Looking back at The Black Angels' 13-year career, it's a wonder it took the group so long to name an album Death Song. The Austin-based collective originally took its name from The Velvet Underground classic "The Black Angel's Death Song," as befits its dark, droning take on hard-edged psychedelia. The Black Angels' Death Song, however, is far from some kind of VU tribute. While continuing to evolve the seething, hypnotic tradition laid down by Lou Reed, John Cale, and company in the 1960s, The Black Angels have delivered an enormous and frighteningly timely fifth album full of uniquely trippy anthems to oblivion.
Beat music, British beat, or Merseybeat (after bands from Liverpool and nearby areas beside the River Mersey) is a pop and rock music genre that developed in the United Kingdom in the early 1960s. Beat music is a fusion of rock and roll (mainly Chuck Berry guitar style and the midtempo beat of artists like Buddy Holly), doo-wop, skiffle and R&B. The genre provided many of the bands responsible for the British Invasion of the American pop charts starting in 1964, and provided the model for many important developments in pop and rock music, including the format of the rock group around lead, rhythm and bass guitars with drums. The Beat Of The Pops - excellent selection of beat tracks.
Fallen Angels may have been recorded at the same session as 2015's moody Shadows in the Night, but its tone is very different. Call Fallen Angels the Nice 'n' Easy to the No One Cares of Shadows in the Night: they're both tributes to Frank Sinatra, but the 2016 album is light at heart. It's filled with songs of love, not heartbreak, and Dylan's band plays the numbers as sweet shuffles that function as a counterpart to the gloomy saloon tunes that filled Shadows in the Night.
Claire Boucher aka Grimes' fourth album, produced and engineered by herself. Spanning over 14 tracks, the new album features collaborations with Janelle Monáe and newcomer, Taiwanese rapper Aristophanes. It was recorded primarily in her home studio in Los Angeles, CA, where she relocated to in 2014. Like all of her previous albums, Art Angels was written and recorded entirely as a solo endeavor. The new album features more live instrumentation than ever before on a Grimes record. She plays piano, guitar and violin, continuing her evolution as a musician and a producer for her most ambitious album to date.
After Le Chat Bleu, this Mink DeVille record foretold the depth and dimension of Willy DeVille's talent and the lengths he would go to as a vocalist and songwriter to get the right mix of emotion, drama, and rock & roll attitude. Featuring the core band from Coup de Grace – Louis Cortelezzi on sax; Kenny Margolis on keyboards, including accordion; DeVille and Rick Borgia on guitars; and Tommy Price on drums – the seam in the album comes on the second track, "River of Tears," with its stunning soprano saxophone lines, marimbas, accordions, and howling, raw, Gato Barbieri-like tenor lines in the choruses. When DeVille sings, "Every night lonely, empty dreams/Here comes that tide washing over me/Not again/Oh no/Not again/I don't want to cry/But there's tears in my eyes/I don't want to cry/That river of tears," the horns and accordion swirl around him until the final 16 measures, when the guitars and marimbas envelop all his loss in their warmth. His voice is the grain of every rock & roll lothario's Waterloo. DeVille follows this with a scorching Cuban son called "Demisado Corazon," featuring full salsa horn and percussion sections.
Duchess of Coolsville is Rhino's three-CD career retrospective of the work of singer and songwriter Rickie Lee Jones, an artist who changed the face of pop in the 1970s in her own way beginning with her surprise hit "Chuck E's in Love." Since that time she has continued on a highly personal, often idiosyncratic path; one that does not always give the marketplace its due…
2007 two CD collection. 40 original Aussie hits from , , , , , , , , , , , , , and more.