the lead voice throughout most of his originals and his solo style (often relying heavily on whole-tone runs and unexpected interval jumps) is intriguing, but it would be surprising if his rhythm section did not get bored playing the funky (although eccentric) rhythms after awhile.
Arista All Stars - Blue Montreux II (1978) {BMG Japan MiniLP K2 24bit mastering BVCJ-37577 rel 2007}

Arista All Stars - Blue Montreux II (1978) {BMG Japan MiniLP K2 24bit mastering BVCJ-37577 rel 2007}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 277 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 300 dpi (jpg) -> 12 Mb | 5% repair rar
© 1978, 2007 Arista / BMG Japan | BVCJ-37577 | MiniLP K2 24bit mastering
Jazz / Fusion / Jazz Funk / Jazz Rock

24bit K2 digitally remastered Japanese limited edition special issue of the album classic in a deluxe, miniaturized LP sleeve replica of the original vinyl album artwork. A sweet session of 70s electric jazz – recorded as a unique live all-star outing by a group of Arista's best jazz players at the time! The second of two volumes of an excellent live show featured Steve Khan (g) and The Brecker Brothers.
Symposium - On The Outside [1998, BMG Japan # BVCP-6122, Bonus] {RE-UP}

Symposium - On The Outside
FLAC, EAC, LOG & CUE | Lossless Artwork | Size: 580 MB
Label/Cat#: BMG Japan # BVCP-6122 | Country/Year: Japan 1998 + Bonus Tracks
Genre: Rock | Style: Alternative Rock

Good reviews can kill a band, particularly if they arrive before they've ever released a record. That essentially happened to Symposium, who was labeled the "best live band in Britain" by the weeklies at the tail end of Britpop – the handful of days before OK Computer and Urban Hymns replaced Parklife and (What's the Story) Morning Glory? as the template for modern British pop.

Kazumi Watanabe - Monday Blues (1976) {BMG Japan}  Music

Posted by tiburon at Jan. 18, 2016
Kazumi Watanabe - Monday Blues (1976) {BMG Japan}

Kazumi Watanabe - Monday Blues (1976) {BMG Japan}
EAC 0.99pb5 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 227MB + 5% Recovery
Genre: Jazz, Fusion, Post-Bop

Kazumi Watanabe has for the past 40 years been one of the top guitarists in fusion, a rock-oriented player whose furious power does not mask a creative imagination. Watanabe studied guitar at Tokyo's Yamaha Music School and he was a recording artist while still a teenager. In 1979, he formed the group Kylyn and, in 1983, he put together the Mobo band. Several of his recordings have been made available by Gramavision and they show that he ranks up with Al DiMeola (when he is electrified) and Scott Henderson among the pacesetters in the idiom.

Elvis Presley - Elv1s 30 #1 Hits (2002) [BMG Japan, BVCP-21278]  Music

Posted by popsakov at May 15, 2015
Elvis Presley - Elv1s 30 #1 Hits (2002) [BMG Japan, BVCP-21278]

Elvis Presley - Elv1s 30 #1 Hits (2002)
EAC Rip | FLAC (Img) + Cue + Log ~ 425 Mb | MP3 CBR320 ~ 191 Mb
Scans (JPG, 400 dpi) ~ 51 Mb | RAR 5% Recovery
Rock & Roll, R&B, Pop | BMG #BVCP-21278

ELV1S: 30 #1 Hits is a greatest hits collection of songs by American rock and roll icon Elvis Presley that reached No. 1 in both the United States, Australian and the United Kingdom's album charts. The album was released by RCA Records on September 24, 2002. When released, ELV1S: 30 #1 Hits was an instant success, going straight to the top of the albums charts in several countries and shipping mass quantities around the world. By 2003 the album had received certifications in more than fifteen regions and had sold millions of copies worldwide…
John Lewis & The New Jazz Quartet - Slavic Smile (1982) [2009, BMG Japan, BVCJ-34440]

John Lewis & The New Jazz Quartet - Slavic Smile (1982)
EAC Rip | Flac(Image) + Cue + Log & iPod M4A(Tracks) & MP3 CBR 320Kbps
Bop / Cool | ~ 275 or 278 or 143 Mb | Scans(jpg, 300dpi) Included
2009 | Baystate/BMG Japan, BVCJ-34440 | SHM-CD

Slavic Smile was recorded in 1982, shortly after the Modern Jazz Quartet was reunited. On this album, the unique pianist of the MJQ, John Lewis pursued a different sound and approach from the legendary group, albeit with the same instrumentations and Connie Kay on the drum chair…
Jefferson Airplane - Surrealistic Pillow [BMG Japan BVCM-37625] {1967, 2006 limited mini LP reissue} (Reuploaded)

Jefferson Airplane - Surrealistic Pillow
EAC+LOG+CUE | FLAC: 331 MB | Full Artwork | 5% Recovery Info
Label/Cat#: BMG Japan # BVCM-37625 | Country/Year: Japan 2006, 1967
Genre: Rock | Style: Psychedelic, Classic Rock

…the whole album was resplendent in a happy balance of all of these creative elements, before excessive experimentation (musical and chemical) began affecting the band's ability to do a straightforward song. The group never made a better album, and few artists from the era ever did.