Souples et colorés, les ballons à sculpter se prêtent facilement à toutes les fantaisies !
Avec une petite pompe pour gonfler les ballons rapidement et quelques torsions, voilà que personnages et animaux apparaissent aussitôt ! Il suffit ensuite d'une bouche, de pupilles ou d'autres détails simples dessinés aux feutres indélébiles pour leur donner du caractère.
Pistolet-laser, poupée, girafe, licorne, dragon, baguette de fée, chapeaux en tous genres…
A little bit of everything can be found on this soundtrack to German director Wim Wenders's 1987 film: theme music, songs from the film, and even some dialogue. It's an eclectic mix, but it hangs together well, instantly evoking the moody, somber texture of Wenders's remarkable story of an angel's desire to once again become flesh and blood. Jürgen Knieper's solemn, meditative string compositions dominate the first half of the disc, interspersed with actor Bruno Ganz's reading of the Peter Handke poem "Lied Vom Kindsein (Song of Childhood)"; it's a dramatic effect that works here almost as well as it does onscreen over sweeping panoramas of a still-divided Berlin. And even if you haven't seen the film, several songs featured prominently in it make this soundtrack an essential listen–namely, Nick Cave's relentlessly spooky "The Carny" and Crime and the City Solution's brilliantly droopy "Six Bells Chime".
Composer Hans Zimmer (Gladiator, Thin Red Line, Batman Begins) successfully fused his signature brand of overwrought but highly effective melodrama to the backbone of director Ron Howard's 2006 movie adaptation of Dan Brown's controversial religious thriller The Da Vinci Code. That film's main theme, "Chevaliers de Sangreal," has been retooled for the 2009 sequel (the book was actually a prequel) Angels & Demons, preserving all of its elegiac atmosphere while bringing in more choral elements, as well as the nimble fingers of Grammy Award-winning violinist Joshua Bell to reflect the story's central character, Vatican City.