Whether he gets (enough) credit or not from jazz heads, guitarist George Benson certainly created the template for smooth jazz , with 1975's Good King Bad a perfect example of the style in its infant stages. Benson combines his classy, Wes Montgomery-inspired guitar style with funky material ("Hold On I'm Coming"), yearning balladry ("Cast Your Fate To the Wind"), plush arrangements, and, on one song, buttery vocals for a classic slice of easygoing jazz.
Like the sublimely seedy roadside joints of America’s rural South — where you can shoot pool, buy fishing worms and have your lawnmower repaired all in the same room — Fetchin Bones are dedicated to the sort of unexpected variety that somehow seems to work. On their debut album, the North Carolina quintet peddles an exciting mix of revved-up rock, country twang, folk, blues and swing, driving it all home with unrestrained energy and unpolished charm. The crazed quaver in singer Hope Nicholls’ voice provides the heart of the Bones’ sound; three songs without her lead vocals are the album’s weakest cuts. Producer Don Dixon admirably translates the group’s wild-eyed persona to vinyl, but this is a band that must be seen live for a full grasp of their eclectic frenzy. Delightfully different graduates of the R.E.M.-inspired school of Southern pop. (The CD and cassette add three tracks.)
Features 24 bit remastering and comes with a mini-description. When Charlie Parker first came to New York in 1942, he was a sideman in Jay McShann's big band. Every jazz fan knows what happened after that – Parker changed the world and McShann became a footnote in Parker's biography. That's too bad, and not just for him; if the 1978 session remastered and reissued on this disc is anything to go by, McShann had much more to offer the world than his role as caregiver to the inventor of bebop.
Mr. Bad Guy is the first solo album from Queen singer Freddie Mercury. Released in 1985, during a period in which Queen were on hiatus from recordings, the album contains eleven songs, all written by Mercury.
Slowly Rolling Camera formed in Cardiff in 2013 and brought together four wildly talented musicians from diverse backgrounds in vocalist/lyricist Dionne Bennett, composer/keyboardist Dave Stapleton, drummer Elliot Bennett and producer/sound design artist Deri Roberts. The result was a captivating hybrid of these influences: trip hop, jazz, soul, electronic music fused into a new and unique soundscape. The product was their eponymous album, released on Edition Records in February 2014, described by The Guardian as a ‘powerful newcomer with Rising Star written all over it.
"In the Now" is the second solo album by British singer-songwriter Barry Gibb, released on 7 October 2016 by Columbia Records. Although his second solo album (since 1984's Now Voyager), it is the first of all new material since the Bee Gees' final studio album This Is Where I Came In (2001). Gibb said of the album: "This is a dream come true for me. It's a new chapter in my life. I always hoped one day that The Bee Gees would be with Columbia or indeed Sony so, it's a great joy for me to start again this way with such great people."
American-Japanese guitarist Aki Ishiguro, German bassist Peter Schwebs and Chilean drummer Rodrigo Recabarren recorded their debut album MURAL in March of 2015 at Systems Two in Brooklyn, New York. MURAL is a collective group made of three rising jazz stars in New York. The band showcases each members' virtuosic instrumental skills as well as their refined compositions. Subtle influences of European classical music, Japanese folk, and South American rhythms are just one the culmination of the multiple nationalities and cultures represented in the trio. The group’s collaboration is apparent through their balanced sound, wide dynamics, and seamless interaction. MURAL is truly a band effort – a single instrument with three musicians.
The legendary Brazilian pianist Nelson Freire specializes in the 19th century and has turned to recording Bach in his eighth decade, apparently for the first time. All you can say is that it was worth the wait. His Bach is typically restrained, not unaware of the long tradition of Bach piano performances, but decidedly unlike anyone else's approach. In general, Freire is pianistic without applying a lot of pedal.
"Merry Christmas" is a Christmas album by American pop singer Andy Williams that was released by Columbia Records in 1965. This, his second holiday LP, is focused exclusively on 20th century compositions, unlike 1963's The Andy Williams Christmas Album, which, of its 12 tracks, had six with origins predating the turn of the century. For the six consecutive holiday seasons from 1965 through 1970, Merry Christmas charted on Billboard magazine's special year-end weekly Christmas Albums sales chart. The album spent two weeks as the number one selling Christmas album during the holiday season of 1966 and one week atop that same chart in 1969.