This 2011 concert recording captures the legendary blues guitarist B/B/ King and his guitar Lucille ripping through a number of songs like "I Need You So," "Key to the Highway," and "The Thrill Is Gone." Along the way he gets help from such celebrated performers as Slash, Ron Wood, and Mick Hucknall.
Universally hailed as the reigning king of the blues, the legendary B.B. King is without a doubt the single most important electric guitarist of the last half century.
He may be 85 these days, but B.B. King is still B.B. King, and any time he sings or delivers those signature clean, jazzy, and warm guitar lines, it's an extra gift from a musician who has given us listeners and fans so much for so long. This warm, celebratory, and good-natured live set was recorded on June 28, 2011 at London's Royal Albert Hall and features King in chatty good humor and a whole host of guests, including guitarist Derek Trucks, singer Susan Tedeschi, the Rolling Stones' Ronnie Wood, Simply Red's Mick Hucknall, and former Guns N' Roses guitarist Slash…
Live at the Apollo is a Blues album by B.B. King and the Phillip Morris "Super Band" recorded at the famous Apollo Theater in Harlem, New York. It was awarded the 1992 Grammy Award for Best Traditional Blues Album.
2008 collection that compiles the best of BB King's BBC recordings onto one CD for the very first time and includes some of his biggest hits such as 'Paying the Cost to Be the Boss' and 'The Thrill Is Gone' as well as 'When Love Comes To Town'. Featuring highlights from his three finest UK performances alongside a session recording made in the BBC's studios, this CD offer an incredible snapshot of an artist at the peak of his career performing some of his greatest material.
Recorded in the fall of 2006, shortly after B.B. King's 81st birthday, Live is really an abridged audio complement to a video release, containing 12 of the 19 tracks available on the DVD of the same title. King has made a lot of live albums in his time, but his approach hasn't changed much over the years. In addition to his obvious talents as a guitarist and showman, he has also been fortunate in that his chosen style of music, a version of the blues growing out of the swing-influenced jump blues of the 1940s, has not only remained perennially popular but grown in acceptance. As performed here by the B.B. King Blues Band, it is still essentially the same, a jazzy roadhouse music that leaves plenty of room for solos. At one time, most of those solos were played by King on his guitar, but now he is content to give the showcase to his horn players, as he does on "Blues Man," or organist James Toney, who claims the lion's share of "Rock Me Baby." There is still plenty of guitar work, however, and King remains seemingly as agile as ever. He is also a relaxed, comfortable frontman, engaging in easy banter with both band and audience.
B.B. King has cut a lot of albums since the success of Live at the Regal. And, like the live shows they document, none of them are any less than solid and professional, hallmarks of King's work aesthetic. But every so often B.B. truly catches fire; his playing and singing comes up an extra notch or two, and the result is a live album with some real sparks to it. Live in Cook County Jail is one of those great concerts that the record company was smart enough to be there to capture, documenting B.B. firing on all cylinders in front of an audience that's just damn happy for him to be there…