B.B. King has cut a lot of albums since the success of Live at the Regal. And, like the live shows they document, none of them are any less than solid and professional, hallmarks of King's work aesthetic. But every so often B.B. truly catches fire; his playing and singing comes up an extra notch or two, and the result is a live album with some real sparks to it. Live in Cook County Jail is one of those great concerts that the record company was smart enough to be there to capture, documenting B.B. firing on all cylinders in front of an audience that's just damn happy for him to be there…
The seventh volume in Ace's ongoing series based on B.B. King's original Crown LPs with 8 bonus tracks.
Originally released as "Blues For Me" in 1961, re-titled "More B.B. King", this disc is augmented by hard to find Kent 45s from the early to mid sixties.
The 2012 two-disc anthology The Blues King's Best compiles many of legendary guitarist B.B. King's recordings. The first disc features studio recordings from 1949 to 1960 and the second disc showcases live recordings from various dates over the years – some well past 1960. Included are such stellar studio recordings as "B.B. Boogie," "Please Love Me," "Swing Low, Sweet Chariot," "The Thrill Is Gone," "How Blue Can You Get?," and many others. This a solid collection that works well as a thorough overview of King's long career.
Blues On The Bayou is a 1998 studio recording by B. B. King. In the CD liner notes, B.B. King writes: "Of the many records Lucille and I have had the pleasure of recording over the years, this one is especially close to my heart. It's also one of the most relaxed and, for me, most satisfying… No one was telling us what to do. No one needed to tell us what to do." He adds that he considers the band playing on this album as his best ever and that he got to the studio with the idea of keeping the music simple ("I've felt the urge to go back to basics."). With this state of mind, the record was cut in four days: "Found some old B. B. King songs. Wrote some new ones… All live, all real. No overdubs, no high-tech tricks. Just basic blues." The album won the 2000 Grammy Award for Best Traditional Blues Album.
The reigning king of the blues, B.B. King, rules supreme in this exclusive concert recorded live. The legendary blues guitarist and his beloved 'Lucille' 'Let The Good Times Roll' with this electrifying performance featuring the trademark guitar and vocal style that have made B.B. King the most influential blues musician of the 20th century.
Jeff Beck is no stranger to Friday Music. We continue to strive to bring the fans his greatest music ever recorded in both 180 Gram Audiophile Vinyl and now on remastered compact disc collectors editions…..Jeff Beck Live At B.B. King Blues Club is such a wonderful performance, and this unique session fortunately was captured at this intimate setting. Hearing the Guitar Shop trio once again is a thrilling event to behold as you hear shredder delights like Angel, People Get Ready, Goodbye Pork Pie Hat, material from Blow By Blow, There And Back…..he plays them all. SHREDDERS UNITE!
Let the Good Times Roll: The Music of Louis Jordan is the thirty seventh studio album by B. B. King, released in 1999. It is a tribute album to Jazz/Jump Blues saxophonist and singer Louis Jordan, and is made up entirely of covers of songs written or performed by Jordan. As well as King, the album features other famous jazz and blues musicians including Dr. John, Earl Palmer and members of Ray Charles' band.
The Spirituals as B.B. King's 4th Crown LP, recorded in 1959 as a dedicated gospel album. The song selection literally represents a greatest hits package of the time, ranging from classics such as 'Precious Lord' and 'Swing Low Sweet Chariot' to no less than 6 staples from the repertoire of the highly respected 5 Blind Boys of Mississippi. Includes 8 bonus tracks.
Most of B.B. King's studio albums of the '80s and '90s tend to de-emphasize his guitar playing and consist largely of forgettable originals and obvious attempts at pop hits. However this CD (which was cut in the studios) is on a higher level and is quite rewarding. Most of the tunes were co-written by pianist Joe Sample and Will Jennings, and the majority are quite catchy and memorable. Certainly it is easy to sing along with the refrains of "I'm Moving On," "Back in L.A." and "Roll, Roll, Roll." On this date King usually overdubbed his guitar to play along with his vocals (somehow the interplay does not sound spontaneous) but it does not detract from the final results. The intelligent and philosophical lyrics fit King's style very well and his voice is very much in prime form. Well worth acquiring.