Bad 24bit

George Benson - Good King Bad 24bit/192KHz Vinyl Rip  Vinyl & HR

Posted by karfaks at June 5, 2011
George Benson - Good King Bad 24bit/192KHz Vinyl Rip

George Benson - Good King Bad
Vinyl rip in 24bit/96kHz | FLAC | image + cue | scans | 1.42 Gb
CTI | FileSonic + Hotfile | 1975

Whether he gets (enough) credit or not from jazz heads, guitarist George Benson certainly created the template for smooth jazz , with 1975's Good King Bad a perfect example of the style in its infant stages. Benson combines his classy, Wes Montgomery-inspired guitar style with funky material ("Hold On I'm Coming"), yearning balladry ("Cast Your Fate To the Wind"), plush arrangements, and, on one song, buttery vocals for a classic slice of easygoing jazz.
Royston Wood & Heather Wood - No Relation (1977) TRA 342  - 1st UK Pressing - LP/FLAC In 24bit/96kHz

Royston Wood & Heather Wood – No Relation
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Transatlantic Records/TRA 342 | Released: 1977 | Genre: Progressive-Folk

Excellent addition to any Progressive-Folk music collection
After leaving The Young Tradition, Heather and Royston Wood (who weren’t related to each other), issued what might be called a follow-up, No Relation,
The Young Tradition - Galleries (1968) Vanguard/VSD-79295 - Original US Pressing - LP/FLAC In 24bit/96kHz

The Young Tradition - Galleries
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Vanguard/VSD-79295 | Released: 1968 | Genre: Progressive-Folk

Essential: A masterpiece of Progressive-Folk music
The Young Tradition was formed on 18 April 1965 by Peter Bellamy (8 September 1944 – 19 September 1991), Royston Wood (born 1935 died 8 April 1990) and Heather Wood (born Arielle Heather Wood, 31 March 1945, Attercliffe, Sheffield, Yorkshire) (who was unrelated to Royston Wood). Most of their repertoire was traditional British folk music, sung without instrumental accompaniment, and was drawn especially from the music of the Copper Family from Sussex, who had a strong oral musical tradition. They augmented the pure folk music with some composed songs which were strongly rooted in the English folk tradition, such as sea shanties written by Cyril Tawney, of which “Chicken on a Raft” was the most notable.
Jay McShann - The Big Apple Bash (1978) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27278}

Jay McShann - The Big Apple Bash (1978) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27278}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 298 Mb | MP3 @320 -> 103 Mb
Full Artwork @ 600 dpi (png) -> 160 Mb | 5% repair rar | 24bit remaster
© 1978, 2013 Atlantic / Rhino / Warner Japan / WEA | WPCR-27278 | Jazz Best Collection 1000 Series
Jazz / Jazz Blues / Blues / Piano

Features 24 bit remastering and comes with a mini-description. Pianist Jay McShann has spent much of his career being classified as a blues pianist when in fact he is a flexible swing stylist. On this excellent release, McShann appears with two groups of all-stars. His original "Crazy Legs and Friday Strut" and "Georgia on My Mind" find him joined by Herbie Mann (on flute and tenor), baritonist Gerry Mulligan and a rhythm section that includes guitarist John Scofield. The other selections (two standards, Duke Ellington's "Blue Feeling" and McShann's own "Jumpin' the Blues") are performed by an octet also featuring Mann, altoist Earle Warren, trumpeter Doc Cheatham, trombonist Dicky Wells and Scofield. The unusual grouping of swing, bop and modern stylists is successful (the material is pretty basic) and Janis Siegel's guest appearance for a vocal duet with McShann on "Ain't Misbehavin'" works.
Sleater-Kinney - All Hands On The Bad One (2000/2014) [Official Digital Download 24bit/96kHz]

Sleater-Kinney - All Hands On The Bad One (2000/2014)
FLAC (tracks) 24 bit/96 kHz | Time - 37:06 minutes | 963 MB
Studio Master, Official Digital Download | Artwork: Front cover

"All Hands on the Bad One" is the fifth studio album by Sleater-Kinney, originally released on May 2, 2000 by Kill Rock Stars. The album was produced by John Goodmanson and recorded from December 1999 to January 2000 at Jackpot! Studio in Portland, Oregon and John & Stu's Place in Seattle, Washington. All Hands on the Bad One reached number 177 on the US Billboard Top 200 chart. The album appeared on many year-end lists and received a nomination for Outstanding Music Album at the 12th Annual Gay and Lesbian Alliance Against Defamation Awards. This reissue is newly-remastered.
Sleater-Kinney - One Beat (2002/2014) [Official Digital Download 24bit/96kHz]

Sleater-Kinney - One Beat (2002/2014)
FLAC (tracks) 24 bit/96 kHz | Time - 43:27 minutes | 1,01 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

"One Beat" is the sixth studio album from Sleater-Kinney, originally released on August 20, 2002 by Kill Rock Stars. It was produced by John Goodmanson and recorded between March and April 2002 at Jackpot! Studio in Portland, Oregon. The album peaked at number 107 in the United States on the Billboard 200 and entered the Billboard Top Independent Albums at number five. This reissue is newly-remastered.
Jethro Tull - Stormwatch (1979) Chrysalis/CHR 1238 - Original US Pressing - LP/FLAC In 24bit/96kHz

Jethro Tull – Stormwatch
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Label: Chrysalis/CHR 1238 | Release: 1979 | Genre: Progressive-Folk

Excellent addition to any Prog-Rock music collection
Really good follow up to Heavy Horses despite all the difficulty surrounding the band, and reminds us not only how prolific and accomplished Ian Anderson is, but the impact Jethro Tull’s music has had on everything from folk rock and pop to minstrel metal and symphonic cheese. It doesn’t chart much new territory, the songs resembling classic Anderson shanties more than something thematic, leaner than previous work and though not outstanding like Horses, it’s one of those albums that catches you off-guard with the quality of the material. Thanks, Ian, for being there in hard times and good.
The Byrds - Byrds (1973) Asylum Records/SD 5058 - Original US Presswell Pressing - LP/FLAC In 24bit/96kHz

The Byrds ‎- Byrds
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered At The Lacquer Channel, Sausalito
Label: Asylum Records/SD 5058 | Release: 1973 | Genre: Country-Rock

THE BYRDS “BYRDS” (’73 REUNION)
The announcement of the reunion album featuring all five original Byrds raised expectations to the point where whatever emerged was almost bound to be an anticlimax. (Imagine the effect of the Beatles reforming around the same time, if you will.) Despite a general thumbs-down from the critics, fan loyalty and eager anticipation made the new long-player highly successful at the record store: in the States, the biggest-selling new-material Byrds album since Turn, Turn, Turn. Subsequent reviews expressed varying degrees of disappointment, but recent re-evaluation with almost forty years of hindsight portrays the project as fascinating historically and not without merit artistically. Interest in it has never waned and it’s been re-released on CD no fewer than four times. The Wikipedia article on it is almost a book.
Poco - The Very Best Of Poco (1975) Epic/PEG 33537 - US Pressing - 2LP/FLAC In 24bit/96kHz

Poco – The Very Best Of Poco
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 1700mb & 600mb
Label: Epic/PEG 33537 | Release: 1975 | This Issue: 197? | Genre: Country-Rock

Originally a two-LP set, The Very Best of Poco was a decent compilation in its time, assembling the group’s best-known songs from singles and album cuts in a straightforward order with no particular surprises.
Poco - Live (1976) Epic/PE 32354 – US Pressing - LP/FLAC In 24bit/96kHz - NEW 2018 RIP!

Poco – Live
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 800mb & 200mb
Mastered At Capitol Mastering By Wally Traugott
Label: Epic/PE 33336 | Release: 1976 | This Issue: 1978 | Genre: Country-Rock

In 1975, Poco left Epic Records after six years and jumped to ABC Records. Less than a year later, Epic released this 38-minute live album recorded at a series of November 1974 shows. By this time in their history, Richie Furay and Jim Messina were long gone, and steel guitar player Rusty Young and guitarist Paul Cotton were the dominant musical personalities in the group, between them providing all but one of the songs represented here.